Gaskell I. Sketches in Clay for Projects by Gian Lorenzo Bernini: Theoretical, Technical, and Case Studies. (Gaskell I, Lie H). Cambridge, MA: Harvard University Art Museums; 1999. Publisher's Version

Gaskell I. Victor I. Stoichita, The Self-Aware Image. An Insight into Early Modern Meta-Painting, 1997. The Burlington Magazine. 1998;140 :570-571. Publisher's Version

Gaskell I. Christiane Hertel, Vermeer. Reception and Interpretation, 1996. The Burlington Magazine. 1998;140 :209-210. Publisher's Version

Gaskell I. Historia, Historia del Arte y Museos. ¿Una Conversación a Tres Bandas?. In: V. Vázquez de Prada, et al En la Encrucijada de la Cienzia Histórica Hoy el Auge de la Historia Cultural. Pamplona: Ediciones Universidad de Navarra ; 1998. pp. 99-109.

Gaskell I. Vermeer Studies (Studies in the History of Art 55). (Gaskell I, Jonker M). Washington D.C., and New Haven and London: National Gallery of Art and Yale University Press; 1998. Publisher's Version

Gaskell I. Nietzsche, Philosophy and the Arts (Cambridge Studies in Philosophy and the Arts 8). (Gaskell I, Kemal S, Conway DW). Cambridge and New York: Cambridge University Press; 1998. Publisher's Version

Gaskell I. Tobacco, Social Deviance, and Dutch Art in the Seventeenth Century. In: Franits W Looking at Seventeenth-Century Dutch Art: Realism Reconsidered. Cambridge: Cambridge University Press ; 1997. pp. 68-77. Publisher's Version

Gaskell I, Ward D, Heaney S, Adams P. Canopy: A Work for Voice and Light in Harvard Yard: with a poem by Seamus Heaney and texts by Parveen Adams and Ivan Gaskell. Cambridge, MA: Harvard University Arts Museums & The Office for the Arts (editor and contributor); 1997. Publisher's Version

Gaskell I. Writing (and) Art History: Against Writing. The Art Bulletin. 1996;(78) :403-406. Publisher's Version

Gaskell I. The Curator’s Role: A View from the Department of Paintings and Sculpture. In: James Cuno, et al Harvard’s Art Museums: 100 Years of Collecting. Cambridge, MA and New York: Harvard University Art Museums and Abrams ; 1996. pp. 156-161. Publisher's Version

Gaskell I. Douglas Crimp, On The Museum’s Ruins, 1993 (and other books on museums and collecting). The Art Bulletin. 1995;77 :673-675. Publisher's Version

Gaskell I. Daniel Arasse, Vermeer: Faith in Painting, 1994. The Burlington Magazine. 1995;137 :468. Publisher's Version

Gaskell I. A Seascape by Jacob van Ruisdael and its Nineteenth-Century Owners. In: Cynthia Schneider, et al Shop Talk: Festschrift in Honor of Seymour Slive. Cambridge, MA: Harvard University Art Museums ; 1995. pp. 78-83. Publisher's Version

Gaskell I. An Offbeat Collection of Dutch and Flemish Paintings. The Netherlandish Pictorial Tradition: Representations and Iconographies, exhibition catalogue. 1993.

Gaskell I. David Ward: Keepers of Light. 1993.

Gaskell I. Contemporary Art and the Department of Paintings & Sculpture. Harvard University Art Museums Review. 1993;2 (2) :3.

Gaskell I. Explanation and Value in the Arts (Cambridge Studies in Philosophy and the Arts 3). (Gaskell I, Kemal S). Cambridge and New York: Cambridge University Press; 1993. Publisher's Version

Gaskell I. Landscape, Natural Beauty and the Arts (Cambridge Studies in Philosophy and the Arts 2). (Gaskell I, Kemal S). Cambridge and New York: Cambridge University Press; 1993. Publisher's Version

Gaskell I. “Drawn by Rembrandt? Reflections on Exhibitions and Attributions” . Apollo. 1992;136 :55-56. Publisher's Version

Gaskell I. Tiepolo in Madrid: the Fogg’s Aeneas sketch Investigated. Bulletin of the Harvard University Art Museums. 1992;1 (2) :55-70.