%0 Journal Article %J Journal of Aesthetics and Art Criticism %D In Press %T David Carrier, A World Art History and its Objects, 2008 %A Ivan Gaskell %B Journal of Aesthetics and Art Criticism %V 68 %G eng %U http://www.temple.edu/jaac/ %N 1 %0 Journal Article %J Journal of Museum Ethnography %D In Press %T “Encountering Pacific Art” %A Ivan Gaskell %B Journal of Museum Ethnography %V 21 %G eng %0 Magazine Article %D 2010 %T “Acting Out” %A Ivan Gaskell %B artUS %V 27 %G eng %U http://www.artext.org/index.html %0 Magazine Article %D 2010 %T “Icons of the Desert” %A Ivan Gaskell %B artUS %V 27 %G eng %U http://www.artext.org/index.html %0 Generic %D 2010 %T “In Search of Christian Miraculous Images in the Age of Mechanical Reproduction, and Beyond” %A Ivan Gaskell %G eng %0 Conference Proceedings %B College Art Association annual conference %D 2009 %T Paper and Podcast %A Ivan Gaskell %B College Art Association annual conference %C Los Angeles %G eng %0 Conference Paper %B Dumbarton Oaks Research Library and Collection, workshop %D 2009 %T World Visuality %A Ivan Gaskell %B Dumbarton Oaks Research Library and Collection, workshop %C Washington, DC %G eng %0 Conference Paper %B King’s College, University of London, workshop %D 2009 %T Historical Distance and the Shaping of the Past %A Ivan Gaskell %B King’s College, University of London, workshop %C London %G eng %0 Journal Article %J Oxford Art Journal %D 2009 %T “The Singularity of Sculpture” %A Ivan Gaskell %B Oxford Art Journal %V 32 %P 303-306 %G eng %U http://oaj.oxfordjournals.org/ %0 Magazine Article %D 2009 %T “Abelardo Morell” %A Ivan Gaskell %B artUS %V 26 %P 69 %G eng %U http://www.artext.org/index.html %0 Magazine Article %D 2009 %T “Laylah Ali” %A Ivan Gaskell %B artUS %V 26 %P 44 %G eng %U http://www.artext.org/index.html %0 Magazine Article %D 2009 %T “Shepard Fairey” %A Ivan Gaskell %B artUS %V 26 %P 42-43 %G eng %U http://www.artext.org/index.html %0 Journal Article %J Ars: Journal of the Institute of Art History of Slovak Academy of Science %D 2009 %T Jesus Christ as The Divine Mercy by Eugeniusz Kazimirowski: The Most Influential Polish Painting of the Twentieth Century? %A Ivan Gaskell %B Ars: Journal of the Institute of Art History of Slovak Academy of Science %V 42 %P 81-91 %G eng %U http://www.sav.sk/?lang=en&charset=&doc=org-ins&institute_no=38 %N 1 %0 Book Section %B Emil Bosshard, Paintings Conservator (1945-2006): Essays from Friends and Colleagues %D 2009 %T Kuba Textiles in a Subversive Role %A Ivan Gaskell %E Maria de Peverelli %E Marco Grassi %E Hans-Christoph von Imhoff %B Emil Bosshard, Paintings Conservator (1945-2006): Essays from Friends and Colleagues %I Centro Di %C Florence %P 60-71 %G eng %U http://www.centrodi.it/schedaE.asp?idtitolo=388&cat=1 %0 Book Section %B The Ethics of Cultural Appropriation %D 2009 %T Do Subaltern Artifacts Belong in Art Museums? %A Ivan Gaskell %A A.W. Eaton %E James O. Young %E Conrad Brunk %B The Ethics of Cultural Appropriation %I Wiley-Blackwell %C Oxford and Malden, MA %P 235-267 %G eng %U http://www.wiley.com/WileyCDA/WileyTitle/productCd-1405161590.html %0 Conference Proceedings %D 2008 %T The Public Object: Facing Contemporary Challenges in the Art Museum %A Ivan Gaskell %I The Walters Art Museum %C Baltimore %G eng %0 Conference Paper %B Miraculous Images in Christian and Buddhist Culture %D 2008 %T In Search of Christian Miraculous Images in the Age of Mechanical Reproduction, and Beyond %A Ivan Gaskell %B Miraculous Images in Christian and Buddhist Culture %I Global Center of Excellence: Death and Life Studies, University of Tokyo %C Tokyo %G eng %0 Magazine Article %D 2008 %T “Anish Kapoor: Past, Present, Future” %A Ivan Gaskell %B artUS %V 24/25 %P 26 %G eng %U http://www.artext.org/index.html %0 Magazine Article %D 2008 %T Interdisciplinary Aesthetics %A Ivan Gaskell %B Folly %P 3-8 %G eng %U http://www.follymag.com/files/FOLLY_May-08.pdf %N May %0 Journal Article %J Contemporary Aesthetics %D 2008 %T The Riddle of a Riddle %A Ivan Gaskell %B Contemporary Aesthetics %G eng %U http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=504 %N 6 %0 Book Section %B Iconographies Without Texts %D 2008 %T Some Cherokee and Chitimacha Baskets: