@book {713096,
	title = {Mystic Peak: Japanese Art from the Jane and Raphael Bernstein Collection},
	year = {2023},
	publisher = {Self-published, Blurb.},
	organization = {Self-published, Blurb.}
}
@inbook {693399,
	title = {Otagaki Rengetsu{\textquoteright}s Waka Poetics: Sentiment, Selfhood, and the Saigyo Persona},
	booktitle = {Japan in the Age of Modernization: The Arts of Otagaki Rengetsu and Tomioka Tessai},
	year = {2023},
	publisher = {Smithsonian Institution Scholarly Press},
	organization = {Smithsonian Institution Scholarly Press},
	address = {Washington, DC},
	editor = {Frank Feltens}
}
@inbook {672974,
	title = {Furemu to paratekusuto: {\textquoteleft}Genji keizu{\textquoteright} to jimyaku no monogatari [Frame Stories and Paratexts: Genji Genealogies and Lineal Narratives]},
	booktitle = {Sano Midori Sensei Koki Kinen Ronshu Kankokai ed., Zokei no poetika: Nihon bijutsushi o meguru atarana chihei [The Poetics of Form: New Horizons in Japanese Art History]},
	year = {2021},
	pages = {345-370},
	publisher = {Seikansha. In Japanese, trans. Professor Sano Midori.},
	organization = {Seikansha. In Japanese, trans. Professor Sano Midori.},
	abstract = {
	メリッサ・マコーミック（佐野みどり訳）「フレームとパラテクスト:『源氏系図』と血脈の物語」 佐野みどり先生古稀記念論集刊行会編『造形のポエティカー日本美術史を巡る新たな地平』青簡舎 2021.

}
}
@inbook {652632,
	title = {Poetic Visions: The Literary Imagination in Japanese Painting},
	booktitle = {A Legacy for Learning: The Jane and Raphael Bernstein Collection},
	year = {2021},
	pages = {60-81},
	publisher = {Hood Museum of Art, Dartmouth College},
	organization = {Hood Museum of Art, Dartmouth College}
}
@inbook {644322,
	title = {Beyond Narrative Illustration: What Genji Paintings Do},
	booktitle = {The Tale of Genji: A Japanese Classic Illuminated},
	year = {2019},
	pages = {43-55},
	publisher = {Metropolitan Museum of Art and Yale University Press},
	organization = {Metropolitan Museum of Art and Yale University Press}
}
@book {644321,
	title = {The Tale of Genji: A Japanese Classic Illuminated},
	year = {2019},
	publisher = {Metropolitan Museum of Art and Yale University Press},
	organization = {Metropolitan Museum of Art and Yale University Press},
	address = {New York},
	url = {https://www.amazon.com/Tale-Genji-Japanese-Classic-Illuminated/dp/1588396657/ref=b2b_b2b_gw_d_simh_1/140-1780236-7793966?_encoding=UTF8\&pd_rd_i=1588396657\&pd_rd_r=fe4d950b-6560-4443-990b-4e54cfb5ca2e\&pd_rd_w=ZAHNl\&pd_rd_wg=dKPkn\&pf_rd_p=61599782-672e-4e85}
}
@inbook {644311,
	title = {Murasaki{\textquoteright}s Mind Ground: A Buddhist Theory of the Novel},
	booktitle = {Murasaki Shikibu{\textquoteright}s The Tale of Genji: Philosophical Perspectives},
	year = {2019},
	pages = {257-289},
	publisher = {Oxford University Press},
	organization = {Oxford University Press},
	address = {Oxford},
	editor = {James McMullen}
}
@inbook {646025,
	title = {The Chrysanthemum Spirit,{\textquotedblright} translation and introduction},
	booktitle = {Monsters, Animals, and Other Worlds},
	year = {2018},
	pages = {294-305},
	publisher = {Columbia University Press},
	organization = {Columbia University Press},
	address = {New York},
	url = {https://cup.columbia.edu/book/monsters-animals-and-other-worlds/9780231184472},
