<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">David Carrier, A World Art History and its Objects, 2008</style></title><secondary-title><style face="normal" font="default" size="100%">Journal of Aesthetics and Art Criticism</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">In Press</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.temple.edu/jaac/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">68</style></volume><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">1</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Encountering Pacific Art”</style></title><secondary-title><style face="normal" font="default" size="100%">Journal of Museum Ethnography</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">In Press</style></year></dates><volume><style face="normal" font="default" size="100%">21</style></volume><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Acting Out”</style></title><secondary-title><style face="normal" font="default" size="100%">artUS </style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2010</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.artext.org/index.html</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">27</style></volume><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(exhibition review: Acting Out: Social Experiments in Video, Institute of Contemporary Art, Boston)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Icons of the Desert”</style></title><secondary-title><style face="normal" font="default" size="100%">artUS</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2010</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.artext.org/index.html</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">27</style></volume><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(exhibition review: Icons of the Desert: Early Aboriginal Paintings from Papunya, Fowler Museum of Cultural History, Los Angeles)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“In Search of Christian Miraculous Images in the Age of Mechanical Reproduction, and Beyond”</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2010</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">Annual Report of the Center for Evolving Humanities: Study of Cultural Exchange (University of Tokyo) 22, 2010</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Abelardo Morell”</style></title><secondary-title><style face="normal" font="default" size="100%">artUS</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2009</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.artext.org/index.html</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">26</style></volume><pages><style face="normal" font="default" size="100%">69</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(exhibition review: Abelardo Morell: Pictures in Pictures, Bonni Benrubi Gallery, New York)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author><author><style face="normal" font="default" size="100%">A.W. Eaton</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">James O. Young</style></author><author><style face="normal" font="default" size="100%">Conrad Brunk</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Do Subaltern Artifacts Belong in Art Museums?</style></title><secondary-title><style face="normal" font="default" size="100%">The Ethics of Cultural Appropriation</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2009</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.wiley.com/WileyCDA/WileyTitle/productCd-1405161590.html</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Wiley-Blackwell</style></publisher><pub-location><style face="normal" font="default" size="100%">Oxford and Malden, MA</style></pub-location><pages><style face="normal" font="default" size="100%">235-267</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>47</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Historical Distance and the Shaping of the Past</style></title><secondary-title><style face="normal" font="default" size="100%">King’s College, University of London, workshop</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2009</style></year></dates><pub-location><style face="normal" font="default" size="100%">London</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(paper and respondent)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Jesus Christ as The Divine Mercy by Eugeniusz Kazimirowski: The Most Influential Polish Painting of the Twentieth Century?</style></title><secondary-title><style face="normal" font="default" size="100%">Ars: Journal of the Institute of Art History of Slovak Academy of Science</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2009</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.sav.sk/?lang=en&amp;charset=&amp;doc=org-ins&amp;institute_no=38</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">42</style></volume><pages><style face="normal" font="default" size="100%">81-91</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">1</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Maria de Peverelli</style></author><author><style face="normal" font="default" size="100%">Marco Grassi</style></author><author><style face="normal" font="default" size="100%">Hans-Christoph von Imhoff</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Kuba Textiles in a Subversive Role</style></title><secondary-title><style face="normal" font="default" size="100%">Emil Bosshard, Paintings Conservator (1945-2006): Essays from Friends and Colleagues</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2009</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.centrodi.it/schedaE.asp?idtitolo=388&amp;cat=1</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Centro Di</style></publisher><pub-location><style face="normal" font="default" size="100%">Florence</style></pub-location><pages><style face="normal" font="default" size="100%">60-71</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Laylah Ali”</style></title><secondary-title><style face="normal" font="default" size="100%">artUS</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2009</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.artext.org/index.html</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">26</style></volume><pages><style face="normal" font="default" size="100%">44</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(exhibition review: Laylah Ali: Notes/Drawings/Untitled Afflictions, DeCordova Museum and Sculpture Park, Lincoln, MA)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>10</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Paper and Podcast</style></title><secondary-title><style face="normal" font="default" size="100%">College Art Association annual conference</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2009</style></year></dates><pub-location><style face="normal" font="default" size="100%">Los Angeles</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Shepard Fairey”</style></title><secondary-title><style face="normal" font="default" size="100%">artUS</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2009</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.artext.org/index.html</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">26</style></volume><pages><style face="normal" font="default" size="100%">42-43</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(exhibition review: Shepard Fairey: Supply and Demand, ICA, Boston)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“The Singularity of Sculpture” </style></title><secondary-title><style face="normal" font="default" size="100%">Oxford Art Journal</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2009</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://oaj.oxfordjournals.org/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">32</style></volume><pages><style face="normal" font="default" size="100%">303-306</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(review of Roberta Panzanelli, ed., Ephemeral Bodies, 2008, and Jacqueline Lichtenstein, The Blind Spot, 2008)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>47</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">World Visuality</style></title><secondary-title><style face="normal" font="default" size="100%">Dumbarton Oaks Research Library and Collection, workshop</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2009</style></year></dates><pub-location><style face="normal" font="default" size="100%">Washington, DC</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(co-organizer and paper)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Anish Kapoor: Past, Present, Future”</style></title><secondary-title><style face="normal" font="default" size="100%">artUS</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2008</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.artext.org/index.html</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">24/25</style></volume><pages><style face="normal" font="default" size="100%">26</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(exhibition review: Anish Kapoor: Past, Present, Future, Institute of Contemporary Art, Boston)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Joan Lluís Palos</style></author><author><style face="normal" font="default" size="100%">Diana Carrió-Invernizzi</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">El Ayuntamiento de Amsterdam: ¿poder político o poder del arte?