@article {605570,
	title = {Inside the Maker{\textquoteright}s Workshop: Alvan Clark and Robert B. Tolles in the Second Half of the Nineteenth Century},
	year = {In Preparation},
	author = {Sara J. Schechner and Kenneth J. Launie}
}
@article {337546,
	title = {Glass and Power: Sourcing Scientific Glass in North America, 1600-1850},
	year = {In Preparation},
	author = {Sara J. Schechner}
}
@article {276416,
	title = {Telescopes in Colonial and Federal America, 1620-1820},
	year = {In Preparation},
	author = {Sara J. Schechner}
}
@article {695653,
	title = {Essay review of Astrolabes in Medieval Cultures, ed. Josefina Rodriguez-Arribas, Charles Burnett, Silke Ackermann, and Ryan Szpiech},
	journal = {Centaurus},
	volume = {64},
	number = {2},
	year = {2022},
	pages = {547-549},
	url = {https://doi.org/10.1484/J.CNT.5.129867},
	author = {Sara J. Schechner}
}
@article {695652,
	title = {In Memory of Paolo Brenni (1954-2021)},
	journal = {Physis},
	volume = {57},
	number = {1},
	year = {2022},
	pages = {360-366},
	author = {Sara J. Schechner and Anna Giatti and Giorgio Strano}
}
@article {695649,
	title = {How Did a 17th-Century French Sundial End Up Buried in a Field in Indiana?},
	journal = {Smithsonian Voices},
	year = {2022},
	url = {https://www.smithsonianmag.com/blogs/national-museum-american-history/2022/08/23/pocket-sundial/},
	author = {Sara J. Schechner and Peggy Kidwell}
}
@article {605572,
	title = {Observations on Niccol{\`o} Tornioli{\textquoteright}s The Astronomers},
	journal = {Annals of Science},
	volume = {78},
	number = {4},
	year = {2021},
	pages = {1-45},
	abstract = {
	In the summer of 1645, the Oratorian Virgilio Spada (1596{\textendash}1662) acquired a painting of a debate on astronomy by the Sienese artist Niccol{\`o} Tornioli (1598?{\textendash}1651) and displayed it in the Palazzo Spada, the Roman residence of his older brother, Cardinal Bernardino Spada (1594{\textendash}1661). Our discussion of The Astronomers questions some of the traditional identifications of its characters, although we cannot claim to have solved these figures{\textquoteright} identities and several remain a mystery. We do present new iconographic interpretations of particular scientific instruments, diagrams, and natural phenomena in the canvas. These novel readings occasionally remain conjectural in part because Tornioli represents these entities in a way that makes it clear that he did not fully comprehend them. The errors and obscurities in Tornioli{\textquoteright}s painting lead us to two conclusions. First, that the erudite Virgilio Spada was unlikely to have been involved in the definition of the painting{\textquoteright}s iconographies, as he would have objected to Tornioli{\textquoteright}s crass mistakes and obscure imagery. Second, that these errors and indistinct details should be taken at face value, insofar as they accentuate the difficulties of astronomical observation. Beyond highlighting these challenges, we argue that the painting also visualizes techniques for countering them. Specifically, the canvas would have focused early modern observers{\textquoteright} attention on the edifying powers of civil conversations and communal observations with scientific instruments as well as images{\textemdash}including diagrams, celestial maps, and paintings.

},
	url = {https://doi.org/10.1080/00033790.2021.1957149},
	author = {Susanna Berger and Sara J. Schechner}
}
@article {672340,
	title = {Great Collections: Harvard{\textquoteright}s Collection of Historical Scientific Instruments and Its Founder, David P. Wheatland},
	journal = {Journal of Antiques and Collectibles},
	volume = {September},
	year = {2020},
	pages = {34-35},
	abstract = {
	This is a story of the impact a collector can have on creating one of the world{\textquoteright}s most celebrated of specialized museums. The museum is Harvard University{\textquoteright}s Collection of Historical Scientific Instruments and the man responsible is David P. Wheatland of Topsfield, Massachusetts.



