Research interests: Medieval literature, especially narrative and Latin; education (grammar, rhetoric, and dialectic), poetics, and literary criticism and theory in the Middle Ages; folktales and popular culture in medieval sources, especially Latin; Latin-vernacular relations
Jan Ziolkowski (A.B. Princeton University, Ph.D. University of Cambridge) has focused his research and teaching on the literature and culture of the Latin Middle Ages. Within medieval literature his special interests have included such areas as the classical tradition in general, the grammatical and rhetorical tradition in particular ("Literary Theory and Criticism in the Middle Ages"), the appropriation of folktales into Latin, and Germanic epic in Latin language. At Harvard he has chaired the Department of Comparative Literature and the Committee on Medieval Studies, in addition to (fleetingly) the Department of the Classics. He founded the Medieval Studies Seminar, which continues to hold regular meetings in the Barker Center that are open to the public. In his teaching he offers courses mainly in Classics (Medieval Latin) and in Medieval Studies. Since 2007 he has directed Dumbarton Oaks Research Library and Collection, a Harvard center for the humanities and arts in Washington, D.C., with programs in Byzantine studies, Pre-Columbian studies, and Garden and Landscape studies.
Ziolkowski has written roughly a hundred articles and around sixty book reviews. In books, his older ones encompass critical editions of Medieval Latin texts (such as The Cambridge Songs; Jezebel: A Norman Latin Poem of the Early Eleventh Century; and two of poetry by Nigel of Canterbury), a book on intellectual history (Alan of Lille's Grammar of Sex: The Meaning of Grammar to a Twelfth-Century Intellectual), a book on literary history (Talking Animals: Medieval Latin Beast Poetry), and collections of essays written by himself and others (On Philology and Obscenity: Social Control and Artistic Creation in the European Middle Ages).
His side interest in the history of scholarship is evidenced in the introductions he has written for the 1993 Princeton University Press reprint of Erich Auerbach's Literary Language and its Public and the 1998 reprint of Domenico Comparetti's Vergil in the Middle Ages. He also translated an essay by Auerbach that was included as an appendix to the 2003 (fiftieth-anniversary) edition of Mimesis.
In the first decade of the twenty-first century he spearheaded three collaborative translation projects. The first of the three, The Medieval Craft of Memory: An Anthology of Texts and Pictures, coedited by Mary Carruthers, was published in hardcover in 2002 and came into paperback in 2004. He edited an English translation of Dag Norberg's Introduction to the Study of Medieval Latin Versification, which was brought into print in cloth and paper by Catholic University of America Press in 2004. This analysis and interpretation of Medieval Latin versification remains the standard work on the subject. Finally, a very large anthology of Latin texts and English translations on The Vergilian Tradition: The First Fifteen Hundred Years, coedited with Michael C.J. Putnam, was published by Yale University Press in 2008. Additional material is available on the website for the book: Virgilian Tradition.
A final team project was A Garland of Satire, Wisdom, and History: Latin Verse from Twelfth-Century France (Carmina Houghtoniensia), which inaugurated in 2007 the series of Houghton Library Studies, distributed by Harvard University Press. It included the work of three former graduate students, two of them Ph.D.-recipients in Medieval Latin philology.
In 2008 Ziolkowski initiated Harvard Studies in Medieval Latin. The initial volume in this series, also distributed by Harvard University Press, is an edition and translation with commentary that he produced himself and that bears the title Solomon and Marcolf. Another volume of his own translations, with introductions and notes, was published by Catholic University of America Press in 2008, under the title Letters of Peter Abelard, Beyond the Personal. This volume presents in English all the letters and letter-like texts by Peter Abelard that do not form part of the famous "personal" letters exchanged by Heloise and him.
Among other large projects is a book entitled Nota Bene: Reading Classics and Writing Songs in the Early Middle Ages, which appeared as Publications of the Journal of Medieval Latin 7 in 2007. Between the late tenth century and the late twelfth century, the musical notation known as neumes was provided in dozens of manuscripts for, among other texts, many of Horace's Odes as well as for sections of epics by Vergil, Statius, and Lucan. This study seeks to determine why these texts were chosen and how, where, when, and by whom they were sung. Another book, Fairy Tales From Before Fairy Tales: The Medieval Past of Wonderful Lies, published by University of Michigan Press in 2007, sketches the complex connections that existed in the Middle Ages between oral folktales and their written equivalents, by examining specific Medieval Latin texts and the expressions of the same tales in the "classic" fairy tale collections of the nineteenth century.