</style></title><secondary-title><style face="normal" font="default" size="100%">La Historia imaginada: Construcciónes visuales del pasado en la Edad Moderna</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2008</style></year></dates><publisher><style face="normal" font="default" size="100%">Centro de Estudios Europa Hispánica</style></publisher><pub-location><style face="normal" font="default" size="100%">Madrid</style></pub-location><pages><style face="normal" font="default" size="100%">65-81</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Garry L. Hagberg</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Ethical Judgments in Museums</style></title><secondary-title><style face="normal" font="default" size="100%">Art and Ethical Criticism</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2008</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.wiley.com/WileyCDA/WileyTitle/productCd-1405134836.html</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Wiley-Blackwell</style></publisher><pub-location><style face="normal" font="default" size="100%">Oxford and Malden, MA</style></pub-location><pages><style face="normal" font="default" size="100%">229-242</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>47</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">In Search of Christian Miraculous Images  in the Age of Mechanical Reproduction, and Beyond</style></title><secondary-title><style face="normal" font="default" size="100%">Miraculous Images in Christian and Buddhist Culture</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2008</style></year></dates><publisher><style face="normal" font="default" size="100%">Global Center of Excellence: Death and Life Studies, University of Tokyo</style></publisher><pub-location><style face="normal" font="default" size="100%">Tokyo</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Interdisciplinary Aesthetics</style></title><secondary-title><style face="normal" font="default" size="100%">Folly</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2008</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.follymag.com/files/FOLLY_May-08.pdf</style></url></web-urls></urls><pages><style face="normal" font="default" size="100%">3-8</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">May</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>10</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">The Public Object: Facing Contemporary Challenges in the Art Museum</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2008</style></year></dates><publisher><style face="normal" font="default" size="100%">The Walters Art Museum</style></publisher><pub-location><style face="normal" font="default" size="100%">Baltimore</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(respondent and session chair: introduction)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">The Riddle of a Riddle</style></title><secondary-title><style face="normal" font="default" size="100%">Contemporary Aesthetics</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2008</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=504</style></url></web-urls></urls><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">6</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Paul Taylor</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Some Cherokee and Chitimacha Baskets: Problems of Interpretation</style></title><secondary-title><style face="normal" font="default" size="100%">Iconographies Without Texts</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2008</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://onlinelibrary.wiley.com/doi/10.1111/j.1467-8357.2010.01096_9.x/abstract</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Nino Aragno Editore</style></publisher><pub-location><style face="normal" font="default" size="100%">Turin</style></pub-location><pages><style face="normal" font="default" size="100%">175-193</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(Warburg Institute Colloquia Series 13)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">John Roe</style></author><author><style face="normal" font="default" size="100%">Michele Stanco</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">After Art, Beyond Beauty</style></title><secondary-title><style face="normal" font="default" size="100%">Inspiration and Technique: Ancient to Modern Views on Beauty and Art</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2007</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">Inspiration and Technique: Ancient to Modern Views on Beauty and Art</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Peter Lang</style></publisher><pub-location><style face="normal" font="default" size="100%">Oxford and New York</style></pub-location><pages><style face="normal" font="default" size="100%">311-334</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>47</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">American Philosophical Association Western Division Annual Conference</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2007</style></year></dates><pub-location><style face="normal" font="default" size="100%">San Francisco</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(paper)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>10</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">American Society for Aesthetics National Annual Conference</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2007</style></year></dates><publisher><style face="normal" font="default" size="100%">Los Angeles</style></publisher><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(plenary and session chair)</style></notes></record><record><source-app name="Biblio" 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Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">World Art: Ways Forward</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2007</style></year></dates><publisher><style face="normal" font="default" size="100%">School of World Art Studies, University of East Anglia</style></publisher><pub-location><style face="normal" font="default" size="100%">Norwich, UK</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%"> (paper)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>47</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">American Society for Aesthetics National Annual 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size="100%">2006</style></year></dates><publisher><style face="normal" font="default" size="100%">University of Barcelona and the Reial Acadèmia de Bones Lletres</style></publisher><pub-location><style face="normal" font="default" size="100%">Barcelona</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>47</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Annual Max Wasserman Forum in Contemporary Art</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2006</style></year></dates><publisher><style face="normal" font="default" size="100%">Massachusetts Institute of Technology</style></publisher><language><style face="normal" font="default" 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font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Crossing Boundaries: Art Museums and Anthropology Museums in Search of Common Ground</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2006</style></year></dates><publisher><style face="normal" font="default" size="100%">Harvard University Art Museums, and Peabody Museum of Archaeology and Ethnology</style></publisher><pub-location><style face="normal" font="default" size="100%">Cambridge, MA</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(co-organizer and chair)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">John Hand</style></author><author><style face="normal" font="default" size="100%">Ron Spronk</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Diptychs—What’s the Point?