Forthcoming. ““Journey to the West: Media Adaptations of a National Epic,” in David Wallace, ed., National Epics (forthcoming with Oxford University Press).” In .

2023. Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China, Pp. 340. New York: Columbia University Press. Publisher's Version

2022. ““The Hot Noise of Open Air Cinema,” Mapping China’s Modern Sensorium, edited by Xuelei Huang & Shengqing Wu(Routledge, 2022), 199-228.” In .

2022. “Mobile Projectionists and the Things They Carried.” In Material Contradictions in Mao's China, edited by Jennifer Altehenger and Denise Y. Ho. University of Washington Press.

12/13/2021. “The Cinematic Cult of Mao.” Contemporary China Centre Blog (12). Publisher's Version

2021. “Review of Circuit Listening: Chinese Popular Music in the Global 1960sby Andrew F. Jones, Twentieth-Century China, Vol. 46, No. 2 (May 2021)”.

12/2020. Utopian Ruins: A Memorial Museum of the Mao Era. Duke University Press. Publisher's Version

2020. ““Brainwashed? Reflections on Propaganda in One Child Nation,” ChinaFile, February 2020.”.

2020. ““Gained in Translation: The Reception of Foreign Films in Cold War China,” Cold War and Asian Cinemas, edited by Poshek Fu and Man Fung Yip (New York: Routledge, 2020).” In .

2020. “Cinematic Guerrillas in Mao's China.” Screen, 61, 2, Pp. 207-229. Publisher's Version

2020. “The Hot Noise of Open-Air Cinema.” Grey Room, 81, Pp. 6-35. Publisher's Version

2020. “Revolutionary Echoes: Radios and Loudspeakers in the Mao Era.” Twentieth-Century China, 45, 1, Pp. 61–75. Publisher's Version 2020_twentieth_century_china_revolutionary_echoes.pdf

2019. “Gained in Translation: The Reception of Foreign Cinema in the Cultural Revolution.” Journal of Chinese Cinemas, 13, 1, Pp. 61-75.

Jie Li. 2018. “1965 Red Prison Files.” In A New Literary History of Modern China, Pp. 663-668. Harvard University Press. reprinted in China Heritage

2018. “Dai Jinhua, “After the Post-Cold-War,” translated by Jie Li, in After the Post–Cold War: The Future of Chinese History, edited by Lisa Rofel (Durham: Duke University Press, 2018), pp. 1-24.” In .

2018. “Dai Jinhua, “The Piano in a Factory: Class, in the Name of the Father,” translated by Jie Li, in After the Post–Cold War: The Future of Chinese History,edited by Lisa Rofel (Durham: Duke University Press, 2018), pp. 91-108.” In .

2017. ““Dazibao Exhibitionism,” essay for an exhibition of big character posters at the Fairbank Center for Chinese Studies, Harvard University, 2017.”.

Jie Li. 2017. “Has Chinese Propaganda Won Hearts and Minds.” In The China Questions, edited by Jennifer Rudolph & Michael Szonyi. Harvard University Press. Publisher's Version

2017. “1965 Red Prison Files.” In A New Literary History of Modern China, Pp. 663-668. Harvard University Press. reprinted at China Heritage

2016. “"Are Our Drawers Empty?" Nie Gannu’s Dossier Literature.” In Oxford Handbook of Modern Chinese Literatures, edited by Carlos Rojas and Andrea Bachner, Pp. 275–295. Publisher's Version