@article {10648, title = {David Carrier, A World Art History and its Objects, 2008}, journal = {Journal of Aesthetics and Art Criticism}, volume = {68}, number = {1}, year = {In Press}, url = {http://www.temple.edu/jaac/}, author = {Ivan Gaskell} } @article {10647, title = {{\textquotedblleft}Encountering Pacific Art{\textquotedblright}}, journal = {Journal of Museum Ethnography}, volume = {21}, year = {In Press}, author = {Ivan Gaskell} } @article {10646, title = {{\textquotedblleft}The Singularity of Sculpture{\textquotedblright} }, journal = {Oxford Art Journal}, volume = {32}, year = {2009}, note = {(review of Roberta Panzanelli, ed., Ephemeral Bodies, 2008, and Jacqueline Lichtenstein, The Blind Spot, 2008)}, pages = {303-306}, url = {http://oaj.oxfordjournals.org/}, author = {Ivan Gaskell} } @article {10533, title = {Jesus Christ as The Divine Mercy by Eugeniusz Kazimirowski: The Most Influential Polish Painting of the Twentieth Century?}, journal = {Ars: Journal of the Institute of Art History of Slovak Academy of Science}, volume = {42}, number = {1}, year = {2009}, pages = {81-91}, url = {http://www.sav.sk/?lang=en\&charset=\&doc=org-ins\&institute_no=38}, author = {Ivan Gaskell} } @article {10529, title = {The Riddle of a Riddle}, journal = {Contemporary Aesthetics}, number = {6}, year = {2008}, url = {http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=504}, author = {Ivan Gaskell} } @article {10528, title = {Rembrandt{\textquoteright}s Genius, Wittgenstein{\textquoteright}s Warning}, journal = {Res: Anthropology and Aesthetics }, number = {52}, year = {2007}, pages = {97-106}, url = {http://www.peabody.harvard.edu/res-journal}, author = {Ivan Gaskell} } @article {10527, title = {Editorial: Museums{\textemdash}Crossing Boundaries}, journal = {Res: Anthropology and Aesthetics}, number = {52}, year = {2007}, pages = {5-7}, url = {http://www.peabody.harvard.edu/res-journal}, author = {Ivan Gaskell and Jeffrey Quilter} } @article {10526, title = {Diptychs{\textemdash}What{\textquoteright}s the Point?}, journal = {Journal of Aesthetics and Art Criticism}, volume = {64}, number = {3}, year = {2006}, pages = { 325-332}, url = {http://www.temple.edu/jaac/}, author = {Ivan Gaskell} } @article {10525, title = {C{\'e}zanne{\textquoteright}s Painted Remainder}, journal = {The Antioch Review}, volume = {64}, number = {2}, year = {2006}, pages = {248-255}, url = {http://antiochcollege.org/antioch_review/}, author = {Ivan Gaskell} } @article {10524, title = {Interdisciplinary Aesthetics}, journal = {American Society for Aesthetics Newsletter}, volume = {25}, number = {1}, year = {2005}, pages = {1-3}, url = {http://www.aesthetics-online.org/}, author = {Ivan Gaskell} } @article {10522, title = {Costume, Period Rooms, and Donors: Dangerous Liaisons in the Art Museum}, journal = {The Antioch Review}, volume = {62}, number = {4}, year = {2004}, pages = {615-623}, url = {http://antiochcollege.org/antioch_review/}, author = {Ivan Gaskell} } @article {10520, title = {Being True to Artists}, journal = { Journal of Aesthetics and Art Criticism}, volume = {61}, number = {1}, year = {2003}, pages = {53-60}, url = {http://www.temple.edu/jaac/}, author = {Ivan Gaskell} } @article {10640, title = {Cynthia Freeland, But Is It Art? An Introduction to Art Theory, 2001}, journal = {American Society for Aesthetics Newsletter}, volume = {22}, number = {2}, year = {2002}, pages = {4-6}, url = {http://www.aesthetics-online.org/reviews/index.php?reviews_id=34}, author = {Ivan Gaskell} } @article {10519, title = {Interdisciplinary Perspectives: Harvard{\textquoteright}s Mystery Seminar}, journal = {The Catalogue of Antiques and Fine Art}, year = {2002}, pages = {198-201}, url = {http://www.antiquesandfineart.com/articles/article.cfm?request=363}, author = {Ivan Gaskell} } @article {10518, title = {The Imperative of History: Comments on the Clark Symposium {\textquoteleft}Institutionalizing the Aesthetic{\textquoteright}}, journal = {CAI: Journal of the Clark Art Institute}, volume = {2}, year = {2001}, pages = {45-49}, url = {http://www.clarkart.edu/museum/publications.cfm?CID=9}, author = {Ivan Gaskell} } @article {10517, title = {Salim Kemal Remembered}, journal = {American Society for Aesthetics Newsletter}, volume = {20}, number = {1}, year = {2000}, pages = {4-5}, url = {http://www.aesthetics-online.org/memorials/index.php?memorials_id=9}, author = {Ivan Gaskell} } @article {10514, title = {Writing (and) Art History: Against Writing}, journal = {The Art Bulletin}, number = {78}, year = {1996}, pages = {403-406}, url = {http://www.collegeart.org/artbulletin/}, author = {Ivan Gaskell} } @article {10631, title = {Douglas Crimp, On The Museum{\textquoteright}s Ruins, 1993 (and other books on museums and collecting)}, journal = {The Art Bulletin}, volume = {77}, year = {1995}, pages = {673-675}, url = {http://www.collegeart.org/artbulletin/}, author = {Ivan Gaskell} } @article {10512, title = {Contemporary Art and the Department of Paintings \& Sculpture}, journal = {Harvard University Art Museums Review}, volume = {2}, number = {2}, year = {1993}, pages = {3}, author = {Ivan Gaskell} } @article {10513, title = {Tiepolo in Madrid: the Fogg{\textquoteright}s Aeneas sketch Investigated}, journal = {Bulletin of the Harvard University Art Museums}, volume = {1}, number = {2}, year = {1992}, pages = {55-70}, author = {Ivan Gaskell} } @article {10625, title = {Kathleen Preciado, ed., Retaining the Original: Multiple Originals, Copies and Reproductions, 1989}, journal = {British Journal of Aesthetics}, volume = {31}, year = {1991}, pages = {179-182}, url = {http://bjaesthetics.oxfordjournals.org/?code=aesthj\&.cgifields=code}, author = {Ivan Gaskell} } @article {10609, title = {{\textquotedblleft}Arnhem Internationaal Audio Visual Experimenteel Festival (AVE){\textquotedblright} (festival review)}, journal = {Performance}, volume = {60}, number = {Spring}, year = {1990}, pages = {64-66}, author = {Ivan Gaskell} } @article {10605, title = {{\textquotedblleft}Richard Layzell, The Revolution {\textendash}You{\textquoteright}re In It!{\textquotedblright}}, journal = {Performance}, volume = {59}, year = {1989}, note = {(nine day performance work commissioned by Kettle{\textquoteright}s Yard for the 1989 Cambridge Festival)}, pages = {77-79}, author = {Ivan Gaskell} } @article {10603, title = {Hans Belting, The End of the History of Art?, 1987}, journal = {British Journal of Aesthetics }, volume = {29}, year = {1989}, pages = {182-185}, url = {http://bjaesthetics.oxfordjournals.org/?code=aesthj\&.cgifields=code}, author = {Ivan Gaskell} } @article {10595, title = {Michael Baxandall, Patterns of Intention, 1985}, journal = {British Journal of Aesthetics}, volume = {27}, year = {1987}, pages = {pp. 188-190}, url = {http://bjaesthetics.oxfordjournals.org/?code=aesthj\&.cgifields=code}, author = {Ivan Gaskell and Salim Kemal} } @article {10594, title = {{\textquotedblleft}The Catalogue of Dutch Paintings in the National Gallery of Ireland{\textquotedblright} (review article)}, journal = {Irish Arts Review}, volume = {3}, number = {4}, year = {1986}, pages = {56-57}, url = {http://www.irishartsreview.com/}, author = {Ivan Gaskell} } @article {10590, title = {Edgar Wind, The Eloquence of Symbols: Studies in Humanist Art, ed. Jaynie Anderson, 1983}, journal = {British Journal of Aesthetics}, volume = {25}, year = {1985}, pages = {79-81}, url = {http://bjaesthetics.oxfordjournals.org/?code=aesthj\&.cgifields=code}, author = {Ivan Gaskell} } @article {10586, title = {Svetlana Alpers, The Art of Describing, 1983}, journal = {Oxford Art Journal}, volume = {7}, number = {1}, year = {1984}, pages = {57-60}, url = {http://oaj.oxfordjournals.org/}, author = {Ivan Gaskell} } @article {10585, title = {{\textquotedblleft}Cornelis Ploos van Amstel{\textquotedblright} (review article)}, journal = {Print Quarterly}, volume = {1}, year = {1984}, pages = {283-285}, url = {http://www.printquarterly.com/}, author = {Ivan Gaskell} } @article {10579, title = {Michael Kitson, Rembrandt, 1982}, journal = {Art International }, volume = {26}, number = {5}, year = {1983}, pages = {87-88}, author = {Ivan Gaskell} } @article {10578, title = {John Rowlands, Hercules Segers, 1979}, journal = {Art International}, volume = {26}, number = {4}, year = {1983}, pages = {59-61}, author = {Ivan Gaskell} } @article {10576, title = {Christopher White, The Dutch Pictures in the Collection of Her Majesty The Queen, 1982}, journal = {Oxford Art Journal}, volume = {6}, number = {1}, year = {1983}, pages = {68-69}, url = {http://oaj.oxfordjournals.org/}, author = {Ivan Gaskell} } @article {10575, title = {John Michael Montias, Artists and Artisans in Delft 1982}, journal = {Oxford Art Journal}, volume = {6}, number = {1}, year = {1983}, pages = {67-68}, url = {http://oaj.oxfordjournals.org/}, author = {Ivan Gaskell} } @article {10573, title = {{\textquotedblleft}Art for the Oligarchs{\textquotedblright} (review article)}, journal = {Art History}, volume = {6}, year = {1983}, pages = {236-241}, url = {http://www.wiley.com/bw/journal.asp?ref=0141-6790}, author = {Ivan Gaskell} } @article {10571, title = {{\textquotedblleft}The Imagery of Incitement{\textquotedblright} (review article)}, journal = {Art History}, volume = {5}, year = {1982}, pages = {366-370}, url = {http://www.wiley.com/bw/journal.asp?ref=0141-6790}, author = {Ivan Gaskell} } @article {10501, title = {Transformations of Cervantes{\textquoteright}s La Gitanilla in Dutch Art}, journal = {Journal of the Warburg and Courtauld Institutes}, volume = {45}, year = {1982}, pages = {263-270}, author = {Ivan Gaskell} } @article {10498, title = {Gerrit Dou, His Patrons and the Art of Painting}, journal = {Oxford Art Journal}, volume = {5}, number = {1}, year = {1982}, pages = {15-23}, url = {http://oaj.oxfordjournals.org/}, author = {Ivan Gaskell} }