</style></title><secondary-title><style face="normal" font="default" size="100%">Essays in Context: Unfolding the Netherlandish Diptych</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2006</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.harvardartmuseums.org/study-and-research/publications/detail.dot?id=22760</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Harvard University Art Museums and Yale University Press</style></publisher><pub-location><style face="normal" font="default" size="100%">Cambridge, MA and New Haven, CT</style></pub-location><pages><style face="normal" font="default" size="100%">201-213</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Diptychs—What’s the Point?</style></title><secondary-title><style face="normal" font="default" size="100%">Journal of Aesthetics and Art Criticism</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2006</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.temple.edu/jaac/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">64</style></volume><pages><style face="normal" font="default" size="100%"> 325-332</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">3</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“A Public and Patriotic Museum”: Artworks and Artifacts from the General Artemas Ward House (with Laurel Thatcher Ulrich)</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2006</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">Harvard University Art Museums Gallery Series, no. 53, Cambridge, Mass.</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Rembrandt, Ingenuity, and Skill,” in Rembrandt and the Aesthetics of Technique</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2006</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">ed. Ivan Gaskell and William W. Robinson, Harvard University Art Museums Gallery Series, no. 52, Cambridge, Mass.</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>47</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">American Society for Aesthetics Eastern Division Annual Conference</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2005</style></year></dates><pub-location><style face="normal" font="default" size="100%">Philadelphia</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(paper)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>47</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">The Ethics of Cultural Appropriation</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2005</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.uic.edu/depts/phil/bios/eaton.htm</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">University of Victoria, colloquium</style></publisher><pub-location><style face="normal" font="default" size="100%">Victoria, BC</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(papers, with A.W. Eaton)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Interdisciplinary Aesthetics</style></title><secondary-title><style face="normal" font="default" size="100%">American Society for Aesthetics Newsletter</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2005</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.aesthetics-online.org/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">25</style></volume><pages><style face="normal" font="default" size="100%">1-3</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">1</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>47</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">After Critique: Art Museums in the World</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2004</style></year></dates><publisher><style face="normal" font="default" size="100%">Clark Art Institute, colloquium</style></publisher><pub-location><style face="normal" font="default" size="100%">Williamstown, MA</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(co-organizer, co-chair, and paper)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Contributions to Carmen Thyssen-Bornemisza Collection, I</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2004</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">ed. Javier Arnaldo, Madrid: Museo Thyssen-Bornemisza</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Costume, Period Rooms, and Donors: Dangerous Liaisons in the Art Museum</style></title><secondary-title><style face="normal" font="default" size="100%">The Antioch Review</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2004</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://antiochcollege.org/antioch_review/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">62</style></volume><pages><style face="normal" font="default" size="100%">615-623</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">4</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Ary Scheffer” in A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exhibition catalogue</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2003</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">ed. Stephan Wolohojian, with the assistance of Anna Tahinci, Musée des Beaux-Arts, Lyons, National Gallery, London, and Metropolitan Museum of Art, New York, pp. 302-304</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Robert S. Nelson</style></author><author><style face="normal" font="default" size="100%">Richard Shiff</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Beauty</style></title><secondary-title><style face="normal" font="default" size="100%">Critical Terms for Art History, 2nd edition</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2003</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.press.uchicago.edu/ucp/books/book/chicago/C/bo3626107.html</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Chicago University Press</style></publisher><pub-location><style face="normal" font="default" size="100%">Chicago and London</style></pub-location><pages><style face="normal" font="default" size="100%">267-280</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Being True to Artists</style></title><secondary-title><style face="normal" font="default" size="100%"> Journal of Aesthetics and Art Criticism</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2003</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.temple.edu/jaac/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">61</style></volume><pages><style face="normal" font="default" size="100%">53-60</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">1</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Museums, Nature, and Artifice” in Nature and Nation: Vaster than Empires, exhibition catalogue</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2003</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">ed. Anne Eggebert and Polly Gould, The London Institute, London and Hastings Museum and Art Gallery, pp. 35-44</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Andrew McClellan</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Sacred to Profane and Back Again</style></title><secondary-title><style face="normal" font="default" size="100%">Art and its Publics: Museum Studies at the Millennium</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2003</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.wiley.com/WileyCDA/WileyTitle/productCd-0631230475.html</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Blackwell</style></publisher><pub-location><style face="normal" font="default" size="100%">Oxford and Malden</style></pub-location><pages><style face="normal" font="default" size="100%">149-162</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>10</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">American Society for Aesthetics