	The publisher{\textquoteright}s print version is attached as a PDF.\&nbsp; The web version of the essay is here.

},
	url = {https://journalofantiques.com/columns/great-collections/great-collections-harvards-collection-historical-scientific-instruments-founder-david-p-wheatland/},
	author = {Sara J. Schechner}
}
@article {654941,
	title = {Did Tim Paint a Vermeer?},
	journal = {Journal of Imaging Science and Technology},
	volume = {64},
	number = {6},
	year = {2020},
	month = {2020},
	pages = {60403-1 - 60403-12},
	abstract = {
	Tim{\textquoteright}s Vermeer is a recent documentary feature film following engineer and self-described non-artist Tim Jenison{\textquoteright}s extensive efforts to {\textquotedblleft}paint a Vermeer{\textquotedblright} by means of a novel optical telescope and mirror-comparator procedure. His efforts were inspired by the controversial claim that some Western painters as early as 1420 secretly built optical devices and traced passages in projected images during the execution of some of their works, thereby achieving a novel and compelling {\textquotedblleft}optical look.{\textquotedblright} We examine the proposed telescope optics in historical perspective, the difficulty and efficacy of the mirror comparator procedure as revealed by an independent artist/copyist{\textquoteright}s attempts to replicate the procedure, and the particular visual evidence adduced in support of the comparator hypothesis. Specifically, we find that the luminance gradient along the rear wall in the duplicate painting is far from being rare or difficult to achieve, as was claimed; in fact, such gradients appear in numerous Old Master paintings that show no ancillary evidence of having been executed with optics. There is indeed a slight bowing of a single contour in the Vermeer original, which one would nominally expect to be straight; however, the optical explanation for this bowing implies numerous other lines would be similarly bowed, but in fact all are straight. The proposed method does not explain some of the most compelling {\textquotedblleft}optical{\textquotedblright} evidence in Vermeer{\textquoteright}s works, such as the small disk-shaped highlights, which appear like the blur spots that arise in an out-of-focus projected image. Likewise, the comparator-based explanations for the presence of pinprick holes at central vanishing points, and the presence of underdrawings and pentimenti in several of Vermeer{\textquoteright}s works, have more plausible non-optical explanations. Finally, an independent experimental attempt to replicate the procedure fails overall to provide support for the telescope claim. In light of these considerations and evidence we conclude that it is extremely unlikely that Vermeer used the proposed mirror-comparator procedure.

},
	url = {https://doi.org/10.2352/J.ImagingSci.Technol.2020.64.6.060403},
	author = {David G. Stork and Christopher W. Tyler and Sara J. Schechner}
}
@article {637412,
	title = {"Telling Time in Tokugawa Japan." Review of Making Time: Astronomical Measurement in Tokugawa Japan by Yulia Frumer.},
	journal = {Physics Today},
	volume = {72},
	number = {6},
	year = {2019},
	pages = {57-58},
	url = {https://doi.org/10.1063/PT.3.4229},
	author = {Sara J. Schechner}
}
@article {621730,
	title = {Matteo Valleriani, ed. The Structures of Practical Knowledge.},
	journal = {Isis},
	volume = {109},
	number = {3},
	year = {2018},
	pages = {626-627},
	url = {https://www.journals.uchicago.edu/doi/abs/10.1086/700018},
	author = {Sara J. Schechner}
}
@article {605576,
	title = {{\textquoteright}Girl Hours{\textquoteright} at the Harvard College Observatory, review of The Glass Universe: How the Ladies of the Harvard Observatory Took the Measure of the Stars, by Dava Sobel},