	editor = {Keller Kimbrough and Haruo Shirane}
}
@book {644312,
	title = {The Tale of Genji: A Visual Companion},
	year = {2018},
	note = {CHOICE Outstanding Academic Title for 2019},
	publisher = {Princeton University Press},
	organization = {Princeton University Press},
	address = {Princeton},
	url = {https://www.amazon.com/Tale-Genji-Visual-Companion-ebook/dp/B07GQGQK9F}
}
@inbook {644335,
	title = {Purple Displaces Crimson: The Wakan Dialectic as Polemic},
	booktitle = {Dora Ching, Louise Cort, and Andrew Watsky, eds. Around Chigusa: Tea and the Arts of Sixteenth-Century Japan},
	year = {2017},
	pages = {181-208},
	publisher = {Princeton University Press},
	organization = {Princeton University Press},
	address = {Princeton},
	url = {https://press.princeton.edu/books/hardcover/9780691177557/around-chigusa}
}
@article {644336,
	title = {{\textquoteright}Murasaki Shikibu Ishiyamamode zufuku{\textquoteright} ni okeru sho mondai{\textemdash}wa to kan no sakai ni aru Murasaki Shikibu zo{\textquotedblright} [Murasaki Shikibu at Ishiyamadera: An Image between Wa and Kan]},
	journal = {Kokka 1434. In Japanese, trans. by Professor Ido Misato.},
	year = {2015},
	pages = {5-21},
	abstract = {メリッサ・マコーミック（井戸美里訳）「紫式部石山詣図幅における諸問題--和と漢の境にある紫式部像 」『國華』第1434号、2015年4.20, 5-21

	\&nbsp;

}
}
@inbook {644337,
	title = {Bijutsu-shi kara mita Shinkurodo{\textemdash}Merissa Makomikku shi intabyu [The New Chamberlain from an Art Historical Perspective: Interview with Melissa McCormick]},
	booktitle = {Abe Yasuro, et al eds. Muromachi jidai no shojo kakumei {\textquoteleft}Shinkurodo{\textquoteright} emaki no sekai [Revolutionary Girl of the Muromachi Period: The World of The New Chamberlain},
	year = {2014},
	pages = {166-178},
	publisher = {Kasama Shoin},
	organization = {Kasama Shoin},
	address = {Tokyo},
	abstract = {「美術史からみた『新蔵人』絵巻{\textemdash}メリッサ・マコーミック氏インタビュー」阿部泰郎監修 ; 江口啓子, 鹿谷祐子, 玉田沙織編『室町時代の少女革命『新蔵人（しんくろうど）』絵巻の世界』},
	url = {http://shop.kasamashoin.jp/bd/isbn/9784305707451/}
}
@inbook {686613,
	title = {The Appeal of {\textquoteright}Tokugawa Illuminated Manuscripts{\textquoteright}: Tosa Mitsusada{\textquoteright}s Scenes of Suma and the Hofer Collection of Early Modern Scrolls in the Harvard Art Museums.},
	booktitle = {Shimohara Miho ed., Kinsei Yamato-e saiko (Reconsidering Early Modern Yamato-e )},
	year = {2013},
	pages = {51-67},
	publisher = {Br{\"u}cke. In Japanese, trans. Ido Misato.},
	organization = {Br{\"u}cke. In Japanese, trans. Ido Misato.},
	address = {Tokyo},
	abstract = {メリッサ・マコーミック（井戸美里訳） 「徳川期装飾写本」の魅力 \&nbsp;\&nbsp;土佐光貞筆「源氏須磨図絵巻」とハーバード美術館ホーファー・コレクションの近世絵巻」下原美保 編 『近世やまと絵再考：日・英・米それぞれの視点から』ブリュッケ (2013). [{\textquoteleft}Tokugawa-ki soshoku shahon{\textquoteright} no miryoku: Tosa Mitsusada hitsu {\textquoteleft}Genji Suma-zu emaki{\textquoteright} to H{\={a}}b{\={a}}do Bijutsukan Hof{\={a}} Korekushon no kinei emaki]}
}
@inbook {686614,
	title = {Flower Personification and Imperial Regeneration in The Chrysanthemum Spirit  [{\textquoteright}Kiku no sei monogatari{\textquoteright} ni okeru hana no gijinka to koto no saisei].},
	booktitle = {Kokubungaku Kenkyū Shiryōkan, ed. America ni wattata monogatari-e},
	year = {2013},