National Annual Conference</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2002</style></year></dates><pub-location><style face="normal" font="default" size="100%">Miami</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(session chair)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Cynthia Freeland, But Is It Art? An Introduction to Art Theory, 2001</style></title><secondary-title><style face="normal" font="default" size="100%">American Society for Aesthetics Newsletter</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2002</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.aesthetics-online.org/reviews/index.php?reviews_id=34</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">22</style></volume><pages><style face="normal" font="default" size="100%">4-6</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">2</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>47</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Historians of Netherlandish Art Congress</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2002</style></year></dates><pub-location><style face="normal" font="default" size="100%">Antwerp</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(paper)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Interdisciplinary Perspectives: Harvard’s Mystery Seminar</style></title><secondary-title><style face="normal" font="default" size="100%">The Catalogue of Antiques and Fine Art</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2002</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.antiquesandfineart.com/articles/article.cfm?request=363</style></url></web-urls></urls><pages><style face="normal" font="default" size="100%">198-201</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Charles W. 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size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Michael Ann Holly</style></author><author><style face="normal" font="default" size="100%">Keith Moxey</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Recollections of Rembrandt’s Jeremiah</style></title><secondary-title><style face="normal" font="default" size="100%">Art History, Aesthetics, Visual Studies</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2002</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://yalepress.yale.edu/book.asp?isbn=9780300097894</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Clark Art Institute and Yale University Press</style></publisher><pub-location><style face="normal" font="default" size="100%">Williamstown, MA, and New Haven and London</style></pub-location><pages><style face="normal" font="default" size="100%">175-186</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Alan Chong</style></author><author><style face="normal" font="default" size="100%">Michael Zell</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Rembrandt van Rijn and Gerrit Dou: An Evolving Relationship?</style></title><secondary-title><style face="normal" font="default" size="100%">Rethinking Rembrandt</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2002</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.amazon.com/Rethinking-Rembrandt-Alan-Chong/dp/9040096732</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Isabella Stewart Gardner Museum and Waanders</style></publisher><pub-location><style face="normal" font="default" size="100%">Boston and Zwolle</style></pub-location><pages><style face="normal" font="default" size="100%">107-119</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>10</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style 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The Exhibition in Honour of the Collector Baron Hans Heinrich Thyssen-Bornemisza, exhibition catalogue</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2001</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">Kunst- und Ausstellungshalle der Bundesrepubllik Deutschland, Bonn </style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">The Imperative of History: Comments on the Clark Symposium ‘Institutionalizing the Aesthetic’</style></title><secondary-title><style face="normal" font="default" size="100%">CAI: Journal of the Clark Art 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beau</style></title><secondary-title><style face="normal" font="default" size="100%">L’avenir des musées: Actes du colloque organisé au musée du Louvre</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2001</style></year></dates><publisher><style face="normal" font="default" size="100%">Réunion des Musées Nationaux</style></publisher><pub-location><style face="normal" font="default" size="100%">Paris</style></pub-location><pages><style face="normal" font="default" size="100%">503-519</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“New York and London: Vermeer and the Delft 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size="100%">2000</style></year></dates><pub-location><style face="normal" font="default" size="100%">London</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(paper)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>47</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Conference on the Future of Museums</style></title></titles><dates><year><style  face="normal" font="default" size="100%">2000</style></year></dates><publisher><style face="normal" font="default" size="100%">Musée du Louvre</style></publisher><pub-location><style face="normal" font="default" size="100%">Paris</style></pub-location><language><style face="normal" font="default" 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size="100%">2000</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.aesthetics-online.org/memorials/index.php?memorials_id=9</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">20</style></volume><pages><style face="normal" font="default" size="100%">4-5</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">1</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">A Variety of Objects, from Tools to Art: A Template for Collectors</style></title><secondary-title><style face="normal" font="default" size="100%"> The International Fine Art Fair, The 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size="100%">2000</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.press.uchicago.edu/ucp/books/book/distributed/V/bo3535813.html</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Reaktion Books</style></publisher><pub-location><style face="normal" font="default" size="100%">London</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Washington, London and The Hague: Gerrit Dou”</style></title><secondary-title><style face="normal" font="default" size="100%">The Burlington Magazine</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2000</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.burlington.org.uk/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">142</style></volume><pages><style face="normal" font="default" size="100%">533-535</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(exhibition review: Gerrit Dou, 1613-1675: Master Painter in the Age of Rembrandt, National Gallery of Art, Washington, DC)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>47</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Clark Conference</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1999</style></year></dates><publisher><style face="normal" font="default" size="100%">Clark Art Institute</style></publisher><pub-location><style face="normal" font="default" size="100%">Williamstown, MA</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(paper)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author><author><style face="normal" font="default" size="100%">Kristen Lippencott</style></author><author><style face="normal" font="default" size="100%">Umberto Eco</style></author><author><style face="normal" font="default" size="100%">E.H. Gombrich</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">The Image of Vanitas: Efflorescence and Evanescence</style></title><secondary-title><style face="normal" font="default" size="100%">The Story of Time</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1999</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.amazon.com/Story-Time-Kristen-Lippincott/dp/1858940729</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Merrell