Bio
Mei M. Nan is a PhD candidate in comparative literature at Harvard University. Her research focuses on transnational East Asian literature and media. She has published on Sinophone literature and music in Taiwan and Hong Kong, transnational media industry across the historical Japanese empire, contemporary K-drama, and so on. Her articles have appeared in journals and edited volumes such as Mechademia: Second Arc and Global Storytelling: Journal of Digital and Moving Images. Her research has been recognized by the Social Sciences and Humanities Research Council of Canada, the Japan Foundation, etc.
Research Interests
Literature, film, and audiovisual culture in East Asia (China, Hong Kong, Japan, Korea, Okinawa, Taiwan)
Media theory (media ecologies, media mix, environmental media)
Feminist theory; queer theory; critical race theory
Sinophone studies; transpacific studies; Asian American studies
Comparative literature (postcolonialism and empire; decolonial theory; translation studies)
Health humanities (disability, chronic illness, mental health)
Languages
- Native / Near-Native Proficiency: English, Chinese (Cantonese and Mandarin), Japanese
- Professional Working Proficiency: Korean
- Limited Working Proficiency: French
Recent Publications
- Squid Game: The Hall of Screens in the Age of Platform Cosmopolitanism
- Imperial Media Mix: Japan's Failed Attempt at Asia's First Transnational Girl Group
- Opinion: Fighting anti-Asian racism requires bold action, not passive endurance
- Book Review: Literary Representations of “Mainlanders” in Taiwan: Becoming Sinophone by Phyllis Yu-ting Huang. London: Routledge, 2020
- Space-Clearing Flânerie: Remapping Hong Kong in Dung Kai-cheung’s Atlas and My Little Airport’s Songs
- Fantasy, Frustration, and the Emergence of Taiwanese Consciousness in Orphan of Asia
Recent Presentations
- What Is Contemporary Literature? On the Rise of Postfiction, Mediatization, and Sci-Fi
- “Becoming Taiwanese": Tsushima Yūko’s and Kuo Chiang-sheng’s Postfictional Novels
- Imperial Media Mix: Japan’s Failed Attempt at Asia’s First Transnational Girl Group
- Inferno Lost: Lu Xun, the Burning House, and Zhang Guixing's Sinophone Heart of Darkness
- Remapping Hong Kong: My Little Airport’s Sonic Flânerie
- Bifurcation of The Masses: Marx Boy and Engels Girl in Liu Na’ou’s Short Story "Flux"