@article {641843,
	title = {Monstrosity, Visuality, and the Grammar of the Body in Late Georgian Visual Satire},
	journal = {The Eighteenth Century: Theory and Interpretation (forthcoming in 2021)},
	year = {Forthcoming},
	author = {Alexander Creighton}
}
@article {641844,
	title = {Chekhov{\textquoteright}s Fiddle: Toward a Musical Poetics of Fiction},
	journal = {Short Fiction in Theory and Practice},
	volume = {9},
	number = {2},
	year = {2019},
	pages = {129-143},
	author = {Alexander Creighton}
}
@article {641845,
	title = {{\textquotedblleft}The Ecstasy of Mere Living: {\textquoteleft}Time{\textquoteright}s Possibility{\textquoteright} in the Poetry of Emily Dickinson.{\textquotedblright}},
	journal = {The Emily Dickinson Journal},
	volume = {27},
	number = {2},
	year = {2018},
	pages = {146-166},
	url = {https://doi.org/10.1353/edj.2018.0009},
	author = {Alexander Creighton}
}
@article {641846,
	title = {Tickers and Time-Keepers: Vanity Fair{\textquoteright}s Competing Temporalities},
	journal = {Journal of Victorian Culture},
	volume = {23},
	number = {3},
	year = {2018},
	pages = {527-541},
	url = {https://doi.org/10.1093/jvcult/vcy041},
	author = {Alexander Creighton}
}