Problems of Interpretation %A Ivan Gaskell %E Paul Taylor %B Iconographies Without Texts %I Nino Aragno Editore %C Turin %P 175-193 %G eng %U http://onlinelibrary.wiley.com/doi/10.1111/j.1467-8357.2010.01096_9.x/abstract %0 Book Section %B Art and Ethical Criticism %D 2008 %T Ethical Judgments in Museums %A Ivan Gaskell %E Garry L. Hagberg %B Art and Ethical Criticism %I Wiley-Blackwell %C Oxford and Malden, MA %P 229-242 %G eng %U http://www.wiley.com/WileyCDA/WileyTitle/productCd-1405134836.html %0 Book Section %B La Historia imaginada: Construcciónes visuales del pasado en la Edad Moderna %D 2008 %T El Ayuntamiento de Amsterdam: ¿poder político o poder del arte? %A Ivan Gaskell %E Joan Lluís Palos %E Diana Carrió-Invernizzi %B La Historia imaginada: Construcciónes visuales del pasado en la Edad Moderna %I Centro de Estudios Europa Hispánica %C Madrid %P 65-81 %G eng %0 Conference Proceedings %D 2007 %T Exploring Cultural History: An International Conference in Honour of Peter Burke %A Ivan Gaskell %I Cambridge University %C Cambridge, UK %G eng %0 Conference Paper %D 2007 %T American Philosophical Association Western Division Annual Conference %A Ivan Gaskell %C San Francisco %G eng %0 Conference Paper %D 2007 %T World Art: Ways Forward %A Ivan Gaskell %I School of World Art Studies, University of East Anglia %C Norwich, UK %G eng %0 Conference Proceedings %D 2007 %T American Society for Aesthetics National Annual Conference %A Ivan Gaskell %I Los Angeles %G eng %0 Generic %D 2007 %T “I Have a Son to Offer”—An Online Exhibition of American Civil War Artworks in Harvard Collections %A Ivan Gaskell %G eng %U http://www.artmuseums.harvard.edu/civilwar/ %0 Journal Article %J Res: Anthropology and Aesthetics %D 2007 %T Rembrandt’s Genius, Wittgenstein’s Warning %A Ivan Gaskell %B Res: Anthropology and Aesthetics %P 97-106 %G eng %U http://www.peabody.harvard.edu/res-journal %N 52 %0 Journal Article %J Res: Anthropology and Aesthetics %D 2007 %T Editorial: Museums—Crossing Boundaries %A Ivan Gaskell %A Jeffrey Quilter %B Res: Anthropology and Aesthetics %P 5-7 %G eng %U http://www.peabody.harvard.edu/res-journal %N 52 %0 Book Section %B Inspiration and Technique: Ancient to Modern Views on Beauty and Art %D 2007 %T After Art, Beyond Beauty %A Ivan Gaskell %E John Roe %E Michele Stanco %B Inspiration and Technique: Ancient to Modern Views on Beauty and Art %I Peter Lang %C Oxford and New York %P 311-334 %G eng %U Inspiration and Technique: Ancient to Modern Views on Beauty and Art %0 Conference Proceedings %D 2006 %T College Art Association Annual Conference %A Ivan Gaskell %C Boston %G eng %0 Conference Paper %D 2006 %T Annual Max Wasserman Forum in Contemporary Art %A Ivan Gaskell %I Massachusetts Institute of Technology %G eng %0 Conference Proceedings %D 2006 %T Crossing Boundaries: Art Museums and Anthropology Museums in Search of Common Ground %A Ivan Gaskell %I Harvard University Art Museums, and Peabody Museum of Archaeology and Ethnology %C Cambridge, MA %G eng %0 Conference Paper %B La Historia imaginada: Construcciónes visuales del pasado en la Edad Moderna %D 2006 %T The Amsterdam Town Hall: Political Power, or the Power of Art? %A Ivan Gaskell %B La Historia imaginada: Construcciónes visuales del pasado en la Edad Moderna %I University of Barcelona and the Reial Acadèmia de Bones Lletres %C Barcelona %G eng %0 Conference Paper %D 2006 %T American Society for Aesthetics National Annual Conference %A Ivan Gaskell %C Milwaukee %G eng %0 Generic %D 2006 %T “A Public and Patriotic Museum”: Artworks and Artifacts from the General Artemas Ward House (with Laurel Thatcher Ulrich) %A Ivan Gaskell %G eng %0 Generic %D 2006 %T “Rembrandt, Ingenuity, and Skill,” in Rembrandt and the Aesthetics of Technique %A Ivan Gaskell %G eng %0 Journal Article %J Journal of Aesthetics and Art Criticism %D 2006 %T Diptychs—What’s the Point? %A Ivan Gaskell %B Journal of Aesthetics and Art Criticism %V 64 %P 325-332 %G eng %U http://www.temple.edu/jaac/ %N 3 %0 Journal Article %J The Antioch Review %D 2006 %T Cézanne’s Painted Remainder %A Ivan Gaskell %B The Antioch Review %V 64 %P 248-255 %G eng %U http://antiochcollege.org/antioch_review/ %N 2 %0 Book Section %B Essays in Context: Unfolding