Conferences & Presentations

April 2024 "The Lithographic Press of Mademoiselle Formentin: Gender and the Nineteenth-Century Printshop," Symposium on 'The Printer,' organized by Naoko Takahatake, Natalia Lauricella, & Laurel Garber. Getty Research Institute, Los Angeles, CA.

February 2024 Panel Chair, 'Women Artists?' The Future of Art History and Gender, College Art Association Annual Conference. Chicago, IL.

October 2023 "Republican Motherhood and Republican Equality: Female Engravers and the 'Ideals' of the French Revolution," "What's Race Got to do With it? Interrogating the Norms of Domestic Space, Race, and Gender in the Eighteenth-Century Home, Historians of Eigtheenth-Century Art and Architecture @ 30 Conference. Boston, MA.

October 2023 Moderator of "Archival (In)justices: Prejudices, Gaps, and Obstacles in Archival Records and Process" as part of Quilt! Inclusivity in Eighteenth-Century Studies roundtable, Historians of Eigtheenth-Century Art and Architecture @ 30 Conference. Boston, MA.

May 2023 "Erecting Revolution: Engraver Louise Pithoud and the Gender(s) of the French Revolution," Skills, Objects, Representations: The Material Culture of the French Revolution, organized by Simon Macdonald and Richard Taws. University College London.

March 2023 "Lithograph as Archive: Anne Emilie Bès, Joséphine Formentin and Nineteenth-Century Gendering of Touch," Expanding the Discourse: Gender & Queerness in Nineteenth-Century France, ECR French Nineteenth-Century Art Network. Virtual.

February 2023 "Fingerprints: Female Lithographers and the Records of Touch in Nineteenth-Century France," College Art Association Annual Conference, panel sponsored by Association of Print Scholars, New York, NY.

November 2022 "Angélique Allais Briceau: femme graveur, anatomiste, portraitiste, et enseignante," Graver la danse: corps de métier et diffusion des savoirs au xviiie siècle, Institut National d'Histoire de l'Art, Paris, France.

September 2022 Invited as gallery presenter for opening event of Dare to Know: Prints and Drawings in the Age of Enlightenment, Harvard Art Museums, Cambridge, MA.

July 2021 "Liberty, Equality, Sorority? Women & Print in the French Revolution," Alliance Française/French Cultural Center Boston as part of 2021 Bastille Day lectures. Virtual Broadcast.

April 2020 “Engraver Petrified and the Press Animated: Jean-Charles Delafosse’s Eclectic Antiquarianism and a Typology of the Human,” New England Chapter of the Society of Architectural Historians Student Symposium, Cambridge, MA. Canceled due to coronavirus.

February 2020 “‘Femmes illustres’: The Defense of Queenship and the Public Woman in Revolutionary France,” College Art Association Annual Conference, panel sponsored by the American Society of Eighteenth- Century Studies, Chicago, IL.

February 2020 “Émira: Printing History during Revolution,” Mahindra Center for the Humanities Eighteenth Century Studies Seminar, New Eyes on the Eighteenth Century Symposium, Harvard University, MA.

March 2019 Selected participant for Watercolor seminar by Curator Matthew Hargraves, Morgan Drawing Institute, New York, NY.

May 2017 Capabilities, Progress, and Results of Scientific Research Department, presented to the Board of Directors, Sotheby’s, New York, NY.

May 2016 “Printing History,” Honors Thesis Symposium, Department of Art History, Dartmouth College, NH.

May 2016 "Printing History," President’s Office Undergraduate Senior Honors Thesis Showcase, Dartmouth College, NH.

2015-2016 “Inventory” exhibition public guided tours and museum expansion proposal presentations to Board, Hood Museum of Art, Dartmouth College, NH.

August 2015 “Jean-Louis Soulavie Albums,” presented to Curatorial Staff, Getty Research Institute, Los Angeles, CA.

March 2015 “Americans in Paris: Sam Francis and Man Ray,” presented to Curatorial Staff, Getty Research Institute, Los Angeles, CA.