The Press

2023
Who Killed Truth? A History of Evidence (an audiobook)

Many historians and cultural observers argue we live in a post-truth world—but if truth is dead, who killed it? And how did it die? Join celebrated historian Jill Lepore as she cracks the case by examining key moments in the history of truth, doubt, and evidence across the last century.

 

In Who Killed Truth? acclaimed Harvard historian and New Yorker staff writer Jill Lepore traces the origins of our current post-truth crisis. In a series of spellbinding stories, Lepore investigates murders, hoaxes, lies and delusions to reckon with the instability of truth and fiction in the twenty-first century. Listeners will follow Lepore through a fascinating, erudite, and antic journey through the thorny problem of how we know what we know, and why it seems sometimes as if we don't know anything at all anymore. 

 

Revisiting key moments in U.S. history--from the Scopes Monkey Trial in 1925 to the 1977 National Women’s Convention to the first election predicted by computer, and more--Lepore uncovers the secrets of the past the way a detective might, hot on the trail of the killer of truth.

 

Please note: This collection includes content that has been previously released in The Last Archive podcast.

The Deadline: Essays
Lepore, Jill. 2023. The Deadline: Essays. New York: W.W. Norton. Publisher's Version Abstract
A book to be read and kept for posterity, The Deadline is the art of the essay at its best.
 

Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline offer a prismatic portrait of Americans’ techno-utopianism, frantic fractiousness, and unprecedented—but armed—aimlessness. From lockdowns and race commissions to Bratz dolls and bicycles, to the losses that haunt Lepore’s life, these essays again and again cross what she calls the deadline, the “river of time that divides the quick from the dead.” Echoing Gore Vidal’s United States in its massive intellectual erudition, The Deadline, with its remarkable juxtaposition of the political and the personal, challenges the very nature of the essay—and of history—itself.

2020
Lepore, Jill. 2020. “Countdown.” The New Yorker, November 1, 2020. Article
2019
Lepore, Jill. 2019. “Hard News: the state of journalism.” The New Yorker, January 28, 2019. Article
2018
2018. “The Attack on Democracy.” Morning Edition. NPR, Sep 12 2018. Audio
These Truths: A History of the United States
Lepore, Jill. 2018. These Truths: A History of the United States. New York: Norton. Website Abstract

In the most ambitious, one-volume American history in decades, award-winning historian Jill Lepore offers a magisterial account of the origins and rise of a divided nation.

The American experiment rests on three ideas—“these truths,” Jefferson called them—political equality, natural rights, and the sovereignty of the people. And it rests, too, on a fearless dedication to inquiry, writes Jill Lepore in a groundbreaking investigation into the American past that places truth itself at the center of the nation’s history. In riveting prose, These Truths tells the story of America, beginning in 1492, to ask whether the course of events has proven the nation’s founding truths, or belied them. “A nation born in contradiction, liberty in a land of slavery, will fight forever over the meaning of its history,” Lepore writes, finding meaning in those very contradictions as she weaves American history into a majestic tapestry of faith and hope, of peril and prosperity, of technological progress and moral anguish. Part spellbinding chronicle, part old-fashioned civics book, These Truths, filled with arresting sketches of Americans from John Winthrop and Frederick Douglass to Pauli Murray and Phyllis Schlafly, offers an authoritative new history of a great, and greatly troubled, nation.

 

Praise for These Truths

“[B]rilliant…insightful…It isn’t until you start reading it that you realize how much we need a book like this one at this particular moment.”

—Andrew Sullivan, The New York Times Book Review

 

“This sweeping, sobering account of the American past is a story not of relentless progress but of conflict and contradiction, with crosscurrents of reason and faith, black and white, immigrant and native, industry and agriculture rippling through a narrative that is far from completion.”

The New York Times Book Review, Editors’ Choice

 

“[Lepore’s] one-volume history is elegant, readable, sobering; it extends a steadying hand when a breakneck news cycle lurches from one event to another, confounding minds and churning stomachs.”

—Jennifer Szalai, The New York Times

 

 

“Jill Lepore is an extraordinarily gifted writer, and These Truths is nothing short of a masterpiece of American history. By engaging with our country's painful past (and present) in an intellectually honest way, she has created a book that truly does encapsulate the American story in all its pain and all its triumph.”

–Michael Schaub, NPR 

 

“A splendid rendering—filled with triumph, tragedy, and hope—that will please Lepore’s readers immensely and win her many new ones.”

Kirkus Reviews, starred review

 

 

“This thought-provoking and fascinating book stands to become the definitive one-volume U.S. history for a new generation.”

Library Journal, starred review

 

 

“An ambitious and provocative attempt to interpret American history as an effort to fulfill and maintain certain fundamental principles. . . . Lepore is a historian with wide popular appeal, and this comprehensive work will answer readers’ questions about who we are as a nation.”

Booklist, starred review

 

 

“Astounding… [Lepore] has assembled evidence of an America that was better than some thought, worse than almost anyone imagined, and weirder than most serious history books ever convey. Armed with the facts of what happened before, we are better able to approach our collective task of figuring out what should happen now . . . Perhaps instead of the next U2 album, Apple could make a copy of These Truths appear on every iPhone—not only because it offers the basic civics education that every American needs, but because it is a welcome corrective to the corrosive histories peddled by partisans.”

—Casey N. Cep, Harvard Magazine

 

 

“In her epic new work, Jill Lepore helps us learn from whence we came.”

Oprah Magazine

 

 

“Sweeping and propulsive.”

Vulture

 

“ ‘An old-fashioned civics book,’ Harvard historian and New Yorker contributor Jill Lepore calls it, a glint in her eye. This fat, ludicrously ambitious one-volume history is a lot more than that. In its spirit of inquiry, in its eager iconoclasms, These Truths enacts the founding ideals of the country it describes.

Huffington Post

 

 

“It's an audacious undertaking to write a readable history of America, and Jill Lepore is more than up to the task. But These Truths is also an astute exploration of the ways in which the country is living up to its potential, and where it is not.”

Business Insider

 

 

“Gutsy, lyrical, and expressive… [These Truths] is a perceptive and necessary contribution to understanding the American condition of late.… It captures the fullness of the past, where hope rises out of despair, renewal out of destruction, and forward momentum out of setbacks.”

—Jack E. Davis, Chicago Tribune

 

“Lepore’s brilliant book, These Truths, rings as clear as a church bell, the lucid, welcome yield of clear thinking and a capable, curious mind.”

—Karen R. Long, Newsday

 

A splendid rendering—filled with triumph, tragedy, and hope—that will please Lepore’s readers immensely and win her many new ones.”

Kirkus Reviews, starred review

 

“An ambitious and provocative attempt to interpret American history as an effort to fulfull and maintain certain fundamental principles . . . Lepore is a historian with wide popular appeal, and this comprehensive work will answer readers’ questions about who we are as a nation.”

Booklist, starred review

 

“In this time of disillusionment with American politics, Jill Lepore’s beautifully written book should be essential reading for everyone who cares about the country’s future. Her history of the United States reminds us of the dilemmas that have plagued the country and the institutional strengths that have allowed us to survive as a republic for over two centuries. At a minimum, her book should be required reading for every federal officeholder.”

—Robert Dallek, author of Franklin D. Roosevelt

 

"No one has written with more passion and brilliance about how a flawed and combustible America kept itself tethered to the transcendent ideals on which it was founded. If the country is to recover from its current crisis, These Truths will illuminate the way."

—Gary Gerstle, author of Liberty and Coercion

 

“Who can write a comprehensive yet lucid history of the sprawling United States in a single volume? Only Jill Lepore has the verve, wit, range, and insights to pull off this daring and provocative book. Interweaving many lively biographies, These Truths illuminates the origins of the passions and causes, which still inspire and divide Americans in an age that needs all the truth we can find.”

—Alan Taylor, author of American Revolutions

 

“Lepore brings a scholar's comprehensive rigor and a poet's lyrical precision to this singular single-volume history of the United States. Understanding America's past, as she demonstrates, has always been a central American project. She knows that the "story of America" is as plural and mutable as the nation itself, and the result is a work of prismatic richness, one that rewards not just reading but rereading. This will be an instant classic.”

—Kwame Anthony Appiah, author of The Lies that Bind

 

“Anyone interested in the future of the Republic must read this book. One of our greatest historians succeeds, where so many have failed, to make sense of the whole canvas of our history. Without ignoring the horrors of conquest, slavery or recurring prejudices, she manages nonetheless to capture the epic quality of the American past. With passion, compassion, wit, and remarkable insight, Lepore brings it all to life, the good, the bad, the beautiful and the ugly. This is a manifesto for our necessarily shared future.”

—Lynn Hunt, author of History: Why it Matters

 

“In this inspiring and enlightening book, Jill Lepore accomplishes the grand task of telling us what we need to know about our past in order to be good citizens today. Avoiding political and ideological agendas, she confronts the contradictions that come from being born a land of both liberty and slavery, but she uses such conflicts to find meaning—and hope—in the tale of America’s progress.”

—Walter Isaacson, University Professor of History, Tulane, author of The Innovators

 

"Lepore is a truly gifted writer with profound insight."

-Spectator

 

"This vivid history brings alive the contradictions and hypocrisies of the land of the free"

- David Aaronovitch, The Times



"A history for the 21st century, far more inclusive than the standard histories of the past"

- Guardian


"Monumental ... a crucial work for presenting a fresh and clear-sighted narrative of the entire story ... exciting and page-turningly fascinating, in one of those rare history books that can be read with pleasure for its sheer narrative energy"

- Simon Winchester, New Statesman



"Jill Lepore is that rare combination in modern life of intellect, originality and style"

- Amanda Foreman, TLS

 

 

 

 

2017
Lepore, Jill. 2017. “The Strategy of Truth.” The New Yorker, June 5, 2017. Article
2016
Lepore, Jill. 2016. “The Problem With Polls Isn't Technical, It's Political.” Nieman Reports, Nov 16 2016. Article
Lepore, Jill. 2016. “American Exposure.” newyorker.com, July 12, 2016. Article
Gross, Terri. 2016. “Polling Is Ubiquitous: But Is it Bad for Democracy?” Fresh Air. Audio
Lepore, Jill. 2016. “The Party Crashers: Is the new populism about the message or the medium?” The New Yorker, February 22, 2016. Article
Joe Gould's Teeth
Lepore, Jill. 2016. Joe Gould's Teeth. New York: Knopf. Audio Edition Abstract

From New Yorker staff writer and Harvard historian Jill Lepore, the dark, spellbinding tale of her restless search for the long-lost, longest book ever written, a century-old manuscript called “The Oral History of Our Time.”

Joe Gould, a madman, believed he was the most brilliant historian of the twentieth century. So did some of his friends, a group of modernist writers and artists that included E. E. Cummings, Marianne Moore, William Carlos Williams, John Dos Passos, and Ezra Pound. Gould began his life’s work before the First World War, announcing that he intended to write down nearly anything anyone ever said to him. “I am trying to preserve as much detail as I can about the normal life of every day people,” he explained, because “as a rule, history does not deal with such small fry.” By 1942, when The New Yorker published a profile of Gould written by the reporter Joseph Mitchell, Gould’s manuscript had grown to more than nine million words. But when Gould died in 1957, in a mental hospital, the manuscript was nowhere to be found. Then, in 1964, in “Joe Gould’s Secret,” a second profile, Mitchell claimed that “The Oral History of Our Time” had been, all along, merely a figment of Gould’s imagination. Lepore, unpersuaded, set about to find out.

Joe Gould’s Teeth is a Poe-like tale of detection, madness, and invention. Digging through archives all over the country, Lepore unearthed evidence that “The Oral History of Our Time” did in fact once exist. Relying on letters, scraps, and Gould’s own diaries and notebooks—including volumes of his lost manuscript—Lepore argues that Joe Gould’s real secret had to do with sex and the color line, with modernists’ relationship to the Harlem Renaissance, and, above all, with Gould’s terrifying obsession with the African American sculptor Augusta Savage. In ways that even Gould himself could not have imagined, what Gould wrote down really is a history of our time: unsettling, and ferocious.

“A madman’s grossly engrossing tale.” —The New York Times

“Revelatory..” —San Francisco Chronicle
 
“We owe Lepore a debt of gratitude for re-introducing us to one of the strangest strangers to have ever walked among us.” —Chicago Tribune

“Lepore specializes in excavating old flashpoints—forgotten or badly misremembered collisions between politics and cultural debates in America’s past. She lays out for our modern sensibility how some event or social problem was fought over by interest groups, reformers, opportunists and ‘thought leaders’ of the day. The result can look both familiar and disturbing, like our era’s arguments flipped in a funhouse mirror….Her discipline is worthy of a first-class detective.” —The New York Review of Books

“At a time when few are disposed to see history as a branch of literature, Lepore occupies a prominent place in American letters.” —The Daily Beast

“Again and again, she distills the figures she writes about into clean, simple, muscular prose, making unequivocal assertions that carry a faint electric charge…[and] attain a transgressive, downright badass swagger.” —Slate

“Lepore’s superb narrative brings that history vividly into the present, weaving individual lives into the sweeping changes of the century.” —The Wall Street Journal

2015

A version of this essay was delivered on November 5, 2015, as the Theodore H. White Lecture on the Press and Politics at the Shorenstein Center at Harvard's Kennedy School of Government.

Bibliography
2014
Lepore, Jill. 2014. “Yesterday's News.” newyorker.com, December 3, 2014. Article
Bibliography
Lepore, Jill. 2014. “Bad News: The reputation of Roger Ailes.” The New Yorker, January 20, 2014. Article
Bibliography
2013
Lepore, Jill. 2013. “The Oddyssey: Robert Ripley and His World.” The New Yorker, June 3, 2013.
2012
Lepore, Jill. 2012. “The Unseen: How a magazine article became a declaration of war on poverty.” Smithsonian, September 2012.

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