In Preparation
Vidan, Aida. Beginner's Bosnian. Hippocrene Books, In Preparation. Print.
Vidan, Aida. “Lectia Application Croatian”. National Foreign Language Institute, University of Maryland Forthcoming: n. pag. Print.
Vidan, Aida. “The South Slavic Serpent-Groom Ballad: A Myth of Rebirth”. Dragons Ancient, Medieval, and Modern. Ed. Joseph F. Nagy. Turnhout, Chicago, Los Angeles: Brepols and UCLA Center for Medieval and Renaissance Studies, Forthcoming. Print.
Vidan, Aida. “Database of ballads and lyric songs from the Milman Parry Collection of Oral Traditional Literature with 2,000 transcribed texts. Widener Library, Harvard University”. Forthcoming: n. pag. Print.
Vidan, Aida. “Rajko Grlić and Cadences of Reality”. Rajko Grlić, One More for the Road. A director’s notes on exile, family and film. New York and Oxford: Berghahn Books, 2021. Print.
Owls and Others
Owls and Others. 2020. Film.
Vidan, Aida, and Jurica Pavičić. “Croatian Film: The State, Its Citizen, and the Faltering Future”. Contemporary Balkan Cinema: Transnational Exchanges and Global Circuits. Eds. Ana Grgić and Lydia Papadimitriou. Edinburgh: Edinburgh University Press, 2020. Print.
Hands of Ours
Vidan, Aida. Hands of Ours. 2019. Film.
Vidan, Aida. “Framing the Body, Vocalizing the Pain: Perspectives by the South Slavic Female Directors”. Studies in European Cinema 15 (2018). Print.
Vidan, Aida. “Shredding History: Documentary and the Undocumentable in Makavejev’s Hole in the Soul.”. Mysteries of Makavejev: Eros, Ideology, Montage . Eds. Vadim Erent and Bonita Rhoads. Prague: Litteraria Pragensia Books, 2018. Print.
Vidan, Aida. “Perceptions of Authority and Freedom in Late Yugoslav and Post-Yugoslav Film.”. Studies in Eastern European Cinema. Europeanization in East-Central European Fiction Film and Television (1980-2000) (2017). Print.
Blue, Arrival
Vidan, Aida (director). Blue, Arrival. Solentia Productions, 2017. Film.
Vidan, Aida. “Kulturološko-iskustveni pristup poučavanju hrvatskoga kao inoga jezika / Cultural-experiential approach to teaching Croatian as a second language”. Croaticum: Savjetovanje za lektore hrvatskoga kao inoga jezika. 3 (2017). Print.
The Immigrant
Vidan, Aida, and Sanja Zdjelar, ed. The Immigrant. 2017. Film.
Vidan, Aida. “Irresistible Irreverence: Dušan Makavejev’s Amateur Films and the Yugoslav Cine-Club Scene”. Experimental Cinema in State Socialist Eastern Europe; Studies in East European Cinema 7 (special issue) (2016). Print.
Vidan, Aida. “Magicians and Captive Maidens: Oral Sources and the Croatian Renaissance Drama.”. Classics@ 14: Singers and Tales in the 21st Century: The Legacies of Milman Parry and Albert Lord. Washington, DC: Center for Hellenic Studies, 2016. Web. Online text
Tereza's House
Vidan, Aida (director). Tereza's House. USA/Croatia: Solentia Productions, 2015. Film.
Vidan, Aida, and Sanja Zdjelar. Regret. USA, 2014. Film.
Vidan, Aida. “Aida Begić’s Invisible Worlds”. Absinthe: New European Writing (2013). Print.
Vidan, Aida. “Narativi drugosti i krize u južnoslavenskim filmovima novog milenija. (Narratives of Otherness and Crisis in the South Slavic Films of the New Millennium)”. Komparativni postsocijalizam: slavenska iskustva. Ed. Maša Kolanović. Zagreb: Zagrebačka slavistička škola, 2013. Print.