"Hearing, Seeing, and Perceptual Agency". Critical Inquiry. 2008;34 (2) :S36-S58. monsonhearingseeing.pdf

Monson IT. Fitting the Part. In: Rustin NT, Tucker S Big Ears: Listening for Gender in Jazz Studies. Durham: Duke University Press ; 2008.

Monson IT. Freedom Sounds: Civil Rights Call Out to Jazz and Africa.; 2007.

Monson IT. Jazz. In: Maultsby P, Burnim M African American Music Anthology. New York: Routedge ; 2005. pp. 145-183.

Monson I. Blues People:Amiri Baraka as Social Theorist, in Blues People: 40 Years Later, A Symposium. ; 2004. 2004barakabluespeoplex.pdf

Monson IT. Jazz Improvisation. In: Cooke M, Horn D The Cambridge Companion to Jazz. Cambridge, UK: Cambridge University Press ; 2002.

Monson IT. Report of Study Session 22: Theorizing the Transnational. In: Proceedings of the International Musicological Society, 16th International Congress. London: Royal College of Music ; 2001.

Monson IT. Say it Loud: The History of Black Music America. 2001.

Monson IT. Jazz. In: Koskoff E Garland Encyclopedia of World Music Volume 11, The United States and Canada. ; 2001.

Monson IT. Miles, Politics, and Image. In: Early G Miles Davis and American Culture. St. Louis: Missouri Historical Society Press ; 2001.

Monson IT. Monk Meets SNCC. Black Music Research Journal. 2000;19 (2) :187-200.

Monson I. The African Diaspora: A Musical Perspective. Garland Press; 2000.

Monson IT. Review of Just My Soul Responding: Rthythm and Blues, Black Consciousness, and Race Relations, by Brian Ward. Yearbook for Traditional Music. 1999;31.

Monson IT. George Russell. In: Floyd S International Dictionary of Black Composers. Chicago: Center for Black Music Research ; 1999.

Monson IT. Riffs, Repetition, and Theories of Globalization. Ethnomusicology. 1999;43 (1) :31-6.

Monson IT. Oh Freedom: George Russell , John Coltrane, and Modal Jazz. In: Nettl B, Russell M In the Course of Performance: Studies in the World of Musical Improvisation. Chicago: University of Chicago Press ; 1998. pp. 149-168.

Monson IT. Review of Representing Jazz, and Jazz Among the Discourses, edited by Krin Gabbard. American Music. 1997;15 (1) :110-113.

Monson IT. What’s Sound Got to Do With It?: Jazz, Poststructuralism, and the Construction of Cultural Meaning. In: Sawyer K Creativity in Performance. Greenwich, CT: Ablex ; 1997. pp. 95-112.

Monson IT. Abbey Lincoln's Straight Ahead: Jazz in the Era of the Civil Rights Movement. In: Fox R, Starn O Between Resistance and Revolution. New Brunswick, NJ: Rutgers University Press ; 1997. pp. 171-194.

Monson IT. Music and the Anthropology of Gender and Cultural Identity. Women and Music: A Journal of Gender and Culture. 1997;1 (1) :58-67.