@proceedings {10662,
	title = {Paper and Podcast},
	journal = {College Art Association annual conference},
	year = {2009},
	address = {Los Angeles},
	author = {Ivan Gaskell}
}
@conference {10661,
	title = {World Visuality},
	booktitle = {Dumbarton Oaks Research Library and Collection, workshop},
	year = {2009},
	note = {(co-organizer and paper)},
	address = {Washington, DC},
	author = {Ivan Gaskell}
}
@conference {10660,
	title = {Historical Distance and the Shaping of the Past},
	booktitle = {King{\textquoteright}s College, University of London, workshop},
	year = {2009},
	note = {(paper and respondent)},
	address = {London},
	author = {Ivan Gaskell}
}
@article {10646,
	title = {{\textquotedblleft}The Singularity of Sculpture{\textquotedblright} },
	journal = {Oxford Art Journal},
	volume = {32},
	year = {2009},
	note = {(review of Roberta Panzanelli, ed., Ephemeral Bodies, 2008, and Jacqueline Lichtenstein, The Blind Spot, 2008)},
	pages = {303-306},
	url = {http://oaj.oxfordjournals.org/},
	author = {Ivan Gaskell}
}
@magazinearticle {10645,
	title = {{\textquotedblleft}Abelardo Morell{\textquotedblright}},
	journal = {artUS},
	volume = {26},
	year = {2009},
	note = {(exhibition review: Abelardo Morell: Pictures in Pictures, Bonni Benrubi Gallery, New York)},
	pages = {69},
	url = {http://www.artext.org/index.html},
	author = {Ivan Gaskell}
}
@magazinearticle {10644,
	title = {{\textquotedblleft}Laylah Ali{\textquotedblright}},
	journal = {artUS},
	volume = {26},
	year = {2009},
	note = {(exhibition review: Laylah Ali: Notes/Drawings/Untitled Afflictions, DeCordova Museum and Sculpture Park, Lincoln, MA)},
	pages = {44},
	url = {http://www.artext.org/index.html},
	author = {Ivan Gaskell}
}
@magazinearticle {10643,
	title = {{\textquotedblleft}Shepard Fairey{\textquotedblright}},
	journal = {artUS},
	volume = {26},
	year = {2009},
	note = {(exhibition review: Shepard Fairey: Supply and Demand, ICA, Boston)},
	pages = {42-43},
	url = {http://www.artext.org/index.html},
	author = {Ivan Gaskell}
}
@article {10533,
	title = {Jesus Christ as The Divine Mercy by Eugeniusz Kazimirowski: The Most Influential Polish Painting of the Twentieth Century?},
	journal = {Ars: Journal of the Institute of Art History of Slovak Academy of Science},
	volume = {42},
	number = {1},
	year = {2009},
	pages = {81-91},
	url = {http://www.sav.sk/?lang=en\&charset=\&doc=org-ins\&institute_no=38},
	author = {Ivan Gaskell}
}
@inbook {10346,
	title = {Kuba Textiles in a Subversive Role},
	booktitle = {Emil Bosshard, Paintings Conservator (1945-2006): Essays from Friends and Colleagues},
	year = {2009},
	pages = {60-71},
	publisher = {Centro Di},
	organization = {Centro Di},
	address = {Florence},
	url = {http://www.centrodi.it/schedaE.asp?idtitolo=388\&cat=1},
	author = {Ivan Gaskell},
	editor = {Maria de Peverelli and Marco Grassi and Hans-Christoph von Imhoff}
}
@inbook {10345,
	title = {Do Subaltern Artifacts Belong in Art Museums?},
	booktitle = {The Ethics of Cultural Appropriation},
	year = {2009},
	pages = {235-267},
	publisher = {Wiley-Blackwell},
	organization = {Wiley-Blackwell},
	address = {Oxford and Malden, MA},
	url = {http://www.wiley.com/WileyCDA/WileyTitle/productCd-1405161590.html},
	author = {Ivan Gaskell and A.W. Eaton},
	editor = {James O. Young and Conrad Brunk}
}