	pages = {148-161},
	publisher = {Perikansha},
	organization = {Perikansha},
	address = {Tokyo},
	abstract = {メリッサ・マコーミック 「『菊の精物語』における花の擬人化と皇統の再生」国文学研究資料館編『アメリカに渡った物語絵：絵巻・屏風・絵本』},
	url = {http://www.perikansha.co.jp/Search.cgi?mode=SHOW\&code=1000001629}
}
@inbook {644345,
	title = {In Situ: Buddhist Art and Ritual at the Imperial Court},
	booktitle = {Elegant Perfection Masterpieces of Courtly and Religious Art from the Tokyo National Museum},
	year = {2012},
	pages = {115-122},
	publisher = {Museum of Fine Arts, Houston},
	organization = {Museum of Fine Arts, Houston},
	address = {Houston}
}
@inbook {644342,
	title = {Mountains, Magic, and Mothers: Envisioning the Female Ascetic in a Medieval Chigo Tale},
	booktitle = {In Gregory P.A. Levine, Andrew M. Watsky, and Gennifer Weisenfeld, eds. Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu},
	year = {2012},
	pages = {107-133},
	publisher = {Princeton University Press},
	organization = {Princeton University Press},
	address = {Princeton}
}
@inbook {644346,
	title = {The Genji Poetry Match, Manuscript Culture, and the Art of Transcription [{\textquoteleft}Shahon bunka{\textquoteright} to sozoteki na tensha{\textemdash}hakubyo {\textquoteleft}Genji monogatari utaawase emaki{\textquoteright} o megutte]},
	booktitle = {Genjie shusei},
	year = {2011},
	publisher = {Geika Shoin},
	organization = {Geika Shoin},
	address = {Tokyo},
	editor = {Sano Midori}
}
@book {644340,
	title = {Tosa Mitsunobu and the Small Scroll in Medieval Japan},
	year = {2009},
	publisher = {University of Washington Press},
	organization = {University of Washington Press},
	address = {Seattle},
	url = {https://uwapress.uw.edu/book/9780295989020/tosa-mitsunobu-and-the-small-scroll-in-medieval-japan/}
}
@inbook {644343,
	title = {Monochromatic Genji: The Hakubyo Tradition and Female Commentarial Culture},
	booktitle = {Haruo Shirane ed. Envisioning The Tale of Genji: Media, Gender, and Cultural Production},
	year = {2008},
	pages = {101-128},
	publisher = {Columbia University Press},
	organization = {Columbia University Press},
	address = {New York}
}
@inbook {644344,
	title = {Peeking Into the {\textquoteleft}Genji Room{\textquoteright}: Ink-line Genji Scrolls and the Nyobo Perspective [Genji no ma o nozoku: hakubyo Genji monogatari emaki to nyobo no shiza]},
	booktitle = {Genji monogatari o yomitoku 1: Egakareta Genji monogatari},
	year = {2006},
	pages = {101-29},
	publisher = {Kanrin Shobo},
	organization = {Kanrin Shobo},
	address = {Tokyo},
	editor = {Mitamura Masako}
}
@article {644339,
	title = {Genji Goes West: The 1510 Genji Album and the Visualization of Court and Capital},
	journal = {The Art Bulletin },
	volume = {85},
	number = {1},
	year = {2003},
	pages = {54-85}
}
@mastersthesis {686617,
	title = {Tosa Mitsunobu{\textquoteright}s Ko-e : Forms and Functions of Small-Format Handscrolls in the Muromachi Period (1333-1573)},
	year = {2000},
	type = {Ph.D. dissertation}
}
@article {686616,
	title = {Documentation Concerning the Production of the Tale of Genji Album (Harvard University Art Museums) Recorded in the Diary of Sanjonishi Sanetaka },
	journal = {Kokka 1241},
	year = {1999},
	pages = {27-28}
}
