“Das Atelier der Malerin/The Paintress’s Studio,” in Jutta Koether: Libertine, exh. cat., Städtisches Museum Abteiberg, Mönchengladbach, 2020
“Chardin’s Schoolmistress: Ethics of Pedagogy and Painting,” Afterall, June 2020
“Delacroix: Through the Past Darkly,” Artforum, November 2018
“The Stroller: Gabriel de Saint-Aubin’s Urban Drawing,” in Body Narratives: Motion and Emotion in the French Enlightenment, ed. Susanna Caviglia, (Brepols Publishers, 2017)
| “Introduction,” and “Scenes of Instruction,” in Painting Beyond Itself, Isabelle Graw and Ewa Lajer-Burcharth, eds., (Sternberg Press, 2016) |
| “Introduction” and “The Unbelonging Interior: Chantal Akerman’s Là-bas,” in Interiors and Interiority, Ewa Lajer-Burcharth and Beate Söntgen, eds. (De Gruyter, 2015) |
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“Drawing: Medium, Discourse, Object,” in Ewa Lajer-Burcharth and Elizabeth Rudy, eds., Drawing: The Invention of a Modern Medium (Harvard Art Museums, 2017) |
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Lajer-Burcharth, Ewa. 2015. “Drawing Time.” October 151. |
| Lajer-Burcharth, Ewa. 2013. “The Inner Life of Painting.” Amy Sillman: One Lump or Two?, exhibition catalogue, The Institute of Contemporary Art. |
| Lajer-Burcharth, Ewa. 2011. “Chardin cruel.” in Violences du rococo, edited by René Démoris, Jacques Berchtold, and Christophe Martin. Bordeaux: Presses Universitaires |
| Lajer-Burcharth, Ewa. 2010. "Interior and Interiority: Chantal Akerman’s La Bas,". Das Magazin des Instituts für Theorie, Special Issue: Die Figur Der Zwei/The Figure of Two, Zürich 31 (14/15). elb_akerman.pdf |
| Lajer-Burcharth, Ewa. 2009. “Borders.” Krzysztof Wodiczko: Guests. Venice Biennial. |
| Lajer-Burcharth, Ewa. 2009. “Kwestia Nowoczesnosci: Przypadek Bouchera.” French Eighteenth-Century Painting from the Russian and Polish Collections. Warsaw: National Museum. |
| Lajer-Burcharth, Ewa. 2008. “The Archeologist of the Self: A Conversation with Mary Kelly.” Mary Kelly. Warsaw: Center for Contemporary Art. |
| Lajer-Burcharth, Ewa. 2008. “Image Matters: The Case of Boucher.” Dialogues in Art History, edited by Elizabeth Cropper. Washington, D.C.: Center of Advanced Study in Visual Arts, National Gallery. elb_boucher.pdf |
| Lajer-Burcharth, Ewa. 2008. “Interiors At Risk: Precarious Spaces in Contemporary Art.” Harvard Design Magazine, 12-21. |
| Lajer-Burcharth, Ewa. 2008. “Multi-Story: Mary Kelly.” On Fidelity: Art, Politics, Passion, and Event, Center, edited by Milada Ślizińska. Warsaw: Contemporary Art. elb_kelly.pdf |
| Lajer-Burcharth, Ewa. 2007. “Genre and Sex.” Genre Painting in Eighteenth-Century France. The Volume, edited by Philip Conisbee. CASVA and National Gallery of Art Publications, Yale University Press. elb_genre.pdf |
| Lajer-Burcharth, Ewa. 2007. “The Self in Exile: David’s Portrait of Sièyes.” David after David. Essays on the Later Work, edited by Mark Ledbury. Yale University Press. elb_david.pdf |
| Lajer-Burcharth, Ewa. 2006. “Duchess of Nothing: Video Space and the 'Woman Artist'.” Women Artists at the Millenium, edited by Carol Armstrong and Catherine de Zegher. MIT Press. |
| Lajer-Burcharth, Ewa. 2006. “Pompadour’s Dream: Boucher, Diderot, and Modernity.” Rethinking Boucher, edited by Melissa Hyde and Mark Ledbury. Los Angeles: Getty Research Institute’s Issues and Debates Series, Getty Publications. |
| Lajer-Burcharth, Ewa. 2005. “Better Late Than Never: J.L. David.” Artforum. |
| Lajer-Burcharth, Ewa. 2005. “The Object as Subject.” The Lure of the Object, edited by Stephen Melville. Williamstown, MA: Clark Art Institute Publications. elb_chardin_lureobject.pdf |
| Lajer-Burcharth, Ewa. 2003. “Fragonard in detail.” Differences 14 (3). |
