I am a cultural historian who writes about two subjects: theatre/performance and childhood. Sometimes I study these topics together; other times I study them separately. My goal, always, is to think through performance and childhood to produce new knowledge about US cultural history, and particularly American formations of race, from the nineteenth century to the present.
A graduate of Yale's doctoral program in American Studies and an elected member of the American Antiquarian Society, I am the Dillon Professor of American History and Professor of African and African American Studies and of Studies of Women, Gender, and Sexuality and at Harvard University. I currently chair the program in Women, Gender, and Sexuality at Harvard. I am also a faculty member in Harvard's doctoral program in American Studies and undergraduate program in Theater, Dance, and Media. With Stephanie Batiste and Brian Herrera, I edit the book series Performance and American Cultures for New York University Press.
My most recent book, Racial Innocence: Performing American Childhood from Slavery to Civil Rights, won five awards: the Outstanding Book Award from the Association for Theatre in Higher Education (co-winner), the Grace Abbott Best Book Award from the Society for the History of Children and Youth, the Book Award from the Children's Literature Association, the Lois P. Rudnick Book Prize from the New England American Studies Association, and the IRSCL Award from the International Research Society for Children's Literature. Racial Innocence was also a runner-up for the American Studies Association's John Hope Franklin Publication Prize and received an Honorable Mention for the Book Award from the Society for the Study of American Women Writers. My other books include the anthology Cast Out: Queer Lives in Theater (University of Michigan Press) and a Jewish feminist children's book titled Terrible, Terrible!
My recent scholarly articles include “Utopian Movements: Nikki Giovanni and the Convocation Following the Virginia Tech Massacre,” which was published in African American Review and won that journal’s 2014 Darwin T. Turner Award for “the best essay representing any period in African American or pan-African literature and culture.” My article, “‘I’m Very Happy to Be in the Reality-Based Community’: Alison Bechdel’s Fun Home, Digital Photography, and George W. Bush,” appeared in the March 2017 issue of American Literature. Other essays have appeared in PMLA, Theatre Journal, Modern Drama, J19: The Journal of Nineteenth-Century Americanists, and other journals. My 2009 article "Dances with Things: Material Culture and the Performance of Race" was published in Social Text, and it won two prizes: the Outstanding Article award from the Association for Theatre in Higher Education and the Vera Mowry Roberts Award for Research and Publication, given by the American Theatre and Drama Society.
I just published the previously unavailable 1897 slave narrative of Jane Clark, who liberated herself from slavery in Maryland by undergoing an arduous three-year journey that ended in Auburn, New York in 1859. The full text of the narrative (which was penned by a white amanuensis), along with my annotations and an introduction that verifies and contextualizes Jane Clark's story, was published in 2018 in the journal Common-Place.
I also write opinion pieces, including op eds and academic advice. The New York Times published my op ed "Let Black Kids Just Be Kids" in July 2017. My columns "The Art of ‘No,’" "You are Not a Public Utility," "Banish the Smarm: Effective Networking is Sincere, Deep, and Generous," and "How to Talk to Famous Professors" were published in the Chronicle of Higher Education in 2017. For my complete C.V., please click on this link: