Articles & Essays

 

“A Seminar on Diagrams as Conversation and Consolation,” Common Knowledge (forthcoming).

   
 

“Mindmapping:  The Diagram Paradigm in Medieval Art—and Beyond,” in: The Visualization of
            
Knowledge in the Medieval and Early Modern Periods, ed. Marcia Kupfer et al. (Turnhout:
            Brepols, forthcoming).

   
 

“A Mass of St. Gregory by the Master of the Houghton Miniatures: The Interplay of Devotion and
            Invention in Netherlandish Miniature Painting,” in: New Perspective on Flemish 
            
Illumination, Brussels, Royal Library of Belgium, 16–18 November 2011 (Leuven: Peeters,
            forthcoming).

   
 

Ad infernum detraheris: The Fall of the Rebel Angels in the Speculum humanae salvationis and the
            Prayer Book of Ursula Begerin,” in: Festschrift Christian Heck (Turnhout: Brepols, 2016),
            193–200.

   
 

 “Le Cantique des cantiques: Un rare commentaire illustré dans l’Italie du Quattrocento,” Art de
            l’enluminure 59 (2016).

   
 

 “Die Ottheinrich-Bibel: Die Verbildlichung der Volkssprache,” in: Kunst & Glaube. Ottheinrichs
             Prachtbibel und die Schlosskapelle Neuburg, ed. Brigitte Langer & Thomas Rainer (Munich:
             Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen, 2016), 46–63.

   
 

“Magdalena Kremerin, Schreiberin und Malerin im Dominikanerinnenkloster St. Johannes des Täufers in
            Kirchheim unter Teck,” in: Die Chronik der Magdalena Kremerin im interdisziplinären Dialog, ed.
            Sigrid Hirbodian and Petra Kurz, Schriften zur südwestdeutschen Landeskunde 76 (Ostfildern:
            Thorbecke, 2016), 62–82.

   
 

 “The Desert in Paradise: A Newly-Discovered Office for John the Baptist from Paradies bei Soest and
            Its Place in the Dominican Liturgy,” in: Resounding Images: Medieval Intersections of Art,
            Music, and Sound, eds. Susan Boynton & Diana J. Reilley (Turnhout, 2015), 251–79. [co-
            authored with Margot E. Fassler]; volume awarded Ruth A. Solie Award of the American
            Musicological Society