	journal = {Journal for the History of Astronomy},
	volume = {49},
	number = {1},
	year = {2018},
	pages = {117-119},
	author = {Sara J. Schechner}
}
@article {605575,
	title = {The Future of Astronomy{\textquoteright}s Archived Observations {\textendash}An Open Discussion},
	journal = {Bulletin of the American Astronomical Society },
	volume = {50},
	number = {7},
	year = {2018},
	author = {Sara J. Schechner}
}
@article {605574,
	title = {The Puzzle of a {\textquoteleft}Reproduction{\textquoteright} Astrolabe in the Style of Jean Fusoris},
	journal = {Bulletin of the Scientific Instrument Society},
	number = {139},
	year = {2018},
	pages = {8-16},
	author = {Sara J. Schechner and John Davis}
}
@article {488716,
	title = {Preservation Recommendations for Historic Photographic Jackets},
	journal = {Journal for the History of Astronomy},
	volume = {47},
	number = {1},
	year = {2016},
	month = {4 Feb. 2016},
	pages = {Supplement},
	abstract = {Appendix III to {\textquotedblleft}The Scientific and Historical Value of Annotations on Astronomical Photographic Plates{\textquotedblright}},
	url = {http://journals.sagepub.com/doi/suppl/10.1177/0021828615624094},
	author = {Sara J. Schechner and David Sliski}
}
@article {488711,
	title = {Preservation Recommendations for Historic Photographic Jackets},
	journal = {Journal for the History of Astronomy},
	volume = {47},
	number = {1},
	year = {2016},
	month = {4 Feb. 2016},
	pages = {supplement},
	url = {http://journals.sagepub.com/doi/suppl/10.1177/0021828615624094},
	author = {Sara J. Schechner and David Sliski}
}
@article {407101,
	title = {The Scientific and Historical Value of Annotations on Astronomical Photographic Plates},
	journal = {arXiv},
	year = {2016},
	month = {11 Feb 2016},
	abstract = {The Scientific and Historical Value of Annotations on Astronomical Photographic Plates
Authors:  Sara J. Schechner, David H. Sliski Comments: 46 pages, 9 figures, Published in the Journal for the History of Astronomy, February 2016
 arXiv:1602.03475v2 [physics.hist-ph]  DOI: 10.1177/0021828615624094 License: http://arxiv.org/licenses/nonexclusive-distrib/1.0/ Subj-class: History and Philosophy of Physics (physics.hist-ph)},
	url = {https://arxiv.org/abs/1602.03475v2},
	author = {Sara J. Schechner and David Sliski}
}
@article {276406,
	title = {The Scientific and Historical Value of Annotations on Astronomical Photographic Plates},
	journal = {Journal for the History of Astronomy},
	volume = {47},
	number = {1},
	year = {2016},
	pages = {3-29},
	abstract = {The application of photography to astronomy was a critical step in the development of astrophysics at the end of the nineteenth century. Using custom-built photographic telescopes and objective prisms, astronomers took images of the sky on glass plates during a 100-year period from many observing stations around the globe. After each plate was developed, astronomers and their assistants studied and annotated the plates as they made astrometric, photometric and spectroscopic measurements, counted galaxies, observed stellar variability, tracked meteors, and calculated the ephemerides of asteroids and comets. In this paper, the authors assess the importance of the plate annotations for future scientific, historical, and educational programs. Unfortunately, many of these interesting annotations are now being erased when grime is removed from the plates before they are digitized to make the photometric data available for time-domain astrophysics. To see what professional astronomers and historians think about this situation, the authors conducted a survey. This paper captures the lively discussion on the pros and cons of the removal of plate markings, how to best to document them if they must be cleaned off, and what to do with plates whose annotations are deemed too valuable to be erased. Three appendices to the paper offer professional guidance on the best practices for handling and cleaning the plates, photographing any annotations, and rehousing them.Three supplementary appendices are available online here.},
