2021. “Furēmu to paratekusuto: ‘Genji keizu’ to jimyaku no monogatari フレームとパラテクストー「源氏系図」と血脈の物語.” In 造形のポエティカ―日本美術史を巡る新たな地平 (The Poetics of Form: New Horizons in Japanese Art History). 青簡舎. In Japanese, trans. by Professor Sano Midori.

2021. “Poetic Visions: The Literary Imagination in Japanese Painting.” In A Legacy for Learning: The Jane and Raphael Bernstein Collection, Pp. 60-81. Hood Museum of Art, Dartmouth College.

2019. “Beyond Narrative Illustration: What Genji Paintings Do.” In The Tale of Genji: A Japanese Classic Illuminated, Pp. 43-55. Metropolitan Museum of Art and Yale University Press. mccormick_2019_genji_paintings_kuruma_arasoi.pdf

2019. The Tale of Genji: A Japanese Classic Illuminated. New York: Metropolitan Museum of Art and Yale University Press. Publisher's Version the_tale_of_genji_a_japanese_classic_illuminated.pdf

2019. “Murasaki’s Mind Ground: A Buddhist Theory of the Novel.” In Murasaki Shikibu’s The Tale of Genji: Philosophical Perspectives, Pp. 257-289. Oxford: Oxford University Press. mccormick_2019_murasakis_mind_ground.pdf

2018. “The Chrysanthemum Spirit,” translation and introduction.” In Monsters, Animals, and Other Worlds, Pp. 294-305. New York: Columbia University Press. Publisher's Version mccormick_2018_chrysanthemum_spirit.pdf

2018. The Tale of Genji: A Visual Companion. Princeton: Princeton University Press. Publisher's Version

2017. “Purple Displaces Crimson: The Wakan Dialectic as Polemic.” In Around Chigusa: Tea and the Arts of Sixteenth-Century Japan, edited by Dora Ching, Louise Cort, and Andrew Watsky , Pp. 181-208. Princeton: Princeton University Press. Publisher's Version mccormick_2017_wakan.pdf

4/2015. “Murasaki Shikibu at Ishiyamadera: An Image between Wa and Kan (紫式部石山詣図幅における諸問題―和と漢の境にある紫式部像) In Japanese.” Kokka. In Japanese, trans. by Professor Ido Misato., 1434, Pp. 5-21. mccormick_2015_kokka_murasaki_shikibu.pdf

2014. “The New Chamberlain from an Art Historical Perspective [Bijutsu-shi kara mita Shinkurōdo 美術史からみた『新蔵人』絵巻].” In Muromachi jidai no shōjo kakumei, ‘Shinkurōdo’ emaki no sekai 室町時代の少女革命『新蔵人（しんくろうど）』絵巻の世界 [Revolutionary Girl of the Muromachi Period: The World of the Illustrated Tale ‘The New Chamberlain’]. Tokyo: Kasama Shoin. Publisher's Version

2012. “In Situ: Buddhist Art and Ritual at the Imperial Court.” In Elegant Perfection Masterpieces of Courtly and Religious Art from the Tokyo National Museum. Houston: Museum of Fine Arts, Houston. mccormick_2012_in_situ_buddhist_art.pdf

2012. “Mountains, Magic, and Mothers: Envisioning the Female Ascetic in a Medieval Chigo Tale.” In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu. Princeton: Princeton University Press. mccormick_2012_mountain_magic_chigo_imamairi.pdf

2011. “The Genji Poetry Match, Manuscript Culture, and the Art of Transcription [‘Shahon bunka’ to sōzōteki na tensha—hakubyō ‘Genji monogatari utaawase emaki’ o megutte].” In Genjie shūsei. Tokyo: Geika Shoin.

2009. Tosa Mitsunobu and the Small Scroll in Medieval Japan. Seattle: University of Washington Press. Publisher's Version

2008. “Monochromatic Genji: The Hakubyō Tradition and Female Commentarial Culture.” In Envisioning The Tale of Genji: Media, Gender, and Cultural Production, Pp. 101-128. New York: Columbia University Press. mccormick_2008_monochromatic_genji_hakubyo.pdf

2006. “Peeking Into the ‘Genji Room’: Ink-line Genji Scrolls and the Nyōbō Perspective [Genji no ma o nozoku: hakubyō Genji monogatari emaki to nyōbō no shiza].” In Genji monogatari o yomitoku 1: Egakareta Genji monogatari, Pp. 101-29. Tokyo: Kanrin Shobō. mccormick_2006_genji_no_ma.pdf

2003. “Genji Goes West: The 1510 Genji Album and the Visualization of Court and Capital.” The Art Bulletin , 85, 1, Pp. 54-85. mccormick_2003_genji_goes_west.pdf