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Color in Cusanus (Stuttgart: Anton Hiersemann Verlag, 2021) |
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The Birth of the Author: Pictorial Prefaces in Glossed Books of the Twelfth Century (Toronto: Pontifical Institute of Mediaeval Studies, 2021) |
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Diagramming Devotion: Berthold of Nuremberg’s Transformation of Hrabanus Maurus’s Poems in Praise of the Cross (Chicago: University of Chicago Press, 2020) |
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The Prayer Book of Ursula Begerin, 2 vols. (Dietikon: Urs Graf Verlag, 2015), co–authored with Nigel Palmer. |
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Unter Druck: Mitteleuropäische Buchmalerei im Zeitalter Gutenbergs, co–authored with Robert Suckale and Gude Suckale–Redlefsen, Buchmalerei des 15. Jahrhunderts in Mitteleuropa 2 (Luzern: Quaternio Verlag, 2015). |
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Script as Image, Corpus of Illuminated Manuscripts 21 (Leuven: Peeters, 2014). |
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‘Haec figura demonstrat’. Diagramme in einem Pariser Exemplar von Lothars von Segni ,De missarum mysteriis’ aus dem frühen 13. Jahrhundert, Wolfgang Stammler Gastprofessur für Germanische Philologie: Vorträge 19 (Berlin: De Gruyter, 2013). |
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Ouvertures (Lyon: Les presses du réel/Musée des Beaux–Arts, 2010). |
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Die Ottheinrich–Bibel. Kommentar zur Faksimile–Ausgabe der Handschrift Cgm 8010/1.2 der Bayerischen Staatsbibliothek München (Luzern: Faksimile–Verlag, 2002), co–authored with Brigitte Gullath, Karin Schneider, & Robert Suckale. |
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St. John the Divine: The Deified Evangelist in Medieval Art and Theology (Berkeley–Los Angeles: University of California Press, 2002). College Art Association, Millard Meiss Publication Grant, 2000. |
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The Visual and the Visionary: Art and Female Spirituality in Late Medieval Germany (New York: Zone Books, 1998). |
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Nuns as Artists: The Visual Culture of a Medieval Convent (Berkeley: University of California Press, 1996). |
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Peindre au couvent, trans. Catherine Bédard and Daniel Arasse, Imago mundi (Paris: Gérard Monfort, 2000). |
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The Rothschild Canticles: Art and Mysticism in Flanders and the Rhineland ca. 1300 (New Haven: Yale University Press, 1990). |