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Dogg's Hamlet, Cahoot's Macbeth: Whistler in the Dark at Boston Center for the Arts, 2011

Wittgenstein's Challenge: Tom Stoppard, Ingeborg Bachmann, and the limits of language

June 1, 2012

Wittgenstein’s philosophy made a well-known project of placing severe limitations on what language is and is not capable of saying, but those authors who took Wittgenstein’s concerns seriously hardly saw his philosophy as a death sentence for literature, but rather as a real and pressing set of problems to which literature could very well lend expression.  Spanning three genres, Stoppard’s Dogg’s Hamlet, Cahoot’s Macbeth, Bachmann’s Der Gute Gott von Manhattan and Drei Wege zum See represent three literary responses to this philosophical challenge.

presentations:

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The Mythic Project of Plato's Republic

The Mythic Project of Plato's Republic

January 1, 2002

The three major myths of the Republic share a parallel plot structure and a common concern regarding the effects of the city’s educational curriculum on the nature of its citizens. As such, the ‘mythic project’ sustained across the myths coincides with the central political-philosophical project of Plato’s foremost work of political philosophy. I argue that this common inquiry on the effects of education provides a particularly compelling framework for understanding the Myth of Er, which has often struck readers as an inscrutable, if not disappointing, conclusion to the Republic. Furthermore, the mutual entwinement of the Republic’s mythic and philosophical projects cannot be read, as is often said of Plato’s myths, as merely two articulations in different modes, of the same philosophical principles. Rather, the myths of the Republic demonstrate how myth can create spaces for taking certain concepts for granted in ways that are critical to Plato’s conception of what it means to be a philosopher.

presentations:

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Plato and the New Mythology of German Idealism

Plato and the New Mythology of German Idealism

January 1, 2001

Against the tendency to consider the German Idealists and their writings on mythology alternately as an anti-philosophical political movement, or as an antipolitical aesthetic movement, I argue that their conception of the new mythology emerges as a solution to a novel political problem, and marks, in turn, the emergence of new problems – such as freedom and equality – in ongoing considerations on the political-philosophical potential of myth. The proponents of the new mythology identified a gap in politics that amounted to a choice between the cohesion of a community and the spiritual freedom of its individual members, which they in turn mapped onto a choice between an ethic founded on rationality and an ethic of poetry. Through the lens of their Platonism, the German Idealists believed that the choice between rationality and poetry could be resolved in mythology. They felt similarly about politics: through a new mythology, they proposed, politics need not sacrifice community or individualism to the other – and the possibility of their reconciliation is what gives the new mythology its novelty.

presentations:

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Leibniz and the boundaries of reason: An Enlightenment Fable

Leibniz and the boundaries of reason: An Enlightenment Fable

January 1, 2000

This chapter examines "the Petite Fable," the eschatological myth concluding Leibniz’s Theodicy, written within and against the height of the Enlightenment movement to liberate reason from the shadow of unreason.  Leibniz’s myth can be read as part of an early and self-conscious diagnosis of the intellectual trends of his time, and an attempt to identify what is lost in philosophy when reason is purified into only its critical function.  The myth is not, therefore, the product of a naive faith in an arch-rational metaphysics, but that of a critical insight concerning the boundaries of reason.  Second, it also owes its content, form and themes to a tradition of myth-writing closely entwined with the pre-modern reception of Plato, of which the most notable example is the Dream of Scipio concluding Cicero’s own Republic.  Both eschatological myths are homages to Plato’s Myth of Er, and both explore the themes of political duty in the temporal world against the eternal and infinite, and the consolation that only a mythic philosophy can provide to bridge that gap.

presentations:

  • X. Internationaler Leibniz-Kongress - Hannover, July 2016
  • Center for European Studies Dissertation Workshop - Harvard University, November 2015
  • Graduate Workshop in Political Theory - Harvard University Department of Government, February 2015

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Cassirer and the Enuma Elish

Cassirer and the Enuma Elish

January 1, 2000


Why does Cassirer end The Myth of the State, a narrative celebrating philosophy’s battle against myth, by retelling a Babylonian myth? Are all myths anti-philosophical and conducive to undesirable political outcomes? What kind of myth would prove to be the exception, such that a retelling of a myth comes to be an appropriate conclusion to a book that condemns myth generally?  My paper approaches this puzzle through Cassirer's Platonism. The twentieth century saw philosophers divided on the status of myth and its place in philosophy, and just as divisive was the question of where Plato stood on the issue. Whereas Plato often represented – as he did for Karl Popper – the beginning of totalitarian myth-making, Cassirer saw Plato’s work as the beginning of philosophy’s independence from myth.  I argue that Cassirer also found in Plato's writings the possibility of philosophical myths worth emulating, even in modernity.