| Lajer-Burcharth, Ewa. 2003. “Jean-Etienne Liotard's Envelopes of Self.” Cultures of Forgery. Making Nations, Making Selves, edited by Judith Ryan and Alfred Thomas. New York & London: Routledge. |
| Lajer-Burcharth, Ewa. 2003. “Spaces of the Self: Some Recent Video Installations and the Notion of the "Woman Artist.” Trans Art. |
| Lajer-Burcharth, Ewa. 2001. “Becoming.” From Ear to There. Sculptures, Prints, Drawings and Books by Ellen Driscoll. University of Massachusetts Dartmouth: University Art Gallery. |
| Lajer-Burcharth, Ewa. 2001. “Metamorphoses.” Cornelia Parker. Torino: Galeria Civica d'Arte Moderna e Contemporanea. |
| Lajer-Burcharth, Ewa. 2001. “Pompadour's Touch: Difference in Representation.” Representations 73. |
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Lajer-Burcharth, Ewa. 2000. “Lequeu's Corpus: Lascivious Architecture.” Self and History. Essays in Honour of Linda Nochlin, edited by Aruna D'Souza. Thames & Hudson. |
| Lajer-Burcharth, Ewa. 2000. “Pipilotti Rist.” Artforum. |
| Lajer-Burcharth, Ewa. 1999. “The Global Wanderer.” The 4th Hiroshima Art Prize: Krzysztof Wodiczko. Hiroshima City Museum of Contemporary Art. |
| Lajer-Burcharth, Ewa. 1999. “Sam Taylor-Wood: The Soliloquious Vision.” Parkett 55. |
| Lajer-Burcharth, Ewa. 1998. “Antoni's Difference.” Differences 10 (2). |
| Lajer-Burcharth, Ewa. 1998. “Tracey Moffat: A Stranger Within.” Parkett 53. |
| Lajer-Burcharth, Ewa. 1997. “Real Bodies: Video in the Nineties.” Art History |
| Lajer-Burcharth, Ewa. 1996. “The Muscadins and the Merveilleuses: Body and Fashion in Public Space under the Directory, 1795-1799.” Represssion and Expression. Literary and Social Coding in Nineteenth-Century France, edited by Carroll F. Coates. |
| Lajer-Burcharth, Ewa. 1996. “Old Histories: Zofia Kulik's Ironic Recollections.” New Histories. Boston: Institute of Contemporary Art. |
| Lajer-Burcharth, Ewa. 1995. “Questions of Feminism: Response.” October 71. |
| Lajer-Burcharth, Ewa. 1994. “The Aesthetics of Male Crisis: the Terror in the Republican Imaginary and in Jacques-Louis David's Work from Prison.” Femininity and Masculinity in Eighteen Century Art and Culture, edited by Gill Perry and Michael Rossington. Manchester University Press. |
| Lajer-Burcharth, Ewa. 1994. “Warsaw Diary.” Art in America. |
| Lajer-Burcharth, Ewa. 1993. “"Art Life in Paris, 1789-1814," and "Art Life in Paris, 1815-1870".” The Dictionary of Art. MacMillan Publisher. |
| Lajer-Burcharth, Ewa. 1993. “Les Sabines, ou la révolution glacée.” David contre David, edited by Régis Michel. Paris. |
| Lajer-Burcharth, Ewa. 1991. “David'sSabine Women: Body, Gender and Republican Culture under the Directory.” Art History 14 (3). |
| Lajer-Burcharth, Ewa. 1990. “La rhétorique du corps féminin sous le Directoire. Le cas d'Anne-Louise-Elisabeth Lange en Danaë.” Les Femmes et la Révolution Française, edited by Marie-France Brive. Vol. 2. Toulouse, 2. |
| Lajer-Burcharth, Ewa. 1989. “Les oeuvres de David en prison: art engagé après Thermidor.” La Revue du Louvre XXXIX (5/6). |
| Lajer-Burcharth, Ewa. 1987. “Understanding Wodiczko.” Counter-monuments: Krzysztof Wodiczko's public projections. Hayden Gallery, List Visual Art Center, Massachusetts Institute of Technology. |
| Lajer-Burcharth, Ewa. 1987. “Urban Disturbances.” Art in America 75 (11). |
| Lajer-Burcharth, Ewa, Douglas Crimp, and Rosalyn Deutsche. 1986. “A Conversation with Krzysztof Wodiczko.” October 38. |
| Lajer-Burcharth, Ewa. 1985. “Modernity and the Condition of Disguise: Manet's `Absinthe Drinker'.” Art Journal. |
| Lajer-Burcharth, Ewa. 1981. “Douglas Davies: Cultural Utopia without Illusions.” Sztuka (Art). |
| Lajer-Burcharth, Ewa. 1977. “Malevich and the Russian avant-garde around 1910.” Literatura. |