Holberton</style></publisher><pub-location><style face="normal" font="default" size="100%">London</style></pub-location><pages><style face="normal" font="default" size="100%">186-189</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>6</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author><author><style face="normal" font="default" size="100%">Salim Kemal</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Performance and Authenticity in the Arts (Cambridge Studies in Philosophy and the Arts 9)</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1999</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.amazon.com/Performance-Authenticity-Cambridge-Studies-Philosophy/dp/0521454190</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Cambridge University Press</style></publisher><pub-location><style face="normal" font="default" size="100%">Cambridge and New York</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>6</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author><author><style face="normal" font="default" size="100%">Henry Lie</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Sketches in Clay for Projects by Gian Lorenzo Bernini: Theoretical, Technical, and Case Studies</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1999</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.harvardartmuseums.org/study-and-research/publications/detail.dot?id=23399</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Harvard University Art Museums</style></publisher><pub-location><style face="normal" font="default" size="100%">Cambridge, MA</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(editor, with Henry Lie, and author of “An Economy of Seventeenth-Century Clay Sculptors’ Models,” and “Conclusion”)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Christiane Hertel, Vermeer. Reception and Interpretation, 1996</style></title><secondary-title><style face="normal" font="default" size="100%">The Burlington Magazine</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1998</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.burlington.org.uk/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">140</style></volume><pages><style face="normal" font="default" size="100%">209-210</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">V. Vázquez de Prada,</style></author><author><style face="normal" font="default" size="100%">et al</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Historia, Historia del Arte y Museos. ¿Una Conversación a Tres Bandas?</style></title><secondary-title><style face="normal" font="default" size="100%">En la Encrucijada de la Cienzia Histórica Hoy el Auge de la Historia Cultural</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1998</style></year></dates><publisher><style face="normal" font="default" size="100%">Ediciones Universidad de Navarra</style></publisher><pub-location><style face="normal" font="default" size="100%">Pamplona</style></pub-location><pages><style face="normal" font="default" size="100%">99-109</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>6</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author><author><style face="normal" font="default" size="100%">Salim Kemal</style></author><author><style face="normal" font="default" size="100%">Daniel W. Conway</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Nietzsche, Philosophy and the Arts (Cambridge Studies in Philosophy and the Arts 8)</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1998</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.amazon.com/Nietzsche-Philosophy-Arts-Cambridge-Studies/dp/0521522722</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Cambridge University Press</style></publisher><pub-location><style face="normal" font="default" size="100%">Cambridge and New York</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>6</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author><author><style face="normal" font="default" size="100%">Michiel Jonker</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Vermeer Studies (Studies in the History of Art 55)</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1998</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.amazon.com/Vermeer-Studies-History-Art/dp/0300075219</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">National Gallery of Art and Yale University Press</style></publisher><pub-location><style face="normal" font="default" size="100%">Washington D.C., and New Haven and London</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(editor, with Michiel Jonker, and author of the introduction, “Valuing Vermeer,” and “Vermeer and the Limits of Interpretation”)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Victor I. Stoichita, The Self-Aware Image. An Insight into Early Modern Meta-Painting, 1997</style></title><secondary-title><style face="normal" font="default" size="100%">The Burlington Magazine</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1998</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.burlington.org.uk/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">140</style></volume><pages><style face="normal" font="default" size="100%">570-571</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>6</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author><author><style face="normal" font="default" size="100%">David Ward</style></author><author><style face="normal" font="default" size="100%">Seamus Heaney</style></author><author><style face="normal" font="default" size="100%">Parveen Adams</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Canopy: A Work for Voice and Light in Harvard Yard: with a poem by Seamus Heaney and texts by Parveen Adams and Ivan Gaskell</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1997</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.amazon.com/Canopy-Work-Voice-Light-Harvard/dp/0916724948</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Harvard University Arts Museums &amp; The Office for the Arts (editor and contributor) </style></publisher><pub-location><style face="normal" font="default" size="100%">Cambridge, MA</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Wayne Franits</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Tobacco, Social Deviance, and Dutch Art in the Seventeenth Century</style></title><secondary-title><style face="normal" font="default" size="100%">Looking at Seventeenth-Century Dutch Art: Realism Reconsidered</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1997</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.cambridge.org/asia/catalogue/catalogue.asp?isbn=9780521499453</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Cambridge University Press</style></publisher><pub-location><style face="normal" font="default" size="100%">Cambridge</style></pub-location><pages><style face="normal" font="default" size="100%">68-77</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">Originally published: “Tobacco, social deviance and seventeenth-century Dutch art,” Holländische Genremalerei in 17.Jahrhundert, ed. 