the Netherlandish Diptych %D 2006 %T Diptychs—What’s the Point? %A Ivan Gaskell %E John Hand %E Ron Spronk %B Essays in Context: Unfolding the Netherlandish Diptych %I Harvard University Art Museums and Yale University Press %C Cambridge, MA and New Haven, CT %P 201-213 %G eng %U http://www.harvardartmuseums.org/study-and-research/publications/detail.dot?id=22760 %0 Conference Paper %D 2005 %T American Society for Aesthetics Eastern Division Annual Conference %A Ivan Gaskell %C Philadelphia %G eng %0 Conference Paper %D 2005 %T The Ethics of Cultural Appropriation %A Ivan Gaskell %I University of Victoria, colloquium %C Victoria, BC %G eng %U http://www.uic.edu/depts/phil/bios/eaton.htm %0 Journal Article %J American Society for Aesthetics Newsletter %D 2005 %T Interdisciplinary Aesthetics %A Ivan Gaskell %B American Society for Aesthetics Newsletter %V 25 %P 1-3 %G eng %U http://www.aesthetics-online.org/ %N 1 %0 Conference Paper %D 2004 %T After Critique: Art Museums in the World %A Ivan Gaskell %I Clark Art Institute, colloquium %C Williamstown, MA %G eng %0 Generic %D 2004 %T Contributions to Carmen Thyssen-Bornemisza Collection, I %A Ivan Gaskell %G eng %0 Journal Article %J The Antioch Review %D 2004 %T Costume, Period Rooms, and Donors: Dangerous Liaisons in the Art Museum %A Ivan Gaskell %B The Antioch Review %V 62 %P 615-623 %G eng %U http://antiochcollege.org/antioch_review/ %N 4 %0 Generic %D 2003 %T “Ary Scheffer” in A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exhibition catalogue %A Ivan Gaskell %G eng %0 Generic %D 2003 %T “Museums, Nature, and Artifice” in Nature and Nation: Vaster than Empires, exhibition catalogue %A Ivan Gaskell %G eng %0 Journal Article %J Journal of Aesthetics and Art Criticism %D 2003 %T Being True to Artists %A Ivan Gaskell %B Journal of Aesthetics and Art Criticism %V 61 %P 53-60 %G eng %U http://www.temple.edu/jaac/ %N 1 %0 Book Section %B Art and its Publics: Museum Studies at the Millennium %D 2003 %T Sacred to Profane and Back Again %A Ivan Gaskell %E Andrew McClellan %B Art and its Publics: Museum Studies at the Millennium %I Blackwell %C Oxford and Malden %P 149-162 %G eng %U http://www.wiley.com/WileyCDA/WileyTitle/productCd-0631230475.html %0 Book Section %B Critical Terms for Art History, 2nd edition %D 2003 %T Beauty %A Ivan Gaskell %E Robert S. Nelson %E Richard Shiff %B Critical Terms for Art History, 2nd edition %I Chicago University Press %C Chicago and London %P 267-280 %G eng %U http://www.press.uchicago.edu/ucp/books/book/chicago/C/bo3626107.html %0 Conference Proceedings %D 2002 %T American Society for Aesthetics National Annual Conference %A Ivan Gaskell %C Miami %G eng %0 Conference Paper %D 2002 %T Historians of Netherlandish Art Congress %A Ivan Gaskell %C Antwerp %G eng %0 Journal Article %J American Society for Aesthetics Newsletter %D 2002 %T Cynthia Freeland, But Is It Art? An Introduction to Art Theory, 2001 %A Ivan Gaskell %B American Society for Aesthetics Newsletter %V 22 %P 4-6 %G eng %U http://www.aesthetics-online.org/reviews/index.php?reviews_id=34 %N 2 %0 Journal Article %J The Catalogue of Antiques and Fine Art %D 2002 %T Interdisciplinary Perspectives: Harvard’s Mystery Seminar %A Ivan Gaskell %B The Catalogue of Antiques and Fine Art %P 198-201 %G eng %U http://www.antiquesandfineart.com/articles/article.cfm?request=363 %0 Book Section %B Art History and its Institutions: Foundations of a Discipline %D 2002 %T Tradesmen as Scholars: Interdependencies in the Study and Exchange of Art %A Ivan Gaskell %E Elizabeth Mansfield %B Art History and its Institutions: Foundations of a Discipline %I Routledge %C London and New York %P 146-162 %G eng %U http://www.amazon.com/Art-History-Its-Institutions-Nineteenth/dp/0415228689 %0 Book Section %B Rethinking Rembrandt %D 2002 %T Rembrandt van Rijn and Gerrit Dou: An Evolving Relationship? %A Ivan Gaskell %E Alan Chong %E Michael Zell %B Rethinking Rembrandt %I Isabella Stewart Gardner Museum and Waanders %C Boston and Zwolle %P 107-119 %G eng %U http://www.amazon.com/Rethinking-Rembrandt-Alan-Chong/dp/9040096732 %0 Book Section %B Art History, Aesthetics, Visual Studies %D 2002 %T Recollections of Rembrandt’s Jeremiah %A Ivan Gaskell %E Michael