Publications

2021
Furēmu to paratekusuto: ‘Genji keizu’ to jimyaku no monogatari フレームとパラテクストー「源氏系図」と血脈の物語.
2021. “Furēmu to paratekusuto: ‘Genji keizu’ to jimyaku no monogatari フレームとパラテクストー「源氏系図」と血脈の物語.” In 造形のポエティカ―日本美術史を巡る新たな地平 (The Poetics of Form: New Horizons in Japanese Art History). 青簡舎. In Japanese, trans. by Professor Sano Midori.
Poetic Visions: The Literary Imagination in Japanese Painting
2021. “Poetic Visions: The Literary Imagination in Japanese Painting.” In A Legacy for Learning: The Jane and Raphael Bernstein Collection, Pp. 60-81. Hood Museum of Art, Dartmouth College.
2019
Beyond Narrative Illustration: What Genji Paintings Do
2019. “Beyond Narrative Illustration: What Genji Paintings Do.” In The Tale of Genji: A Japanese Classic Illuminated, Pp. 43-55. Metropolitan Museum of Art and Yale University Press. mccormick_2019_genji_paintings_kuruma_arasoi.pdf
The Tale of Genji: A Japanese Classic Illuminated
2019. The Tale of Genji: A Japanese Classic Illuminated. New York: Metropolitan Museum of Art and Yale University Press. Publisher's Version the_tale_of_genji_a_japanese_classic_illuminated.pdf
Murasaki’s Mind Ground: A Buddhist Theory of the Novel
2019. “Murasaki’s Mind Ground: A Buddhist Theory of the Novel.” In Murasaki Shikibu’s The Tale of Genji: Philosophical Perspectives, Pp. 257-289. Oxford: Oxford University Press. mccormick_2019_murasakis_mind_ground.pdf
2018
The Chrysanthemum Spirit,” translation and introduction
2018. “The Chrysanthemum Spirit,” translation and introduction.” In Monsters, Animals, and Other Worlds, Pp. 294-305. New York: Columbia University Press. Publisher's Version mccormick_2018_chrysanthemum_spirit.pdf
The Tale of Genji: A Visual Companion
2018. The Tale of Genji: A Visual Companion. Princeton: Princeton University Press. Publisher's Version
2017
Purple Displaces Crimson: The Wakan Dialectic as Polemic
2017. “Purple Displaces Crimson: The Wakan Dialectic as Polemic.” In Around Chigusa: Tea and the Arts of Sixteenth-Century Japan, edited by Dora Ching, Louise Cort, and Andrew Watsky , Pp. 181-208. Princeton: Princeton University Press. Publisher's Version mccormick_2017_wakan.pdf
2014
The New Chamberlain from an Art Historical Perspective [Bijutsu-shi kara mita Shinkurōdo 美術史からみた『新蔵人』絵巻]
2014. “The New Chamberlain from an Art Historical Perspective [Bijutsu-shi kara mita Shinkurōdo 美術史からみた『新蔵人』絵巻].” In Muromachi jidai no shōjo kakumei, ‘Shinkurōdo’ emaki no sekai 室町時代の少女革命『新蔵人(しんくろうど)』絵巻の世界 [Revolutionary Girl of the Muromachi Period: The World of the Illustrated Tale ‘The New Chamberlain’]. Tokyo: Kasama Shoin. Publisher's Version
2012
In Situ: Buddhist Art and Ritual at the Imperial Court
2012. “In Situ: Buddhist Art and Ritual at the Imperial Court.” In Elegant Perfection Masterpieces of Courtly and Religious Art from the Tokyo National Museum. Houston: Museum of Fine Arts, Houston. mccormick_2012_in_situ_buddhist_art.pdf
Mountains, Magic, and Mothers: Envisioning the Female Ascetic in a Medieval Chigo Tale
2012. “Mountains, Magic, and Mothers: Envisioning the Female Ascetic in a Medieval Chigo Tale.” In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu. Princeton: Princeton University Press. mccormick_2012_mountain_magic_chigo_imamairi.pdf
2009
Tosa Mitsunobu and the Small Scroll in Medieval Japan
2009. Tosa Mitsunobu and the Small Scroll in Medieval Japan. Seattle: University of Washington Press. Publisher's Version
2008
Monochromatic Genji: The Hakubyō Tradition and Female Commentarial Culture
2008. “Monochromatic Genji: The Hakubyō Tradition and Female Commentarial Culture.” In Envisioning The Tale of Genji: Media, Gender, and Cultural Production, Pp. 101-128. New York: Columbia University Press. mccormick_2008_monochromatic_genji_hakubyo.pdf