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size="100%">A Seascape by Jacob van Ruisdael and its Nineteenth-Century Owners</style></title><secondary-title><style face="normal" font="default" size="100%">Shop Talk: Festschrift in Honor of Seymour Slive</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1995</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.amazon.com/Shop-Talk-Studies-Honor-Seymour/dp/0917624858</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Harvard University Art Museums</style></publisher><pub-location><style face="normal" font="default" size="100%">Cambridge, MA</style></pub-location><pages><style face="normal" font="default" size="100%">78-83</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Contemporary Art and the Department of Paintings &amp; Sculpture</style></title><secondary-title><style face="normal" font="default" size="100%">Harvard University Art Museums Review</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1993</style></year></dates><volume><style face="normal" font="default" size="100%">2</style></volume><pages><style face="normal" font="default" size="100%">3</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">2</style></issue></record><record><source-app name="Biblio" 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size="100%">Salim Kemal</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Explanation and Value in the Arts (Cambridge Studies in Philosophy and the Arts 3)</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1993</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.amazon.com/Explanation-Value-Cambridge-Studies-Philosophy/dp/0521419263</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Cambridge University Press</style></publisher><pub-location><style face="normal" font="default" size="100%">Cambridge and New York</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>6</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author><author><style face="normal" font="default" size="100%">Salim Kemal</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Landscape, Natural Beauty and the Arts (Cambridge Studies in Philosophy and the Arts 2)</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1993</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.amazon.com/Landscape-Natural-Cambridge-Studies-Philosophy/dp/0521558549</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Cambridge University Press</style></publisher><pub-location><style face="normal" font="default" size="100%">Cambridge and New York</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">An Offbeat Collection of Dutch and Flemish Paintings. The Netherlandish Pictorial Tradition: Representations and Iconographies, exhibition catalogue</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1993</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">Fogg Art Museum, Harvard University Art Museums</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Drawn by Rembrandt? Reflections on Exhibitions and Attributions” </style></title><secondary-title><style face="normal" font="default" size="100%">Apollo</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1992</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.apollo-magazine.com/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">136</style></volume><pages><style face="normal" font="default" size="100%">55-56</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(exhibition review: Drawings by Rembrandt and his Circle, British Museum, London)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Tiepolo in Madrid: the Fogg’s Aeneas sketch Investigated</style></title><secondary-title><style face="normal" font="default" size="100%">Bulletin of the Harvard University Art Museums</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1992</style></year></dates><volume><style face="normal" font="default" size="100%">1</style></volume><pages><style face="normal" font="default" size="100%">55-70</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">2</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Alison McNeil Kettering, Drawings from the Ter Borch Studio Estate, 1988</style></title><secondary-title><style face="normal" font="default" size="100%">The Burlington Magazine</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1991</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.burlington.org.uk/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">133</style></volume><pages><style face="normal" font="default" size="100%">122</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Peter Burke</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">History of Images</style></title><secondary-title><style face="normal" font="default" size="100%">New Perspectives on Historical Writing</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1991</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.polity.co.uk/book.asp?ref=9780745624273</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Polity Press</style></publisher><pub-location><style face="normal" font="default" size="100%">Oxford</style></pub-location><pages><style face="normal" font="default" size="100%">168-192</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">Second, revised, edition as “Visual History,” 2001, pp. 187-217</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Incredibility escapes recognition: thoughts on Three Heraclitean Elements” in John Stathatos, “Three Heraclitean Elements,” exhibition catalogue</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1991</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">ed. C. MacDonald, Cambridge Darkroom (and European tour)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Kathleen Preciado, ed., Retaining the Original: Multiple Originals, Copies and Reproductions, 1989</style></title><secondary-title><style face="normal" font="default" size="100%">British Journal of Aesthetics</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1991</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://bjaesthetics.oxfordjournals.org/?code=aesthj&amp;.cgifields=code</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">31</style></volume><pages><style face="normal" font="default" size="100%">179-182</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>6</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author><author><style face="normal" font="default" size="100%">Salim Kemal</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">The Language of Art History (Cambridge Studies in Philosophy and the Arts 1)</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1991</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.amazon.com/Language-History-Cambridge-Studies-Philosophy/dp/0521445981</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Cambridge University Press</style></publisher><pub-location><style face="normal" font="default" size="100%">Cambridge and New York</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Rembrandt’s Landscape”</style></title><secondary-title><style face="normal" font="default" size="100%">Apollo</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1991</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.apollo-magazine.com/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">133</style></volume><pages><style face="normal" font="default" size="100%">58-59</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(review of Cynthia P. Schneider, Rembrandt’s Landscapes, 1990)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Rembrandt’s Self Portrayed?” (review of H. Perry Chapman, Rembrandt’s Self-Portraits, 1990)</style></title><secondary-title><style face="normal" font="default" size="100%">Apollo</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1991</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.apollo-magazine.com/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">133</style></volume><pages><style face="normal" font="default" size="100%">362-363</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“A Tangle of Glances: Sharon Kivland in Birmingham”</style></title><secondary-title><style face="normal" font="default" size="100%">Creative Camera</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1991</style></year></dates><pages><style face="normal" font="default" size="100%">48-49</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">June-July</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Arnhem Internationaal Audio Visual Experimenteel Festival (AVE)” (festival review)</style></title><secondary-title><style face="normal" font="default" size="100%">Performance</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><volume><style face="normal" font="default" size="100%">60</style></volume><pages><style face="normal" font="default" size="100%">64-66</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">Spring</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Birmingham’s Civic Pride Goes Dutch”</style></title><secondary-title><style face="normal" font="default" size="100%">Apollo</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.apollo-magazine.com/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">131</style></volume><pages><style face="normal" font="default" size="100%">47</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(exhibition review: Images of a Golden Age; Dutch Seventeenth-Century Paintings, Birmingham City Museum and Art Gallery)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Dutch Landscape Painting</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">Dulwich Picture Gallery (gallery guide)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Dutch Painters of High Finish” (exhibition review: De Hollandse Fijnschilders, Rijksmuseum, Amsterdam)</style></title><secondary-title><style face="normal" font="default" size="100%">The Burlington Magazine</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.burlington.org.uk/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">132</style></volume><pages><style face="normal" font="default" size="100%">228-230</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Epic Intimacies: Craigie Horsfield at the Frith Street Gallery”</style></title><secondary-title><style face="normal" font="default" size="100%">Creative Camera</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><pages><style face="normal" font="default" size="100%">47-48</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">April-May</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Eric Jan Sluijter et. al., eds., Leidse Fijnschilders: van Gerrit Dou tot Frans van Mieris de Jonge, 1630-1760, 1988</style></title><secondary-title><style face="normal" font="default" size="100%">The Burlington Magazine</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.burlington.org.uk/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">132</style></volume><pages><style face="normal" font="default" size="100%">48</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Free State: Ivan Gaskell in Conversation with Tim Brennan</style></title><secondary-title><style face="normal" font="default" size="100%">Performance</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><pages><style face="normal" font="default" size="100%">30-35</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">60</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">From Moment to Moment </style></title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">Boxed set of artists’ postcards with an essay by Ivan Gaskell published to accompany a season of time-based media events and exhibitions at the Cambridge Darkroom, May-June, 1990</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">John Michael Montias, Vermeer and his Milieu: a Web of Social History, 1989</style></title><secondary-title><style face="normal" font="default" size="100%">The Burlington Magazine</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.burlington.org.uk/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">132</style></volume><pages><style face="normal" font="default" size="100%">724-725</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">National Gallery Master Paintings from the Collection of Wynn Ellis of Whitstable, exhibition catalogue</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">Royal Museum and Art Gallery, Canterbury and the National Gallery, London</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Bob Scribner</style></author><author><style face="normal" font="default" size="100%">Martin Warnke</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Pieter Jansz. Saenredam and the Great Church of ’s-Hertogenbosch</style></title><secondary-title><style face="normal" font="default" size="100%">Bilder und Bildersturm im Spätmittelalter und in der frühen Neuzeit</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.amazon.de/Bilder-Bildersturm-Sp%C3%A4tmittelalter-fr%C3%BChen-Neuzeit/dp/3447030372</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">O. Harrassowitz</style></publisher><pub-location><style face="normal" font="default" size="100%">Wiesbaden</style></pub-location><pages><style face="normal" font="default" size="100%">249-261</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Post-Morality,</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">Cambridge Darkroom and Kettle’s Yard, Cambridge, (editor)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“The Real Thing”</style></title><secondary-title><style face="normal" font="default" size="100%">Apollo</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.apollo-magazine.com/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">132</style></volume><pages><style face="normal" font="default" size="100%">109-110</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(exhibition review: Fake? The Art of Deception, British Museum, London)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Rembrandt, his Pupils and Rivals</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">Dulwich Picture Gallery (gallery guide)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“State of the art Frans Hals”</style></title><secondary-title><style face="normal" font="default" size="100%">Apollo</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.apollo-magazine.com/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">131</style></volume><pages><style face="normal" font="default" size="100%">262-264</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(exhibition review: Frans Hals, Royal Academy of Arts, London)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>6</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">The Thyssen-Bornemisza Collection: Seventeenth-century Dutch and Flemish Painting</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1990</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.amazon.com/Seventeenth-Century-Dutch-Flemish-Painting-Thyssen-Bornemisza/dp/0856673528</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">London: Sotheby’s Publications/Philip Wilson Ltd.</style></publisher><pub-location><style face="normal" font="default" size="100%">London</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Cambridge Darkroom: the Chairman’s Tale</style></title><secondary-title><style face="normal" font="default" size="100%">Creative Camera (special issue on the fifth anniversary of the Cambridge Darkroom)</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1989</style></year></dates><pages><style face="normal" font="default" size="100%">31</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">10</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Choice silver: Hannah Collins at the Institute of Contemporary Arts, London”</style></title><secondary-title><style face="normal" font="default" size="100%">Creative Camera</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1989</style></year></dates><pages><style face="normal" font="default" size="100%">36</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">Mar.</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Flickering Flexions: Marie-Jo Lafontaine at the Fruitmarket Gallery, Edinburgh”</style></title><secondary-title><style face="normal" font="default" size="100%">Creative Camera</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1989</style></year></dates><pages><style face="normal" font="default" size="100%">58-59</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">Aug-Sep</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Hans Belting, The End of the History of Art?, 1987</style></title><secondary-title><style face="normal" font="default" size="100%">British Journal of Aesthetics </style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1989</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://bjaesthetics.oxfordjournals.org/?code=aesthj&amp;.cgifields=code</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">29</style></volume><pages><style face="normal" font="default" size="100%">182-185</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Introduction to (and editing of) Shadow of a Dream: Contemporary Photo-works from France, exhibition catalogue (with texts by Véronique Pittolo and Alain Renaudo)</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1989</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">Cambridge Darkroom (and U.K. national tour)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Loss of Eden” in Singular Visions: Recent Landscapes by Five Artists (Andy Goldsworthy, Christopher Le Brun, Sandra Masterson, Michael Porter, Terry Shave), exhibition catalogue</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1989</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">ed. C. Stracey and K. Eustace, Mead Gallery, Warwick University, pp. 4-5 (exhibition also at Pomeroy Purdy Gallery, London, 1990)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Photography and Art—What Next?