	url = {http://jha.sagepub.com/content/47/1/3.full.pdf+html},
	author = {Sara J. Schechner and David Sliski}
}
@article {337541,
	title = {The Art of Making Leyden Jars and Batteries according to Benjamin Franklin},
	journal = {eRittenhouse},
	volume = {26},
	year = {2015},
	abstract = {The Leyden jar was arguably the most important instrument for electrical experiments in the second half of the 18th\&nbsp;century, and Benjamin Franklin{\textquoteright}s fame as a natural philosopher was based largely on his explanation of how it worked.\&nbsp;\&nbsp; In two remarkable letters written in the 1750s to scholars in Boston, Franklin offers instruction on the making of Leyden jars and assembling them into batteries.\&nbsp; The letters also illustrate the challenges of getting and maintaining natural philosophical apparatus in colonial America, and a culture of recycling goods in order to make do.},
	url = {http://www.erittenhouse.org/artitcles/vol-26-contents-and-authors/making-leyden-jars-and-batteries/},
	author = {Sara J. Schechner}
}
@article {276431,
	title = {Essay Review: Astrolabes from Medieval Europe by David A. King},
	journal = {Aestimatio},
	volume = {11},
	year = {2014},
	pages = {354-363},
	url = {http://www.ircps.org/aestimatio/11/354-363},
	author = {Sara J. Schechner}
}
@article {276426,
	title = {Historical Instruments in the Mikulov Collections},
	journal = {Journal for the History of Astronomy },
	volume = {45},
	number = {1},
	year = {2014},
	pages = {134-135},
	abstract = {Review of Historické vědecké přístroje v mikulovských sbírkách:\&nbsp; Katalog vědeckých přístrojů z 16. až 19. století ve sbírkách Regionálního muzea v Mikulově [Historical Scientific Instruments in the Mikulov Collections: Catalogue of Scientific Instruments from the 16th to 19th Centuries in the Collection of the Regional Museum in Mikulov] by Zdeněk Horsky.},
	author = {Sara J. Schechner}
}
@article {113361,
	title = {Issues and Challenges in the Protection of Different Categories of Astronomical Heritage: A Report from Beijing 2012},
	journal = {American Astronomical Society Meeting Abstracts},
	volume = {221},
	year = {2013},
	pages = {91.03},
	url = {http://labs.adsabs.harvard.edu/ui/abs/2013AAS...221.9103S},
	author = {Sara J. Schechner}
}
@article {113416,
	title = {An American of Many Lives. Review of Two Brides for Apollo: The Life of Samuel Williams, 1743-1817, by Robert F. Rothschild},
	journal = {Journal for the History of   Astronomy},
	volume = {43},
	number = {1},
	year = {2012},
	pages = {122-123},
	url = {https://doi.org/10.1177/002182861204300110},
	author = {Sara J. Schechner}
}
@article {113026,
	title = {IAU Historical Instruments Working Group: Triennial Report (2009-2011)},
	journal = {Journal of Astronomical History and Heritage},
	volume = {14},
	year = {2011},
	pages = {235-236},
	author = {Sara J. Schechner}
}
@article {113021,
	title = {Division IX/Commission 41/Working Group Historical Instruments},
	journal = {Proceedings of the International Astronomical Union},
	volume = {7},
	number = {T28A },
	year = {2011},
	pages = {400-402},
	author = {Sara J. Schechner}
}
@article {113426,
	title = {Review of Eastern Astrolabes, by David Pingree},
	journal = {HAD News},
	volume = {April 2010},
