@inbook {686241,
	title = {Binders and Bindings},
	booktitle = {The Palgrave Encyclopedia of Early Modern Women{\textquoteright}s Writing},
	year = {Forthcoming},
	publisher = {Palgrave Macmillan},
	organization = {Palgrave Macmillan},
	address = {New York},
	author = {V.M. Braganza},
	editor = {Helen Smith and Ben Wilkinson-Turnbull and Patricia Pender and Rosalind Smith}
}
@article {686238,
	title = {Canonicity and the First Folio},
	journal = {Shakespeare Quarterly},
	year = {Forthcoming},
	author = {V.M. Braganza},
	editor = {Claire Bourne}
}
@inbook {686242,
	title = {Gender},
	booktitle = {The Palgrave Encyclopedia of Early Modern Women{\textquoteright}s Writing},
	year = {Forthcoming},
	publisher = {Palgrave Macmillan},
	organization = {Palgrave Macmillan},
	address = {New York},
	author = {V.M. Braganza},
	editor = {Danielle Clarke and Patricia Pender and Rosalind Smith}
}
@article {686240,
	title = {Milton{\textquoteright}s Shakespearean Cloak and the Art of Readership in {\textquoteright}L{\textquoteright}Allegro{\textquoteright}/{\textquoteright}Il Penseroso{\textquoteright}},
	journal = {Milton Studies},
	year = {Forthcoming},
	author = {V.M. Braganza},
	editor = {Stephen Dobranski}
}
@webarticle {686244,
	title = {The Pressure Dance of Memory in Sarah Polley{\textquoteright}s Run Towards the Danger},
	journal = {Lithub},
	year = {Forthcoming},
	author = {V.M. Braganza}
}
@inbook {686237,
	title = {Romance and Race},
	booktitle = {The Oxford Handbook of Early Modern Women{\textquoteright}s Writing in English},
	year = {Forthcoming},
	publisher = {Oxford University Press},
	organization = {Oxford University Press},
	address = {Oxford},
	author = {V.M. Braganza},
	editor = {Elizabeth Scott-Baumann and Danielle Clarke and Sarah C.E. Ross}
}
@article {653835,
	title = {"Many Ciphers, Although But One for Meaning": Lady Mary Wroth{\textquoteright}s Many-Sided Monogram},
	journal = {English Literary Renaissance},
	volume = {52},
	number = {1},
	year = {2022},
	month = {2022},
	pages = {124-152},
	url = {https://www.journals.uchicago.edu/doi/full/10.1086/717202?casa_token=z4EHz2VCqjUAAAAA\%3AT2qVVkMq66MbZxvTvpqF8FMmucklu4sGMUoy9weG4r9n5oydoZnneBg564BcY9eSHJpCX670DM9D},
	author = {V.M. Braganza}
}
@webarticle {686243,
	title = {7 Books By L.M. Montgomery That Aren{\textquoteright}t Anne of Green Gables },
	journal = {Mental Floss},
	year = {2021},
	url = {https://www.mentalfloss.com/article/652779/lm-montgomery-books-not-anne-green-gables},
	author = {V.M. Braganza}
}
@magazinearticle {686236,
	title = {The Secret Codes of Lady Wroth, the First Female English Novelist},
	journal = {Smithsonian Magazine},
	year = {2021},
	url = {https://www.smithsonianmag.com/arts-culture/secret-codes-lady-wroth-first-female-english-novelist-180978365/},
	author = {V.M. Braganza}
}
@webarticle {686245,
	title = {Our Second April},
	journal = {LA Review of Books},
	year = {2021},
	url = {https://blog.lareviewofbooks.org/essays/second-april/},
	author = {V.M. Braganza}
}
@webarticle {668898,
	title = {"Poems by the Most Deservedly Admired Mrs Katherine Philips (1667)"},
	journal = {Early Modern Female Book Ownership Blog},
	year = {2021},
	url = {https://earlymodernfemalebookownership.wordpress.com/2021/01/04/poems-by-the-most-deservedly-admired-mrs-katherine-philips-1667/},
	author = {V.M. Braganza}
}
@webarticle {653296,
	title = {(Quarantined in) a Room of One{\textquoteright}s Own},
	journal = {LA Review of Books},
	year = {2020},
	url = {http://blog.lareviewofbooks.org/essays/quarantined-room-ones/},
	author = {V.M. Braganza}