</style></title><secondary-title><style face="normal" font="default" size="100%">Apollo</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1989</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.apollo-magazine.com/</style></url></web-urls></urls><pages><style face="normal" font="default" size="100%">155-158</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">130</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Richard Layzell, The Revolution –You’re In It!”</style></title><secondary-title><style face="normal" font="default" size="100%">Performance</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1989</style></year></dates><volume><style face="normal" font="default" size="100%">59</style></volume><pages><style face="normal" font="default" size="100%">77-79</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(nine day performance work commissioned by Kettle’s Yard for the 1989 Cambridge Festival)</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Rooted Sorrows</style></title><secondary-title><style face="normal" font="default" size="100%">Creative Camera</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1989</style></year></dates><pages><style face="normal" font="default" size="100%">18-19</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">1</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Denise Hooker</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Spain and The Netherlands in the Seventeenth Century</style></title><secondary-title><style face="normal" font="default" size="100%">Art of the Western World</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1989</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.amazon.com/Art-Western-World-Denise-Hooker/dp/1852831626</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Boxtree</style></publisher><pub-location><style face="normal" font="default" size="100%">London</style></pub-location><pages><style face="normal" font="default" size="100%">244-269</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">(French edition: Histoire de l’art en occident, trans. 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size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Simon Schama, The Embarrassment of Riches, 1987</style></title><secondary-title><style face="normal" font="default" size="100%">The Burlington Magazine</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1988</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.burlington.org.uk/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">130</style></volume><pages><style face="normal" font="default" size="100%">636-637</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author><author><style 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face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“The Catalogue of Dutch Paintings in the National Gallery of Ireland” (review article)</style></title><secondary-title><style face="normal" font="default" size="100%">Irish Arts Review</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1986</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.irishartsreview.com/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">3</style></volume><pages><style face="normal" font="default" size="100%">56-57</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">4</style></issue></record><record><source-app name="Biblio" 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version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Contributions to Collection for a King: Old Master Paintings from the Dulwich Picture Gallery, exhibition catalogue</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1985</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">ed. G. Waterfield, National Gallery of Art, Washington D.C. &amp; Los Angeles County Museum of Art, 1985-86, pp. 74, 106, 118</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Contributions to European Paintings 1550-1800, exhibition catalogue</style></title></titles><dates><year><style  face="normal" font="default" size="100%">1985</style></year></dates><language><style face="normal" font="default" size="100%">eng</style></language><notes><style face="normal" font="default" size="100%">ed. D. Garstang, Colnaghi, New York, pp. 10-15</style></notes></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Edgar Wind, The Eloquence of Symbols: Studies in Humanist Art, ed. Jaynie Anderson, 1983</style></title><secondary-title><style face="normal" font="default" size="100%">British Journal of Aesthetics</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1985</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://bjaesthetics.oxfordjournals.org/?code=aesthj&amp;.cgifields=code</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">25</style></volume><pages><style face="normal" font="default" size="100%">79-81</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Cornelis Ploos van Amstel” (review article)</style></title><secondary-title><style face="normal" font="default" size="100%">Print Quarterly</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1984</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.printquarterly.com/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">1</style></volume><pages><style face="normal" font="default" size="100%">283-285</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Svetlana Alpers, The Art of Describing, 1983</style></title><secondary-title><style face="normal" font="default" size="100%">Oxford Art Journal</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1984</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://oaj.oxfordjournals.org/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">7</style></volume><pages><style face="normal" font="default" size="100%">57-60</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">1</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“The Van Eyck Problem” (review article)</style></title><secondary-title><style face="normal" font="default" size="100%">Apollo</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1984</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.apollo-magazine.com/</style></url></web-urls></urls><pages><style face="normal" font="default" size="100%">145-147</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">120</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>19</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Vermeer, Judgment and Truth</style></title><secondary-title><style face="normal" font="default" size="100%">The Burlington Magazine</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1984</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.burlington.org.uk/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">126</style></volume><pages><style face="normal" font="default" size="100%"> 557-561</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">“Art for the Oligarchs” (review article)</style></title><secondary-title><style face="normal" font="default" size="100%">Art History</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1983</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://www.wiley.com/bw/journal.asp?ref=0141-6790</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">6</style></volume><pages><style face="normal" font="default" size="100%">236-241</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Christopher White, The Dutch Pictures in the Collection of Her Majesty The Queen, 1982</style></title><secondary-title><style face="normal" font="default" size="100%">Oxford Art Journal</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">1983</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">http://oaj.oxfordjournals.org/</style></url></web-urls></urls><volume><style face="normal" font="default" size="100%">6</style></volume><pages><style face="normal" font="default" size="100%">68-69</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><issue><style face="normal" font="default" size="100%">1</style></issue></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Ivan Gaskell</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">John Michael Montias, Artists and Artisans in Delft 1982</style></title><secondary-title><style face="normal" font="default" size="100%">Oxford Art Journal</style></secondary-title></titles><dates><year><style  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