	number = {76},
	year = {2010},
	pages = {6-7},
	author = {Sara J. Schechner}
}
@article {113421,
	title = {Essay Review of Eastern Astrolabes, by David Pingree},
	journal = {Aestimatio},
	volume = {7},
	year = {2010},
	pages = {7-11},
	author = {Sara J. Schechner}
}
@article {113376,
	title = {Early American Telescopes},
	journal = {Bulletin of the American Astronomical Society },
	volume = {41},
	number = {1},
	year = {2009},
	pages = {186},
	publisher = {American Astronomical Society},
	url = {http://labs.adsabs.harvard.edu/ui/abs/2009AAS...21320001S},
	author = {Sara J. Schechner}
}
@article {113006,
	title = {The Adventures of Captain John Smith Among the Mathematical Practitioners: Cosmology, Mathematics, and Power at the Time of Jamestown},
	journal = {Rittenhouse: Journal of the Scientific Instrument Enterprise},
	volume = {21},
	number = {2},
	year = {2009},
	pages = {126-144},
	author = {Sara J. Schechner}
}
@article {113381,
	title = {The Adventures of Captain John Smith, Pocahontas, and a Sundial: Cosmology, Mathematics, and Power at the Time of Jamestown},
	journal = {Bulletin of the American Astronomical Society},
	volume = {39},
	number = {4},
	year = {2007},
	pages = {786},
	url = {http://labs.adsabs.harvard.edu/ui/abs/2007AAS...211.3403S},
	author = {Sara J. Schechner}
}
@article {113041,
	title = {The Adventures of Captain John Smith, Pocahontas, and a Sundial},
	journal = {The Compendium},
	volume = {14},
	number = {1},
	year = {2007},
	pages = {19-24},
	author = {Sara J. Schechner}
}
@article {113431,
	title = {Review of Elizabethan Instrument Makers: The Origins of the London Trade in Precision Instrument Making, by Gerard L{\textquoteright}E. Turner},
	journal = {Isis},
	volume = {97},
	year = {2006},
	pages = {743},
	author = {Sara J. Schechner}
}
@article {113081,
	title = {Astrolabes and the Medieval Traveler},
	journal = {AVISTA Forum Journal },
	volume = {16},
	number = {1/2},
	year = {2006},
	pages = {30-32},
	author = {Sara J. Schechner}
}
@article {113076,
	title = {Benjamin Franklin: A How-To Guide, Catalog of the Exhibition},
	journal = {Harvard Library Bulletin},
	volume = {17},
	number = {1-2, spring-summer, special double issue, "Benjamin Franklin: A How-To Guide"},
	year = {2006},
	pages = {47-99},
	url = {     http://nrs.harvard.edu/urn-3:FHCL:139076?n=22571},
	author = {Joyce Chaplin and Sara J. Schechner and Thomas Horrocks}
}
@article {113051,
	title = {Benjamin Franklin and a Tale of Two Electrical Machines},
	journal = {Harvard Library Bulletin },
	volume = {17},
	number = {1-2, spring-summer, special double issue, "Benjamin Franklin: A How-To Guide"},
	year = {2006},
	pages = {33-40},
	url = {http://nrs.harvard.edu/urn-3:FHCL:139076?n=22557},
	author = {Sara J. Schechner}
}
@article {113391,
	title = {Astronomy behind Enemy Lines in Colonial North America: John Winthrop{\textquoteright}s Observations of the Transits of Venus},
	journal = {Bulletin of the American Astronomical Society},
	volume = {37},
	number = {4},
	year = {2005},
	pages = {1241},
	url = {http://labs.adsabs.harvard.edu/ui/abs/2005AAS...207.5802S},
	author = {Sara J. Schechner}
}
@article {113086,
	title = {Between Knowing and Doing: Mirrors and Their Imperfections in the Renaissance},
	journal = {Early Science and Medicine },
	volume = {10},
	year = {2005},
	pages = {137-162},
	author = {Sara J. Schechner}
}
@article {113096,
	title = {Harvard{\textquoteright}s Collection of Historical Scientific Instruments and Its Astronomical Treasures},
	journal = {Journal of Astronomical History and Heritage},
	volume = {7},
	year = {2004},
	pages = {59-60},
	author = {Sara J. Schechner}
}
@article {113436,