Ann Holly %E Keith Moxey %B Art History, Aesthetics, Visual Studies %I Clark Art Institute and Yale University Press %C Williamstown, MA, and New Haven and London %P 175-186 %G eng %U http://yalepress.yale.edu/book.asp?isbn=9780300097894 %0 Book Section %B The Two Art Histories: The Museum and the University %D 2002 %T Magnanimity and Paranoia in the Big Bad Art World %A Ivan Gaskell %E Charles W. Haxthausen %B The Two Art Histories: The Museum and the University %I Clark Art Institute and Yale University Press %C Williamstown, MA, and New Haven and London %P 14-24 %G eng %U http://yalepress.yale.edu/book.asp?isbn=9780300097757 %0 Conference Proceedings %B Artists/Intellectuals/Institutions %D 2002 %T Some Responsibilities of Art Museum Scholars %A Ivan Gaskell %B Artists/Intellectuals/Institutions %C University of California at Berkeley %G eng %0 Conference Paper %D 2001 %T Clark Conference %A Ivan Gaskell %I Clark Art Institute %C Williamstown, MA %G eng %0 Magazine Article %D 2001 %T “New York and London: Vermeer and the Delft School” %A Ivan Gaskell %B The Burlington Magazine %V 143 %P 452-455 %G eng %U http://www.burlington.org.uk/ %0 Generic %D 2001 %T Contributions to Landscapes from Brueghel to Kandinsky. The Exhibition in Honour of the Collector Baron Hans Heinrich Thyssen-Bornemisza, exhibition catalogue %A Ivan Gaskell %G eng %0 Generic %D 2001 %T Contributions to From Van Dyck to Goya. Old Master Paintings in the Carmen Thyssen-Bornemisza Collection, exhibition catalogue %A Ivan Gaskell %G eng %0 Journal Article %J CAI: Journal of the Clark Art Institute %D 2001 %T The Imperative of History: Comments on the Clark Symposium ‘Institutionalizing the Aesthetic’ %A Ivan Gaskell %B CAI: Journal of the Clark Art Institute %V 2 %P 45-49 %G eng %U http://www.clarkart.edu/museum/publications.cfm?CID=9 %0 Book Section %B L’avenir des musées: Actes du colloque organisé au musée du Louvre %D 2001 %T Les musées des beaux-arts et le beau %A Ivan Gaskell %E Jean Galard %B L’avenir des musées: Actes du colloque organisé au musée du Louvre %I Réunion des Musées Nationaux %C Paris %P 503-519 %G eng %0 Conference Paper %D 2000 %T Conference on the Future of Museums %A Ivan Gaskell %I Musée du Louvre %C Paris %G eng %0 Conference Paper %D 2000 %T Comité international d’histoire de l’art 30th congress %A Ivan Gaskell %C London %G eng %0 Conference Paper %D 2000 %T American Society for Aesthetics National Annual Conference %A Ivan Gaskell %C Reno %G eng %0 Magazine Article %D 2000 %T E. de Jongh, Questions of Meaning: Theme and Motif in Dutch Seventeenth-Century Painting, 2000 %A Ivan Gaskell %B The Burlington Magazine %V 142 %P 707 %G eng %U http://www.burlington.org.uk/ %0 Magazine Article %D 2000 %T “Washington, London and The Hague: Gerrit Dou” %A Ivan Gaskell %B The Burlington Magazine %V 142 %P 533-535 %G eng %U http://www.burlington.org.uk/ %0 Journal Article %J American Society for Aesthetics Newsletter %D 2000 %T Salim Kemal Remembered %A Ivan Gaskell %B American Society for Aesthetics Newsletter %V 20 %P 4-5 %G eng %U http://www.aesthetics-online.org/memorials/index.php?memorials_id=9 %N 1 %0 Book Section %B The International Fine Art Fair, The Seventh Regiment Armory, Park Avenue at 67th Street, New York City %D 2000 %T A Variety of Objects, from Tools to Art: A Template for Collectors %A Ivan Gaskell %B The International Fine Art Fair, The Seventh Regiment Armory, Park Avenue at 67th Street, New York City %I International Fine Art Fair Ltd. %C London %P 12-21 %G eng %0 Book Section %B A Decade of Collecting: Recent Acquisitions by the Harvard University Art Museums %D 2000 %T Entries %A Ivan Gaskell %B A Decade of Collecting: Recent Acquisitions by the Harvard University Art Museums %I Harvard University Art Museums %C Cambridge, MA %P 46-52 %G eng %0 Book %D 2000 %T Vermeer’s Wager: Speculations on Art History, Theory, and Art Museums %A Ivan Gaskell %I Reaktion Books %C London %G eng %U http://www.press.uchicago.edu/ucp/books/book/distributed/V/bo3535813.html %0 Book %D 2000 %T Politics and Aesthetics in the Arts (Cambridge Studies in Philosophy and the Arts 10) %A Ivan Gaskell %E Ivan Gaskell %E Salim Kemal %I Cambridge University Press %C Cambridge and New York %G eng %U http://www.amazon.com/Politics-Aesthetics-Cambridge-Studies-Philosophy/dp/0521454182 %0 Conference Paper %D 1999 %T Clark Conference %A Ivan Gaskell %I Clark Art Institute %C Williamstown, MA %G eng %0 Book Section %B The Story of Time %D 1999 %T The Image of Vanitas: Efflorescence and Evanescence %A Ivan Gaskell %A Kristen Lippencott %A Umberto Eco %A E.H. Gombrich %B The Story of Time %I Merrell Holberton %C London %P 186-189 %G eng %U http://www.amazon.com/Story-Time-Kristen-Lippincott/dp/1858940729 %0 Book %D 1999 %T Performance and Authenticity in the Arts (Cambridge Studies in Philosophy and the Arts 9) %A Ivan Gaskell %E Ivan Gaskell %E Salim Kemal %I Cambridge University Press %C Cambridge and New York %G eng %U http://www.amazon.com/Performance-Authenticity-Cambridge-Studies-Philosophy/dp/0521454190 %0 Book %D 1999 %T Sketches in Clay for Projects by Gian Lorenzo Bernini: Theoretical, Technical, and Case Studies %A Ivan Gaskell %E Ivan Gaskell %E Henry Lie %I Harvard University Art Museums %C Cambridge, MA %G eng %U http://www.harvardartmuseums.org/study-and-research/publications/detail.dot?id=23399 %0 Magazine Article %D 1998 %T Victor I. Stoichita, The Self-Aware Image. An Insight into Early Modern Meta-Painting, 1997 %A Ivan Gaskell %B The Burlington Magazine %V 140 %P 570-571 %G eng %U http://www.burlington.org.uk/ %0 Magazine Article %D 1998 %T Christiane Hertel, Vermeer. Reception and Interpretation, 1996 %A Ivan Gaskell %B The Burlington Magazine %V 140 %P 209-210 %G eng %U http://www.burlington.org.uk/ %0 Book Section %B En la Encrucijada de la Cienzia Histórica Hoy el Auge de la Historia Cultural %D 1998 %T Historia, Historia del Arte y Museos. ¿Una Conversación a Tres Bandas? %A Ivan Gaskell %E V. Vázquez de Prada, %E et al %B En la Encrucijada de la Cienzia Histórica Hoy el Auge de la Historia Cultural %I Ediciones Universidad de Navarra %C Pamplona %P 99-109 %G eng %0 Book %D 1998 %T Vermeer Studies (Studies in the History of Art 55) %A Ivan Gaskell %E Ivan Gaskell %E Michiel Jonker %I National Gallery of Art and Yale University Press %C Washington D.C., and New Haven and London %G eng %U http://www.amazon.com/Vermeer-Studies-History-Art/dp/0300075219 %0 Book %D 1998 %T Nietzsche, Philosophy and the Arts (Cambridge Studies in Philosophy and the Arts 8) %A Ivan Gaskell %E Ivan Gaskell %E Salim Kemal %E Daniel W. Conway %I Cambridge University Press %C Cambridge and New York %G eng %U http://www.amazon.com/Nietzsche-Philosophy-Arts-Cambridge-Studies/dp/0521522722 %0 Book Section %B Looking at Seventeenth-Century Dutch Art: Realism Reconsidered %D 1997 %T Tobacco, Social Deviance, and Dutch Art in the Seventeenth Century %A Ivan Gaskell %E Wayne Franits %B Looking at Seventeenth-Century Dutch Art: Realism Reconsidered %I Cambridge University Press %C Cambridge %P 68-77 %G eng %U http://www.cambridge.org/asia/catalogue/catalogue.asp?isbn=9780521499453 %0 Book %D 1997 %T Canopy: A Work for Voice and Light in Harvard Yard: with a poem by Seamus Heaney and texts by Parveen Adams and Ivan Gaskell %A Ivan Gaskell %A David Ward %A Seamus Heaney %A Parveen Adams %I Harvard University Arts Museums & The Office for the Arts (editor and contributor) %C Cambridge, MA %G eng %U http://www.amazon.com/Canopy-Work-Voice-Light-Harvard/dp/0916724948 %0 Journal Article %J The Art Bulletin %D 1996 %T Writing (and) Art History: Against Writing %A Ivan Gaskell %B The Art Bulletin %P 403-406 %G eng %U http://www.collegeart.org/artbulletin/ %N 78 %0 Book Section %B Harvard’s Art Museums: 100 Years of Collecting %D 1996 %T The Curator’s Role: A View from the Department of Paintings and Sculpture %A Ivan Gaskell %E James Cuno, %E et al %B Harvard’s Art Museums: 100 Years of Collecting %I Harvard University Art Museums and Abrams %C Cambridge, MA and New York %P 156-161 %G eng %U http://www.amazon.com/Harvards-Art-Museums-Years-Collecting/dp/0810934272 %0 Journal Article %J The Art Bulletin %D 1995 %T Douglas Crimp, On The Museum’s Ruins, 1993 (and other books on museums and collecting) %A Ivan Gaskell %B The Art Bulletin %V 77 %P 673-675 %G eng %U http://www.collegeart.org/artbulletin/ %0 Magazine Article %D 1995 %T Daniel Arasse, Vermeer: Faith in Painting, 1994 %A