presentations:

  • Graduate Workshop, Edmond J. Safra Center for Ethics - Harvard University, March 2014
  • Graduate Workshop in Political Theory - Harvard University Department of Government, March 2012

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Reading Hegel in Pyongyang: Hwang Jang-Yop and the Ideological Foundations of the North Korean State

Reading Hegel in Pyongyang: Hwang Jang-Yop and the Ideological Foundations of the North Korean State

January 1, 1999

(with Charles Lesch)

Juche (roughly translated as “self-reliance”) is the official state ideology of North Korea, used both in shaping propaganda and for publicly justifying all matters of North Korean policy. Yet while Juche functions as North Korea’s public philosophy, there have been few studies of its conceptual origins. We aim to fill this lacuna by examining the works of Hwang Jang-Yop, a longtime advisor to North Korea’s founding leaders and Juche’s most important architect and rhetorician. We argue that through Hwang, Juche was shaped not, as might be expected, by the Marxist ideologies of North Korea's immediate political allies, but instead by a modified Hegelianism. The Hegelian influence on the formation of Juche, in turn, carried important implications for the shape of North Korea’s social structure and political culture. 

Despite the nation’s perception of itself as realizing a Marxist vision, Hwang’s attempt to inaugurate a genuinely “human-centric” philosophy represents a conservative turn against Marx and back to Hegel. Hegel was perhaps the most important intellectual influence on Hwang during his formative years as a philosopher. We show that the body of Hwang’s work arises from a particular reading of Hegel’s philosophy of history, one that aims to remove from it all traces of mysticism. In place of Hegel’s Geist, Hwang substitutes an idealized conception of the human being. The resulting vision is a celebration of history without end, a conception of humanity that has no limits, in principle, to its potential progress. While such a worldview appears optimistic, the consequence is ultimately one in which there is a constant disjuncture between reality and imagined human potential. What therefore begins as an attempt at demystifying history ends with a novel mythology of the human being. This analysis, we conclude, sheds light on some of the more puzzling features of North Korean state ideology, and offers broader theoretical insights into what happens when politics itself serves as a religion.

presentations:

  • upcoming: Association for Political Theory annual conference - Boulder, CO, October 2015

Why did Socrates conduct his dialogues before an audience? On the role of the crowd in Plato's Gorgias

Why did Socrates conduct his dialogues before an audience? On the role of the crowd in Plato's Gorgias

January 1, 1999

The 'Socratic method,' or elenchus, is conventionally understood to be a one-on-one interaction between Socrates and an individual interlocutor. Why, then, does Socrates conduct so many of his dialogues in public places, where they are prone to being witnessed or even interrupted? This essay brings attention to the unappreciated role of crowds in Socrates’ investigations. Through a close reading of the Gorgias, a dialogue in search of the true political oratory, I argue that Socrates deliberately involves his audience in his discussions with individuals, thereby rejecting the elenchus for a reinvented form of philosophical oratory better suited to address both the individual interlocutor as well as the group of which he is part. The Socratic project, so understood, is no longer the practice of philosophy removed from politics, but an ambitious philosophical oratory aimed at interacting more publically with the Athenian demos.  See also Tae-Yeoun Keum, 'Why did Socrates conduct his dialogues before an audience?' forthcoming in History of Political Thought.

presentations:

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Three Utopian Founding Myths: the Republic, Utopia, and New Atlantis

Three Utopian Founding Myths: the Republic, Utopia, and New Atlantis

January 1, 1999

Each of the societies represented in the Republic, Utopia, and Bacon’s New Atlantis maintain some version of a myth told in relation to its founding. These founding myths capture what is fundamentally utopian about the enterprises of the kallipolis, Utopia and Bensalem: the desire for a single, coherent beginning of a society in which all its governing principles are laid down at once, and which guarantee its perpetual survival. They articulate a dream for an artificial founding, as opposed to an organic evolution toward the utopian state.

...

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The Inheritance of Loss and the Platonic Father: Patriarchy in the Republic, Symposium and Euthyphro

The Inheritance of Loss and the Platonic Father: Patriarchy in the Republic, Symposium and Euthyphro

January 1, 1998

Plato's conflicted thoughts on inter-generational relations are packed into the potent metaphor of the father figure in the Republic, Timaeus, Euthyphro and Symposium.  Common to these stories is Plato's appreciation for the immense power of fathers to instill respect for traditional values in the subsequent generation, and the simultaneous observation that such values are accepted automatically during a period in which the soul is most impressionable, with no demand made for the reasons they are important.  Values acquired in such a way are lost just as easily, and in fact come to pave the way for the corruption of the individual soul.  

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