	title = {Comets: Sublunary or Celestial?  Review of The Age of Two-Faced Janus: The Comets of 1577 and 1618 and the Decline of the Aristotelian World View in the Netherlands, by Tabitta van Nouhuys},
	journal = {Journal for the History of   Astronomy},
	volume = {34},
	year = {2003},
	pages = {118-119},
	url = {http://articles.adsabs.harvard.edu/full/2003JHA....34..118S},
	author = {Sara J. Schechner}
}
@article {113111,
	title = {The Material Culture of Astronomy in Daily Life: Sundials, Science, and Social Change},
	journal = {Journal for the History of   Astronomy},
	volume = {32},
	year = {2001},
	pages = {189-222},
	url = {http://articles.adsabs.harvard.edu/full/2001JHA....32..189S},
	author = {Sara J. Schechner}
}
@article {113456,
	title = {Too Little Dirty Linen.  Essay review of Galileo{\textquoteright}s Daughter: A Historical Memoir of Science, Faith, and Love, by Dava Sobel},
	journal = {The World \& I},
	volume = {15},
	year = {2000},
	pages = {262-267},
	author = {Sara J. Schechner}
}
@article {113451,
	title = {The Many Facets of Halley:  Review of Edmond Halley: Charting the Heavens and Seas, by Alan Cook},
	journal = {Journal for the History of   Astronomy},
	volume = {31},
	number = {2},
	year = {2000},
	pages = {73-74},
	url = {http://articles.adsabs.harvard.edu//full/2000JHA....31..172C/0000172.000.html},
	author = {Sara J. Schechner}
}
@article {113126,
	title = {Art in the St. Petersburg Observatory: Putti with Scientific Instruments},
	journal = {Bulletin of the Scientific Instrument Society},
	volume = {64},
	year = {2000},
	pages = {2 (cover story)},
	author = {Sara J. Schechner}
}
@article {113141,
	title = {Floating Sundials from Down Under},
	journal = {The Compendium},
	volume = {4},
	number = {3},
	year = {1997},
	pages = {1-7},
	author = {Sara Schechner-Genuth and Robert Terwilliger and Norman Heckenberg}
}
@article {113476,
	title = {The Gerard Turner Festschrift.  Review of Making Instruments Count, ed. R. G. W. Anderson, J. A. Bennett, and W. F. Ryan},
	journal = {Journal for the History of Astronomy},
	volume = {27},
	number = {2},
	year = {1996},
	pages = {176-177},
	url = {http://articles.adsabs.harvard.edu/full/1996JHA....27..176A},
	author = {Sara Schechner-Genuth}
}
@article {113461,
	title = {Review of Making Instruments Count, ed. R. G. W. Anderson, J. A. Bennett, and W. F. Ryan},
	journal = {Journal for the History of   Astronomy},
	volume = {27},
	year = {1996},
	pages = {176-177},
	author = {Sara Schechner-Genuth}
}
@article {113156,
	title = {A Small Compass Sundial},
	journal = {NAWCC Bulletin},
	volume = {, June},
	year = {1996},
	pages = {389-390},
	author = {Sara Schechner-Genuth}
}
@article {113151,
	title = {What Is This Sundial?},
	journal = {NAWCC Bulletin},
	volume = {August},
	year = {1996},
	pages = {522},
	author = {Sara Schechner-Genuth}
}
@article {113146,
	title = {Tools for Teaching and Research: John Prince, the Deerfield Academy, and Educational Reform in the Early Republic},
	journal = {Rittenhouse: Journal of the Scientific Instrument Enterprise},
	volume = {10},
	year = {1996},
	pages = {97-120},
	author = {Sara Schechner-Genuth}
}
@article {113401,
	title = {From Heaven{\textquoteright}s Alarm to Public Appeal:  Comets and the Rise of Astronomy at Harvard},
	journal = {History of Physics Newsletter},
	volume = {5},
	number = {5},
	year = {1994},
	pages = {86},
	author = {Sara Schechner-Genuth}
}
@article {113481,
	title = {Review of The Lord of Uraniborg: A Biography of Tycho Brahe, by Victor E. Thoren},
	journal = {History of European Ideas},
	volume = {17},
	year = {1993},
	pages = {690-691},
	author = {Sara Schechner-Genuth}
}
@article {113496,
