@article {238351,
	title = {"Hearing, Seeing, and Perceptual Agency"},
	journal = {Critical Inquiry},
	volume = {34},
	number = {2},
	year = {2008},
	pages = {S36-S58}
}
@inbook {19390,
	title = {Fitting the Part},
	booktitle = {Big Ears: Listening for Gender in Jazz  Studies},
	year = {2008},
	publisher = {Duke University Press},
	organization = {Duke University Press},
	address = {Durham},
	author = {Ingrid T. Monson},
	editor = {Rustin, Nichole T. and Sherrie Tucker}
}
@book {19385,
	title = {Freedom Sounds: Civil Rights Call Out to Jazz and Africa},
	year = {2007},
	author = {Ingrid T. Monson}
}
@inbook {19391,
	title = {Jazz},
	booktitle = {African American Music Anthology},
	year = {2005},
	pages = {145-183},
	publisher = {Routedge},
	organization = {Routedge},
	address = {New York},
	author = {Ingrid T. Monson},
	editor = {Portia Maultsby and Mellonee Burnim}
}
@conference {324881,
	title = {Blues People:Amiri Baraka as Social Theorist},
	booktitle = {Blues People: 40 Years Later, A Symposium},
	year = {2004},
	month = {February 7, 2004},
	author = {Ingrid Monson}
}
@inbook {19393,
	title = {Jazz Improvisation},
	booktitle = {The Cambridge Companion to Jazz},
	year = {2002},
	publisher = {Cambridge University Press},
	organization = {Cambridge University Press},
	address = {Cambridge, UK},
	author = {Ingrid T. Monson},
	editor = {Mervyn Cooke and David  Horn}
}
@inbook {19397,
	title = {Report of Study Session 22: Theorizing the Transnational},
	booktitle = {Proceedings of  the International Musicological Society, 16th International Congress},
	year = {2001},
	publisher = {Royal College of Music},
	organization = {Royal College of Music},
	address = {London},
	author = {Ingrid T. Monson}
}
@booklet {19396,
	title = {Say it Loud: The History of Black Music America},
	year = {2001},
	note = {Linear Notes, Rhino Records.
},
	author = {Ingrid T. Monson}
}
@inbook {19395,
	title = {Jazz},
	booktitle = {Garland Encyclopedia of World Music Volume 11, The United States and Canada},
	year = {2001},
	author = {Ingrid T. Monson},
	editor = {Ellen Koskoff}
}
@inbook {19394,
	title = {Miles, Politics, and Image},
	booktitle = {Miles Davis and American Culture},
	year = {2001},
	publisher = {Missouri Historical Society Press},
	organization = {Missouri Historical Society Press},
	address = {St.  Louis},
	author = {Ingrid T. Monson},
	editor = {Gerald Early}
}
@article {19398,
	title = {Monk Meets SNCC},
	journal = {Black Music Research Journal},
	volume = {19},
	number = {2},
	year = {2000},
	pages = {187-200},
	author = {Ingrid T. Monson}
}
@book {19388,
	title = {The African Diaspora: A Musical Perspective},
	year = {2000},
	note = {A collection of essays presenting musical case studies from various regions of the African diaspora that engage with the broader interdisciplinary discussions about race, gender, politics, nationalism, and music.  Contributors include Akin Euba, Veit Erlmann, Eric Charry, Lucy Dur{\'a}n, Jerome Harris, Travis Jackson, Gage Averill, and Julian Gerstin.
},
	publisher = {Garland Press},
	organization = {Garland Press},
	editor = {Ingrid Monson}
}
@article {19409,
	title = {Review of Just My Soul Responding: Rthythm and Blues, Black Consciousness, and Race Relations, by Brian Ward},
	journal = {Yearbook for Traditional Music},
	volume = {31},
	year = {1999},
	author = {Ingrid T. Monson}
}
@inbook {19400,
	title = {George Russell},
	booktitle = {International Dictionary of Black Composers},
	year = {1999},
	publisher = {Center for Black Music Research},
	organization = {Center for Black Music Research},
	address = {Chicago},
	author = {Ingrid T. Monson},
	editor = {Samuel Floyd}
}
@article {19399,
	title = {Riffs, Repetition, and Theories of Globalization},
	journal = {Ethnomusicology},
	volume = {43},
	number = {1},
	year = {1999},
	pages = {31-6},
	author = {Ingrid T. Monson}
}
@inbook {19401,
	title = {Oh Freedom: George Russell , John Coltrane, and Modal Jazz},
	booktitle = {In the Course of Performance: Studies in the World of Musical Improvisation},
	year = {1998},
	pages = {149-168},
	publisher = {University of Chicago Press},
	organization = {University of Chicago Press},
	address = {Chicago},
	author = {Ingrid T. Monson},
	editor = {Bruno Nettl and Melinda Russell}
}
@article {19410,
	title = {Review of Representing Jazz, and Jazz Among the Discourses, edited by Krin Gabbard},
	journal = {American Music},
	volume = {15},
	number = {1},
	year = {1997},
	pages = {110-113},
	author = {Ingrid T. Monson}
}