Ivan Gaskell %B The Burlington Magazine %V 137 %P 468 %G eng %U http://www.burlington.org.uk/ %0 Book Section %B Shop Talk: Festschrift in Honor of Seymour Slive %D 1995 %T A Seascape by Jacob van Ruisdael and its Nineteenth-Century Owners %A Ivan Gaskell %E Cynthia Schneider, %E et al %B Shop Talk: Festschrift in Honor of Seymour Slive %I Harvard University Art Museums %C Cambridge, MA %P 78-83 %G eng %U http://www.amazon.com/Shop-Talk-Studies-Honor-Seymour/dp/0917624858 %0 Generic %D 1993 %T An Offbeat Collection of Dutch and Flemish Paintings. The Netherlandish Pictorial Tradition: Representations and Iconographies, exhibition catalogue %A Ivan Gaskell %G eng %0 Generic %D 1993 %T David Ward: Keepers of Light %A Ivan Gaskell %G eng %0 Journal Article %J Harvard University Art Museums Review %D 1993 %T Contemporary Art and the Department of Paintings & Sculpture %A Ivan Gaskell %B Harvard University Art Museums Review %V 2 %P 3 %G eng %N 2 %0 Book %D 1993 %T Explanation and Value in the Arts (Cambridge Studies in Philosophy and the Arts 3) %A Ivan Gaskell %E Ivan Gaskell %E Salim Kemal %I Cambridge University Press %C Cambridge and New York %G eng %U http://www.amazon.com/Explanation-Value-Cambridge-Studies-Philosophy/dp/0521419263 %0 Book %D 1993 %T Landscape, Natural Beauty and the Arts (Cambridge Studies in Philosophy and the Arts 2) %A Ivan Gaskell %E Ivan Gaskell %E Salim Kemal %I Cambridge University Press %C Cambridge and New York %G eng %U http://www.amazon.com/Landscape-Natural-Cambridge-Studies-Philosophy/dp/0521558549 %0 Magazine Article %D 1992 %T “Drawn by Rembrandt? Reflections on Exhibitions and Attributions” %A Ivan Gaskell %B Apollo %V 136 %P 55-56 %G eng %U http://www.apollo-magazine.com/ %0 Journal Article %J Bulletin of the Harvard University Art Museums %D 1992 %T Tiepolo in Madrid: the Fogg’s Aeneas sketch Investigated %A Ivan Gaskell %B Bulletin of the Harvard University Art Museums %V 1 %P 55-70 %G eng %N 2 %0 Magazine Article %D 1991 %T “A Tangle of Glances: Sharon Kivland in Birmingham” %A Ivan Gaskell %B Creative Camera %P 48-49 %G eng %N June-July %0 Magazine Article %D 1991 %T “Rembrandt’s Self Portrayed?” (review of H. Perry Chapman, Rembrandt’s Self-Portraits, 1990) %A Ivan Gaskell %B Apollo %V 133 %P 362-363 %G eng %U http://www.apollo-magazine.com/ %0 Journal Article %J British Journal of Aesthetics %D 1991 %T Kathleen Preciado, ed., Retaining the Original: Multiple Originals, Copies and Reproductions, 1989 %A Ivan Gaskell %B British Journal of Aesthetics %V 31 %P 179-182 %G eng %U http://bjaesthetics.oxfordjournals.org/?code=aesthj&.cgifields=code %0 Magazine Article %D 1991 %T Alison McNeil Kettering, Drawings from the Ter Borch Studio Estate, 1988 %A Ivan Gaskell %B The Burlington Magazine %V 133 %P 122 %G eng %U http://www.burlington.org.uk/ %0 Magazine Article %D 1991 %T “Rembrandt’s Landscape” %A Ivan Gaskell %B Apollo %V 133 %P 58-59 %G eng %U http://www.apollo-magazine.com/ %0 Generic %D 1991 %T “Incredibility escapes recognition: thoughts on Three Heraclitean Elements” in John Stathatos, “Three Heraclitean Elements,” exhibition catalogue %A Ivan Gaskell %G eng %0 Book Section %B New Perspectives on Historical Writing %D 1991 %T History of Images %A Ivan Gaskell %E Peter Burke %B New Perspectives on Historical Writing %I Polity Press %C Oxford %P 168-192 %G eng %U http://www.polity.co.uk/book.asp?ref=9780745624273 %0 Book %D 1991 %T The Language of Art History (Cambridge Studies in Philosophy and the Arts 1) %A Ivan Gaskell %E Ivan Gaskell %E Salim Kemal %I Cambridge University Press %C Cambridge and New York %G eng %U http://www.amazon.com/Language-History-Cambridge-Studies-Philosophy/dp/0521445981 %0 Magazine Article %D 1990 %T John Michael Montias, Vermeer and his Milieu: a Web of Social History, 1989 %A Ivan Gaskell %B The Burlington Magazine %V 132 %P 724-725 %G eng %U http://www.burlington.org.uk/ %0 Magazine Article %D 1990 %T “The Real Thing” %A Ivan Gaskell %B Apollo %V 132 %P 109-110 %G eng %U http://www.apollo-magazine.com/ %0 Magazine Article %D 1990 %T “State of the art Frans Hals” %A Ivan Gaskell %B Apollo %V 131 %P 262-264 %G eng %U http://www.apollo-magazine.com/ %0 Magazine Article %D 1990 %T “Dutch Painters