. Recollections of Rembrandt’s Jeremiah. In: Art History, Aesthetics, Visual Studies. Williamstown, MA, and New Haven and London: Clark Art Institute and Yale University Press; 2002. p. 175-186. Website
Book Chapter
. Rembrandt van Rijn and Gerrit Dou: An Evolving Relationship?. In: Rethinking Rembrandt. Boston and Zwolle: Isabella Stewart Gardner Museum and Waanders; 2002. p. 107-119. Website
. Tradesmen as Scholars: Interdependencies in the Study and Exchange of Art. In: Art History and its Institutions: Foundations of a Discipline. London and New York: Routledge; 2002. p. 146-162. Website
. Les musées des beaux-arts et le beau. In: L’avenir des musées: Actes du colloque organisé au musée du Louvre. Paris: Réunion des Musées Nationaux; 2001. p. 503-519.
. Entries. In: A Decade of Collecting: Recent Acquisitions by the Harvard University Art Museums. Cambridge, MA: Harvard University Art Museums; 2000. p. 46-52.
. A Variety of Objects, from Tools to Art: A Template for Collectors. In: The International Fine Art Fair, The Seventh Regiment Armory, Park Avenue at 67th Street, New York City. London: International Fine Art Fair Ltd.; 2000. p. 12-21.
. The Image of Vanitas: Efflorescence and Evanescence. In: The Story of Time. London: Merrell Holberton; 1999. p. 186-189. Website
. Historia, Historia del Arte y Museos. ¿Una Conversación a Tres Bandas?. In: En la Encrucijada de la Cienzia Histórica Hoy el Auge de la Historia Cultural. Pamplona: Ediciones Universidad de Navarra; 1998. p. 99-109.
. Tobacco, Social Deviance, and Dutch Art in the Seventeenth Century. In: Looking at Seventeenth-Century Dutch Art: Realism Reconsidered. Cambridge: Cambridge University Press; 1997. p. 68-77. Website
. The Curator’s Role: A View from the Department of Paintings and Sculpture. In: Harvard’s Art Museums: 100 Years of Collecting. Cambridge, MA and New York: Harvard University Art Museums and Abrams; 1996. p. 156-161. Website
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