. Christiane Hertel, Vermeer. Reception and Interpretation, 1996. The Burlington Magazine [Internet]. 1998;140:209-210. Website
Magazine Article
. Victor I. Stoichita, The Self-Aware Image. An Insight into Early Modern Meta-Painting, 1997. The Burlington Magazine [Internet]. 1998;140:570-571. Website
. Daniel Arasse, Vermeer: Faith in Painting, 1994. The Burlington Magazine [Internet]. 1995;137:468. Website
. “Drawn by Rembrandt? Reflections on Exhibitions and Attributions” . Apollo [Internet]. 1992;136:55-56. Website
. “Rembrandt’s Landscape”. Apollo [Internet]. 1991;133:58-59. Website
. Alison McNeil Kettering, Drawings from the Ter Borch Studio Estate, 1988. The Burlington Magazine [Internet]. 1991;133:122. Website
. “Rembrandt’s Self Portrayed?” (review of H. Perry Chapman, Rembrandt’s Self-Portraits, 1990). Apollo [Internet]. 1991;133:362-363. Website
. “A Tangle of Glances: Sharon Kivland in Birmingham”. Creative Camera. 1991;(June-July):48-49.
. “Epic Intimacies: Craigie Horsfield at the Frith Street Gallery”. Creative Camera. 1990;(April-May):47-48.
. “Birmingham’s Civic Pride Goes Dutch”. Apollo [Internet]. 1990;131:47. Website
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