	title = {Review of From Pleasure and Profit to Science and Security: Etienne Lenoir and the Transformation of Precision Instrument-Making in France, 1760-1830, by A. J. Turner},
	journal = {Isis},
	volume = {83},
	year = {1992},
	pages = {141-142},
	author = {Sara Schechner-Genuth}
}
@article {113491,
	title = {Review of Le Citoyen Lenoir: Scientific Instrument Making in Revolutionary France, by J. A. Bennett},
	journal = {Isis},
	volume = {83},
	year = {1992},
	pages = {141-142},
	author = {Sara Schechner-Genuth}
}
@article {113486,
	title = {Review of Comets: A Chronological History of Observation, Science, Myth, and Folklore, by Donald K. Yeomans},
	journal = {Isis},
	volume = {83},
	year = {1992},
	pages = {468-469},
	author = {Sara Schechner-Genuth}
}
@article {113466,
	title = {Comets and Their Malevolence. Review of The Origin of Comets, by M. E. Bailey, S. V. M. Clube, and W. M. Napier},
	journal = {Journal for the History of Astronomy},
	volume = {23},
	year = {1992},
	pages = {215-217},
	url = {http://articles.adsabs.harvard.edu/full/1992JHA....23..215C},
	author = {Sara Schechner Genuth}
}
@article {113161,
	title = {Astronomical Imagery in a Passage of Homer},
	journal = {Journal for the History of   Astronomy},
	volume = {23},
	year = {1992},
	pages = {293-298},
	url = {http://articles.adsabs.harvard.edu/full/1992JHA....23..293G},
	author = {Sara Schechner Genuth}
}
@article {113501,
	title = {Review of the Union Catalogue of Printed Books of the Fifteenth, Sixteenth, and Seventeenth Centuries in European Astronomical Observatories, ed. Giovanna Grassi},
	journal = {Isis},
	volume = {82},
	year = {1991},
	pages = {419},
	author = {Sara Schechner-Genuth}
}
@article {113471,
	title = {Biography of Maskelyne.  Review of Nevil Maskelyne: The Seaman{\textquoteright}s Astronomer, by Derek Howse},
	journal = {Journal for the History of Astronomy},
	volume = {21},
	year = {1990},
	pages = {380-381},
	url = {http://articles.adsabs.harvard.edu/full/1990JHA....21..380H},
	author = {Sara Schechner Genuth}
}
@article {113181,
	title = {Blazing Stars, Open Minds, and Loosened Purse Strings: Astronomical Research and Its Early Cambridge Audience},
	journal = {Journal for the History of Astronomy},
	volume = {21},
	year = {1990},
	pages = {9-20},
	author = {Sara Schechner-Genuth}
}
@article {113406,
	title = {Blazing Stars, Open Minds, and Loosened Purse Strings:  Astronomical Research and Its Early Cambridge Audience},
	journal = {Bulletin of the American Astronomical Society},
	volume = {20},
	number = {4},
	year = {1988},
	pages = {947},
	author = {Sara Schechner Genuth}
}
@article {113506,
	title = {Nineteenth Century Scientific Apparatus.  Review of Pike{\textquoteright}s Illustrated Catalogue of Scientific \& Medical Instruments, by Benjamin Pike, Jr.},
	journal = {Journal for the History of Astronomy},
	volume = {18},
	year = {1987},
	pages = {140-141},
	author = {Sara Schechner Genuth}
}
@article {113191,
	title = {Comets, Teleology, and the Relationship of Chemistry to Cosmology in Newton{\textquoteright}s Thought},
	journal = {Annali dell{\textquoteright}Istituto e Museo di Storia della Scienza di Firenze },
	volume = {10},
	number = {2},
	year = {1985},
	pages = {31-65},
	author = {Sara Schechner-Genuth}
}
@article {113411,
	title = {The Teleological Role of Comets in 17th and 18th Century Natural Philosophy},
	journal = {Bulletin of the American Astronomical Society},
	volume = {16},
	number = {2},
	year = {1984},
	pages = {476-477},
	author = {Sara Schechner Genuth}
}
@article {113201,
	title = {Science in the Context of Tradition: Solomon Maimon and Samson Raphael Hirsch},
	journal = {Synthesis},
	volume = {4},
	number = {2},
	year = {1977},
	pages = {28-43},
	author = {Sara J. Schechner}
}
