@inbook {203156,
	title = {Hearing the Syrinx in Euripidean Tragedy},
	booktitle = {Music and Text in Ancient Greece},
	year = {2018},
	pages = {139-62},
	publisher = {Cambridge University Press},
	organization = {Cambridge University Press},
	address = {Cambridge},
	abstract = {References to the syrinx are mostly absent from extant tragedy until the late fifth century BC, when the instrument suddenly starts appearing in Euripides{\textquoteright} plays, especially in the choral odes. This chapter demonstrates that the syrinx is almost always mentioned alongside the aulos, the double pipe that accompanied dramatic\&nbsp;choreia, or in such a way that the aulos is strongly suggested, so that the one instrument is meant to be heard as the other. Such instrumental mimesis in Euripides{\textquoteright} tragedies does more than just show off his own skill and engagement with contemporary musical trends and discourse: it is also always used for a particular dramatic effect, thus providing evidence of his increasing experimentation towards the end of his career with the role(s) music could play within a tragedy.},
	url = {http://www.oxfordscholarship.com.ezp-prod1.hul.harvard.edu/view/10.1093/oso/9780198794462.001.0001/oso-9780198794462-chapter-7},
	author = {Weiss, N},
	editor = {Tom Phillips and Armand D{\textquoteright}Angour}
}
