Publications

1999
Sketches in Clay for Projects by Gian Lorenzo Bernini: Theoretical, Technical, and Case Studies
Gaskell I. Sketches in Clay for Projects by Gian Lorenzo Bernini: Theoretical, Technical, and Case Studies. (Gaskell I, Lie H). Cambridge, MA: Harvard University Art Museums; 1999. Publisher's Version
1998
Gaskell I. Victor I. Stoichita, The Self-Aware Image. An Insight into Early Modern Meta-Painting, 1997. The Burlington Magazine [Internet]. 1998;140 :570-571. Publisher's Version
Gaskell I. Christiane Hertel, Vermeer. Reception and Interpretation, 1996. The Burlington Magazine [Internet]. 1998;140 :209-210. Publisher's Version
Gaskell I. Historia, Historia del Arte y Museos. ¿Una Conversación a Tres Bandas?. In: V. Vázquez de Prada, et al En la Encrucijada de la Cienzia Histórica Hoy el Auge de la Historia Cultural. Pamplona: Ediciones Universidad de Navarra ; 1998. pp. 99-109.
Vermeer Studies (Studies in the History of Art 55)
Gaskell I. Vermeer Studies (Studies in the History of Art 55). (Gaskell I, Jonker M). Washington D.C., and New Haven and London: National Gallery of Art and Yale University Press; 1998. Publisher's Version
Nietzsche, Philosophy and the Arts (Cambridge Studies in Philosophy and the Arts 8)
Gaskell I. Nietzsche, Philosophy and the Arts (Cambridge Studies in Philosophy and the Arts 8). (Gaskell I, Kemal S, Conway DW). Cambridge and New York: Cambridge University Press; 1998. Publisher's Version
1997
Tobacco, Social Deviance, and Dutch Art in the Seventeenth Century
Gaskell I. Tobacco, Social Deviance, and Dutch Art in the Seventeenth Century. In: Franits W Looking at Seventeenth-Century Dutch Art: Realism Reconsidered. Cambridge: Cambridge University Press ; 1997. pp. 68-77. Publisher's Version
Canopy: A Work for Voice and Light in Harvard Yard: with a poem by Seamus Heaney and texts by Parveen Adams and Ivan Gaskell
Gaskell I, Ward D, Heaney S, Adams P. Canopy: A Work for Voice and Light in Harvard Yard: with a poem by Seamus Heaney and texts by Parveen Adams and Ivan Gaskell. Cambridge, MA: Harvard University Arts Museums & The Office for the Arts (editor and contributor); 1997. Publisher's Version
1996
Gaskell I. Writing (and) Art History: Against Writing. The Art Bulletin [Internet]. 1996;(78) :403-406. Publisher's Version
The Curator’s Role: A View from the Department of Paintings and Sculpture
Gaskell I. The Curator’s Role: A View from the Department of Paintings and Sculpture. In: James Cuno, et al Harvard’s Art Museums: 100 Years of Collecting. Cambridge, MA and New York: Harvard University Art Museums and Abrams ; 1996. pp. 156-161. Publisher's Version
1995
Gaskell I. Douglas Crimp, On The Museum’s Ruins, 1993 (and other books on museums and collecting). The Art Bulletin [Internet]. 1995;77 :673-675. Publisher's Version
Gaskell I. Daniel Arasse, Vermeer: Faith in Painting, 1994. The Burlington Magazine [Internet]. 1995;137 :468. Publisher's Version
Gaskell I. A Seascape by Jacob van Ruisdael and its Nineteenth-Century Owners. In: Cynthia Schneider, et al Shop Talk: Festschrift in Honor of Seymour Slive. Cambridge, MA: Harvard University Art Museums ; 1995. pp. 78-83. Publisher's Version
1992
Gaskell I. “Drawn by Rembrandt? Reflections on Exhibitions and Attributions” . Apollo [Internet]. 1992;136 :55-56. Publisher's Version
Gaskell I. Tiepolo in Madrid: the Fogg’s Aeneas sketch Investigated. Bulletin of the Harvard University Art Museums. 1992;1 (2) :55-70.

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