of High Finish” (exhibition review: De Hollandse Fijnschilders, Rijksmuseum, Amsterdam) %A Ivan Gaskell %B The Burlington Magazine %V 132 %P 228-230 %G eng %U http://www.burlington.org.uk/ %0 Magazine Article %D 1990 %T Eric Jan Sluijter et. al., eds., Leidse Fijnschilders: van Gerrit Dou tot Frans van Mieris de Jonge, 1630-1760, 1988 %A Ivan Gaskell %B The Burlington Magazine %V 132 %P 48 %G eng %U http://www.burlington.org.uk/ %0 Magazine Article %D 1990 %T “Birmingham’s Civic Pride Goes Dutch” %A Ivan Gaskell %B Apollo %V 131 %P 47 %G eng %U http://www.apollo-magazine.com/ %0 Magazine Article %D 1990 %T “Epic Intimacies: Craigie Horsfield at the Frith Street Gallery” %A Ivan Gaskell %B Creative Camera %P 47-48 %G eng %N April-May %0 Journal Article %J Performance %D 1990 %T “Arnhem Internationaal Audio Visual Experimenteel Festival (AVE)” (festival review) %A Ivan Gaskell %B Performance %V 60 %P 64-66 %G eng %N Spring %0 Generic %D 1990 %T National Gallery Master Paintings from the Collection of Wynn Ellis of Whitstable, exhibition catalogue %A Ivan Gaskell %G eng %0 Generic %D 1990 %T Dutch Landscape Painting %A Ivan Gaskell %G eng %0 Generic %D 1990 %T Rembrandt, his Pupils and Rivals %A Ivan Gaskell %G eng %0 Generic %D 1990 %T Post-Morality, %A Ivan Gaskell %G eng %0 Generic %D 1990 %T From Moment to Moment %A Ivan Gaskell %G eng %0 Magazine Article %D 1990 %T Free State: Ivan Gaskell in Conversation with Tim Brennan %A Ivan Gaskell %B Performance %P 30-35 %G eng %N 60 %0 Book Section %B Bilder und Bildersturm im Spätmittelalter und in der frühen Neuzeit %D 1990 %T Pieter Jansz. Saenredam and the Great Church of ’s-Hertogenbosch %A Ivan Gaskell %E Bob Scribner %E Martin Warnke %B Bilder und Bildersturm im Spätmittelalter und in der frühen Neuzeit %I O. Harrassowitz %C Wiesbaden %P 249-261 %G eng %U http://www.amazon.de/Bilder-Bildersturm-Sp%C3%A4tmittelalter-fr%C3%BChen-Neuzeit/dp/3447030372 %0 Book %D 1990 %T The Thyssen-Bornemisza Collection: Seventeenth-century Dutch and Flemish Painting %A Ivan Gaskell %I London: Sotheby’s Publications/Philip Wilson Ltd. %C London %G eng %U http://www.amazon.com/Seventeenth-Century-Dutch-Flemish-Painting-Thyssen-Bornemisza/dp/0856673528 %0 Journal Article %J Performance %D 1989 %T “Richard Layzell, The Revolution –You’re In It!” %A Ivan Gaskell %B Performance %V 59 %P 77-79 %G eng %0 Journal Article %J British Journal of Aesthetics %D 1989 %T Hans Belting, The End of the History of Art?, 1987 %A Ivan Gaskell %B British Journal of Aesthetics %V 29 %P 182-185 %G eng %U http://bjaesthetics.oxfordjournals.org/?code=aesthj&.cgifields=code %0 Magazine Article %D 1989 %T “Flickering Flexions: Marie-Jo Lafontaine at the Fruitmarket Gallery, Edinburgh” %A Ivan Gaskell %B Creative Camera %P 58-59 %G eng %N Aug-Sep %0 Magazine Article %D 1989 %T “Choice silver: Hannah Collins at the Institute of Contemporary Arts, London” %A Ivan Gaskell %B Creative Camera %P 36 %G eng %N Mar. %0 Generic %D 1989 %T “Loss of Eden” in Singular Visions: Recent Landscapes by Five Artists (Andy Goldsworthy, Christopher Le Brun, Sandra Masterson, Michael Porter, Terry Shave), exhibition catalogue %A Ivan Gaskell %G eng %0 Generic %D 1989 %T Introduction to (and editing of) Shadow of a Dream: Contemporary Photo-works from France, exhibition catalogue (with texts by Véronique Pittolo and Alain Renaudo) %A Ivan Gaskell %G eng %0 Magazine Article %D 1989 %T Cambridge Darkroom: the Chairman’s Tale %A Ivan Gaskell %B Creative Camera (special issue on the fifth anniversary of the Cambridge Darkroom) %P 31 %G eng %N 10 %0 Magazine Article %D 1989 %T Photography and Art—What Next? %A Ivan Gaskell %B Apollo %P 155-158 %G eng %U http://www.apollo-magazine.com/ %N 130 %0 Magazine Article %D 1989 %T Rooted Sorrows %A Ivan Gaskell %B Creative Camera %P 18-19 %G eng %N 1 %0 Book Section %B Art of the Western World %D 1989 %T Spain and The Netherlands in the Seventeenth Century %A Ivan Gaskell %E Denise Hooker %B Art of the Western World %I Boxtree %C London %P 244-269 %G eng %U http://www.amazon.com/Art-Western-World-Denise-Hooker/dp/1852831626 %0 Magazine Article %D 1988 %T Simon Schama, The Embarrassment of Riches, 1987 %A Ivan Gaskell %B The Burlington Magazine %V 130 %P 