@inbook {622755,
	title = {Performance, Memory, and Affect: Animal Choruses in Attic Vase Painting},
	booktitle = {Music and Memory in the Ancient Greek and Roman Worlds},
	year = {2021},
	publisher = {Cambridge University Press},
	organization = {Cambridge University Press},
	address = {Cambridge},
	abstract = {This chapter explores the relationship between theatrical music, visual record, and audience memory as mediated by a group of Attic vases, mostly dated from the mid- to late sixth century BCE, that show choruses of animals, animal-riders, and/or men wearing animal costumes. I argue for a new interpretation of these sympotic vessels, whereby they are understood as objects that engage and participate in a viewer{\textquoteright}s memory of choral performance. I emphasize the referential flexibility of such images of theatrical music-making, which can evoke one specific performance but also, simultaneously, multiple performances across various genres. The vases thus activate a viewer{\textquoteright}s cultural repertoire of choreia, which could include his own bodily experience of singing and dancing in a chorus; in doing so, they draw him in as both spectator and performer within their own choral productions.\&nbsp;},
	url = {https://www.cambridge.org/core/books/music-and-memory-in-the-ancient-greek-and-roman-worlds/1C8848460176777B721D4A7F0ADC47CC},
	author = {Naomi Weiss},
	editor = {Lauren Curtis and Naomi Weiss}
}
