Book Reviews

Victor Plahte Tschudi, Baroque Antiquity: Archaeological Imagination in Early Modern Europe, Cambridge, 2017, In Renaissance Quarterly, Review, 71, 2018, pp. 693-95.
Robert Nelson, Hagia Sophia, 1850-1950: Holy Wisdom Modern Monument, Chicago, 2004; and J. B. Bullen, Byzantium Rediscovered, London, 2003, in The New York Review of Books (“The Charms of Byzantium”), Nov. 5, 2009.
Ingrid Rowland, The Scarith of Scornello: A Tale of Renaissance Forgery, Chicago, 2005, in The New York Review of Books (“A Scandal in Etruria”), 24 February 2005, pp. 18-20.
Ian Campbell, Ancient Roman Topography and Architecture ("The Paper Museum of Cassiano Dal Pozzo, A.IX"), 3 vols., London and Turnhout, 2004, in JSAH, 65, 2006, pp. 126-29.
Anthony Grafton, Leon Battista Alberti: Master Builder of the Italian Renaissance, New York, 2000; and Robert Tavernor, On Alberti and the Art of Building, New Haven and London, 1998, in The New York Review of Books (“The Lion of Florence”), September 20, 2001, pp. 73-78.
Giovanni Baglione, Le vite de' pittori, scultori, et architetti...(1642), facsimile with notes by Jacob Hess and Herwarth Röttgen,Città del Vaticano: Biblioteca Apostolica Vaticana, 1996; Jacob Hess, Die Künstlerbiographien von Giovanni Battista Passeri (1934), reprint Rome, 1995; Lione Pascoli, Vite de' pittore,scultori ed architetti moderni, eds. Valentino Martinelli and Alessandro Marabottini, Perugia: Electa Editori Umbri, 1992: in Journal of the Society of Architectural Historians, 57, 1998, pp. 469-71. Review
Robin Evans, The Projective Cast. Architecture and Its Three Geometries, Cambridge, Mass.: MIT Press, 1995, in AA Files, 32, 1996, pp. 104-106.
The Renaissance from Brunelleschi to Michelangelo: The Representation of Architecture (cat.), ed. H. Millon and V. Magnago Lampugnani, Venice, Palazzo Grassi, 1994; C. Frommel and N. Adams, eds., The Architectural Drawings of Antonio da Sangallo the Younger and His Circle, vol. I: Fortifications, Machines and Festival Architecture, New York and Cambridge, Mass., 1994; W. Wallace, Michelangelo at San Lorenzo: The Genius as Entrepreneur, Cambridge, 1994; G. C. Argan and Bruno Contardi, Michelangelo Architect (1990), New York, 1993; Leon Battista Alberti (cat.), eds. Joseph Rykwert and Anne Engel, Mantua, Palazzo del Te, 1994, in The New York Review of Books (“The Seated Sublime”), February 16, 1995, pp. 22-26.
Francesco di Giorgio architetto, exhibition in Palazzo Pubblico, Siena, 1993, in JSAH, LII, 1993, pp. 487-490. Review
Patricia Waddy, Seventeenth-Century Roman Palaces: Use and the Art of the Plan, New York and Cambridge, Mass., 1990, and John Beldon Scott, Images of Nepotism: The Painted Ceilings of Palazzo Barberini, Princeton, 1991, in The New York Review of Books (“Playing the Palace”), XXXIX, no. 21, December 17, 1992, pp. 58-62.
Manfredo Tafuri, Ricerca del Rinascimento. Principi, città, architetti, Turin, 1992, in L'Indice, September 1992. no. 8, pp. 37-38; reprinted in English in Casabella, January-February 1995. English version.
Jennifer Montagu, Baroque Sculpture: The Industry of Art, New Haven and London, 1989, in The New York Review of Books (“Marble and Marzipan”), April 12, 1990.
Richard Spear, Domenichino, New Haven, 1982, in JSAH, XLIII, 1984, pp. 80-82. Review
Jonathan Brown and J.H. Elliott, A Palace for a King: The Buen Retiro and the Court of Philip IV, New Haven, 1980, in JSAH, XL, 1981, pp. 244f. Review
Leo Steinberg, Borromini's San Carlo alle Quattro Fontane, New York, 1977, in JSAH, XXXVIII, 1979, pp. 283-85. Review
Lionello Neppi, Palazzo Spada, Rome, 1975, and Minna Heimbürger Ravalli, Architettura scultura e arti minori nel barocco italiano. Ricerche nell'Archivio Spada, Florence, 1977, in JSAH, XXXVIII, 1979, pp. 193-96. Review
Heinrich Thelen, Francesco Borromini: Die Handzeichnungen, I: 1620-32, Graz, 1967, in JSAH, XXXV, 1976, pp. 144-46. Review