636-637 %G eng %U http://www.burlington.org.uk/ %0 Magazine Article %D 1988 %T “No easy route to pathos: John Goto, Terezín” %A Ivan Gaskell %B Creative Camera %P 36 %G eng %N Nov. %0 Generic %D 1988 %T “Intimations of mortality” in Death (Cambridge Darkroom and Kettle’s Yard Joint Open Exhibition), exhibition catalogue %A Ivan Gaskell %G eng %0 Generic %D 1988 %T Contributions to Gothic to Renaissance: European Painting 1300-1600, exhibition catalogue %A Ivan Gaskell %G eng %0 Journal Article %J British Journal of Aesthetics %D 1987 %T Michael Baxandall, Patterns of Intention, 1985 %A Ivan Gaskell %A Salim Kemal %B British Journal of Aesthetics %V 27 %P pp. 188-190 %G eng %U http://bjaesthetics.oxfordjournals.org/?code=aesthj&.cgifields=code %0 Journal Article %J Irish Arts Review %D 1986 %T “The Catalogue of Dutch Paintings in the National Gallery of Ireland” (review article) %A Ivan Gaskell %B Irish Arts Review %V 3 %P 56-57 %G eng %U http://www.irishartsreview.com/ %N 4 %0 Magazine Article %D 1986 %T Eric Jan Sluyter, De “Heydensche Fabulen” in de Noordnederlandse Schilderkunst, 1985 %A Ivan Gaskell %B The Burlington Magazine %P 612-613 %G eng %U http://www.burlington.org.uk/ %N 128 %0 Journal Article %J British Journal of Aesthetics %D 1985 %T Edgar Wind, The Eloquence of Symbols: Studies in Humanist Art, ed. Jaynie Anderson, 1983 %A Ivan Gaskell %B British Journal of Aesthetics %V 25 %P 79-81 %G eng %U http://bjaesthetics.oxfordjournals.org/?code=aesthj&.cgifields=code %0 Magazine Article %D 1985 %T Alison McNeil Kettering, The Dutch Arcadia: Pastoral Art and its Audience in the Golden Age, 1983 %A Ivan Gaskell %B Apollo %P 356-357 %G eng %U http://www.apollo-magazine.com/ %N 121 %0 Generic %D 1985 %T Contributions to Collection for a King: Old Master Paintings from the Dulwich Picture Gallery, exhibition catalogue %A Ivan Gaskell %G eng %0 Generic %D 1985 %T Contributions to European Paintings 1550-1800, exhibition catalogue %A Ivan Gaskell %G eng %0 Journal Article %J Oxford Art Journal %D 1984 %T Svetlana Alpers, The Art of Describing, 1983 %A Ivan Gaskell %B Oxford Art Journal %V 7 %P 57-60 %G eng %U http://oaj.oxfordjournals.org/ %N 1 %0 Journal Article %J Print Quarterly %D 1984 %T “Cornelis Ploos van Amstel” (review article) %A Ivan Gaskell %B Print Quarterly %V 1 %P 283-285 %G eng %U http://www.printquarterly.com/ %0 Magazine Article %D 1984 %T “The Van Eyck Problem” (review article) %A Ivan Gaskell %B Apollo %P 145-147 %G eng %U http://www.apollo-magazine.com/ %N 120 %0 Magazine Article %D 1984 %T Vermeer, Judgment and Truth %A Ivan Gaskell %B The Burlington Magazine %V 126 %P 557-561 %G eng %U http://www.burlington.org.uk/ %0 Journal Article %J Art International %D 1983 %T Michael Kitson, Rembrandt, 1982 %A Ivan Gaskell %B Art International %V 26 %P 87-88 %G eng %N 5 %0 Journal Article %J Art International %D 1983 %T John Rowlands, Hercules Segers, 1979 %A Ivan Gaskell %B Art International %V 26 %P 59-61 %G eng %N 4 %0 Journal Article %J Oxford Art Journal %D 1983 %T Christopher White, The Dutch Pictures in the Collection of Her Majesty The Queen, 1982 %A Ivan Gaskell %B Oxford Art Journal %V 6 %P 68-69 %G eng %U http://oaj.oxfordjournals.org/ %N 1 %0 Journal Article %J Oxford Art Journal %D 1983 %T John Michael Montias, Artists and Artisans in Delft 1982 %A Ivan Gaskell %B Oxford Art Journal %V 6 %P 67-68 %G eng %U http://oaj.oxfordjournals.org/ %N 1 %0 Journal Article %J Art History %D 1983 %T “Art for the Oligarchs” (review article) %A Ivan Gaskell %B Art History %V 6 %P 236-241 %G eng %U http://www.wiley.com/bw/journal.asp?ref=0141-6790 %0 Journal Article %J Art History %D 1982 %T “The Imagery of Incitement” (review article) %A Ivan Gaskell %B Art History %V 5 %P 366-370 %G eng %U http://www.wiley.com/bw/journal.asp?ref=0141-6790 %0 Journal Article %J Journal of the Warburg and Courtauld Institutes %D 1982 %T Transformations of Cervantes’s La Gitanilla in Dutch Art %A Ivan Gaskell %B Journal of the Warburg and Courtauld Institutes %V 45 %P 263-270 %G eng %0 Journal Article %J Oxford Art Journal %D 1982 %T Gerrit Dou, His Patrons and the Art of Painting %A Ivan Gaskell %B Oxford Art Journal %V 5 %P 15-23 %G eng %U http://oaj.oxfordjournals.org/ %N 1