@inbook {19404,
	title = {What{\textquoteright}s Sound Got to Do With It?: Jazz, Poststructuralism, and the Construction of Cultural Meaning},
	booktitle = {Creativity in Performance},
	year = {1997},
	pages = {95-112},
	publisher = {Ablex},
	organization = {Ablex},
	address = {Greenwich, CT},
	author = {Ingrid T. Monson},
	editor = {Keith Sawyer}
}
@inbook {19403,
	title = {Abbey Lincoln{\textquoteright}s Straight Ahead: Jazz in the Era of the Civil Rights Movement},
	booktitle = {Between Resistance and Revolution},
	year = {1997},
	pages = {171-194},
	publisher = {Rutgers University Press},
	organization = {Rutgers University Press},
	address = {New Brunswick, NJ},
	author = {Ingrid T. Monson},
	editor = {Richard Fox and Orin Starn}
}
@article {19402,
	title = {Music and the Anthropology of Gender and Cultural Identity},
	journal = {Women and Music:  A Journal  of Gender and Culture},
	volume = {1},
	number = {1},
	year = {1997},
	pages = {58-67},
	author = {Ingrid T. Monson}
}
@article {19411,
	title = {Review of New Musical Figurations: Anthony Braxton{\textquoteright}s Cultural Critique, by Ronald M. Radano},
	journal = {Journal of the  American Musicological Society},
	volume = {49},
	number = {2},
	year = {1996},
	pages = {326-31},
	author = {Ingrid T. Monson}
}
@book {19386,
	title = {Saying Something: Jazz Improvisation and Interaction},
	year = {1996},
	note = {Winner of the Sonneck Society{\textquoteright}s 1998 Irving Lowens Prize for best monograph in American music published in 1996.
},
	publisher = {University of Chicago Press},
	organization = {University of Chicago Press},
	address = {Chicago},
	author = {Ingrid T. Monson}
}
@article {324776,
	title = {The Problem with White Hipness:Race, Gender, and Cultural Conceptions in Jazz Historical Discourse},
	journal = {Journal of the American Musicological Society},
	volume = {38},
	number = {3},
	year = {1995},
	pages = {396-422},
	abstract = {This essay situates hipness within a broader range of African American
history and moral debate than is generally presented in accounts of jazz
history. The perspectives of Amiri Baraka, Mezz Mezzrow, Norman Mailer,
and Dizzy Gillespie are used to develop the thesis that there is a problem with
white presumptions about how hipness relates to African American cultural
life and history. This problem requires addressing interrelationships between
race and gender, as well as the legacy of primitivism embedded in common
assumptions about how jazz since World War II relates to social consciousness,
sexual liberation, and dignity.},
	author = {Ingrid Monson}
}
@article {19412,
	title = {Responses (To Charles Keil)},
	journal = {Ethnomusicology},
	volume = {39},
	number = {1},
	year = {1995},
	author = {Ingrid T. Monson}
}
@article {19413,
	title = {Review of New Perspectives on Music: Essays in Honor of Eileen Southern, Josephine Wright with Samuel A.  Floyd, Jr., eds.},
	journal = {Notes},
	volume = {50},
	year = {1994},
	pages = {983-85},
	author = {Ingrid T. Monson}
}
@article {19406,
	title = {Doubleness{\textquoteright} and Jazz Improvisation: Irony, Parody and Ethnomusicology},
	journal = {Critical Inquiry},
	volume = {20},
	number = {2},
	year = {1994},
	pages = {283-313},
	author = {Ingrid T. Monson}
}
@article {19416,
	title = {Review of Fire Music: A Bibliography of the New Jazz, John Gray compiler},
	journal = {Notes},
	volume = {49},
	year = {1993},
	pages = {1072-1073},
	author = {Ingrid T. Monson}
}
@article {19407,
	title = {Oral and Written Transmission in Ethiopian Christian Chant},
	journal = {Early Music History},
	volume = {12},
	year = {1993},
	note = {My section appears on pp. 62-7
},
	pages = {19-81},
	author = {Kay Kaufman Shelemay and Peter Jeffery and Ingrid Monson}
}
@article {19419,
	title = {Review of Duke Ellington: The Early Years, by Mark Tucker},
	journal = {Journal of Musicological Research},
	volume = {12},
	year = {1992},
	pages = {177S-179S},
	author = {Ingrid T. Monson}
}
@article {19421,
	title = {Review of You Just Fight for Your Life: The Story of Lester Young, by Frank B{\"u}chmann-M{\o}ller},
	journal = {Ethnomusicology},
	volume = {35},
	number = {1},
	year = {1991},
	pages = {117-119},
	author = {Ingrid T. Monson}
}
@article {19408,
	title = {Forced Migration, Asymmetrical Power Relations and African-American Music: Reformulation of Cultural Meaning and Musical Form},
	journal = {The World of Music},
	volume = {32},
	number = {3},
	year = {1990},
	pages = {22-43},
	author = {Ingrid T. Monson}
}