}
@website {650208,
	title = {Samuel Daniel and John Trussel{\textquoteright}s A Continuation of the Collection of the History of England (1636)},
	volume = {Early Modern Female Book Ownership Blog},
	year = {2020},
	url = {https://earlymodernfemalebookownership.wordpress.com/2020/03/23/samuel-daniel-and-john-trussels-a-continuation-of-the-collection-of-the-history-of-england-1636/},
	author = {V.M. Braganza}
}
@article {648777,
	title = {The Shadow Casts a Body: Racial Dialogue in Two Neo-Latin Lyrics Attributed to George Herbert"},
	journal = {Studies in Philology},
	volume = {117},
	number = {1},
	year = {2020},
	pages = {108-128},
	abstract = {This essay offers a new reading of a secular poem by George Herbert, a black woman{\textquoteright}s erotic complaint to a white beloved, entitled "{\AE}thiopissa ambit Cestum Diuersi Coloris Virum," and a hitherto unknown response lyric, "Cesti ad {\AE}thiopissam responsio" attributed to Herbert in a non-autograph commonplace book. Placing the poems within related rhetorical and ethnological contexts through a close analysis of their dialogue, I show that their interlocking structures exemplify humanist argumentation\&nbsp;in utramque partem. The poetics of fashioning an argument "in each part," a feature of early modern manuscript culture of poetic response more broadly, indicates an interaction between the performance of rhetorical adroitness and the development of a manipulable ethnology that presages the emergence of racialism.},
	url = {https://muse.jhu.edu/article/746326/pdf},
	author = {V.M. Braganza}
}
@article {648779,
	title = {The Danger in Metaphor: "Dismembering Resemblances" in Dunbar and King Lear},
	journal = {Shakespeare},
	year = {2019},
	abstract = {Dunbar, Edward St. Aubyn{\textquoteright}s novelistic adaptation of\&nbsp;King Lear, re-presents the role of metaphor in Lear{\textquoteright}s madness as an experience of disorientation. Abused by his two older daughters, Dunbar finds visual and conceptual distinctions dissolving into ubiquitous similarity. This essay takes St. Aubyn{\textquoteright}s visual metaphor for metaphor itself as an incitement to view the role of this figure as an agential force upon the linguistic topography and structure of the tragedy. The breakdown of Lear{\textquoteright}s world, I argue, begins with the love test as a staged metaphor that seeks, unsuccessfully, to associate land with his definition of love. Thereafter, metaphor operates with an element of agency and dramatic irony: Lear{\textquoteright}s comparison of unfaithful daughters to sexually monstrous women, and his self-parody, are metaphors whose resonances transcend his epistemology and intent. While traditional semiotics do not account for language{\textquoteright}s agency, I offer a reading which extends Alfred Gell{\textquoteright}s theory of art as index to texts as a model for this agency. Via Gell, I explore the process whereby Shakespeare{\textquoteright}s language unshackles itself from semantic meanings in moments of sonic repetition and, concomitant with this freedom, creates new associations between concepts within Lear{\textquoteright}s language and across the action of the play.},
	author = {V.M. Braganza}
}
@webarticle {649255,
	title = {Hayward{\textquoteright}s Politics and Mottershed{\textquoteright}s Anthology: Examining Parker K.8.14},
	journal = {The Parker Library Blog},
	year = {2017},
	url = {https://theparkerlibrary.wordpress.com/2017/04/25/haywards-politics-and-mottersheds-anthology-examining-parker-k-8-14/},
	author = {V.M. Braganza}
}