In the second decade of the twenty-first century, Ziolkowski has focused on three major projects. First, he founded the Dumbarton Oaks Medieval Library. Now comprehending more than fifty volumes, this series, published by Harvard University Press, presents texts from the Middle Ages facing translations into modern English. The subseries include at present Byzantine Greek, Medieval Latin, and Old English. To this series he has contributed half of one volume from 2011, Eupolemius.
Second, he collaborated with his colleague in Classics at Harvard, Richard F. Thomas, to produce The Virgil Encyclopedia, published by Wiley-Blackwell in 2014. These three volumes offer the first comprehensive reference work in English on the oeuvre of the great Roman poet and their influence down to the present day.
The efforts directed to Virgil had their medieval complement in work on Dante Alighieri. In 2014, Ziolkowski edited Dante and the Greeks, in Dumbarton Oaks Medieval Humanities (Washington, D.C.: Dumbarton Oaks Publications, 2014). His introduction leads into a dozen chapters by Dantists, medievalists, and Byzantinists. In 2015 his Dante and Islam, previously a special issue of Dante Studies, was reprinted as the inaugural volume in the series Dante’s World: Historicizing Literary Cultures of the Due and Trecento (New York: Fordham University Press, 2015).
Most recently, Ziolkowski has completed a project to investigate a single medieval story, known both as The Jongleur of Notre Dame and as Our Lady’s Tumble, its reception in modern culture from 1873 to the present day, and its place more broadly in modern revivals of the Middle Ages, especially in Gothic architecture. Entitled The Juggler of Notre Dame and the Medievalizing of Modernity, this monograph comprises six volumes:
With nearly twelve hundred illustrations, this book pursues leads and offers findings relevant to such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies. Its overarching objectives are to demonstrate the interrelatedness of past and present, Europe and United States, and humanities and arts.
As an outgrowth from the research, Ziolkowski has curated an exhibition at Dumbarton Oaks, to run through February 28, 2019. Entitled “Juggling the Middle Ages,” it includes more than 100 objects. It is flanked by publications directed at a larger public, to which he has contributed prefaces, forewords, or afterwords, and which he has translated. These include two versions of a short story by Anatole France, one from 1906 with Ziolkowski’s translation on facing pages and one from 1924 solely in translation; a coloring book; and a reprint of Barbara Cooney’s The Little Juggler from 1961. This foursome is distributed by Harvard University Press.
Available through the Museum Shop of Dumbarton Oaks are two additional items, the exhibition catalogue, Juggling the Middle Ages, written and edited by Jan M. Ziolkowski and Alona Bach, and a reprint of José María Souvirón, El juglarcillo de la Virgen, illustrated by Roser Bru, from 1942. Last but not least is Max Bolliger, Jacob the Juggler, Based on a French Legend from the Thirteenth Century, illustrated by Štěpán Zavřel (Trieste, Italy: bohem press Italia, 2018).
Medieval Latin at Harvard
Undergraduates in Classics may specialize in Medieval Latin as a degree option. Concentrators in History and Literature, Literature, and Folklore and Mythology sometimes make Medieval Latin a formal component in their degrees. Of course, pursuing a degree or other formal accreditation in Medieval Latin is by no means required of students who are interested in the field. After two terms of college Latin or the equivalent, students may take Latin Bam "Latin Prose Selections (Late Antique and Medieval)" and Latin Bbm "Introduction to Latin Poetry (Late Antique and Medieval)." Other courses at the 100-level or above (such as "Wisdom and Learning" and "The Cambridge Songs") are open to students who have studied more Latin.
At one time or another, graduate students in more than ten different humanities departments and programs at Harvard have incorporated Medieval Latin into their general examinations and/or their dissertations. Although Medieval Studies at Harvard is decentralized, the community is strong at all levels (undergraduates, graduate students, faculty, and librarians). Links between the Committee on Medieval Studies and the Department of the Classics have been particularly numerous and strong in both Latin and Greek. Since the time of the late Herbert Bloch, Classics has had a Ph.D. program in Medieval Latin philology. Graduates have included Marc Laureys, who heads the seminar for Medieval Latin and Neo-Latin philology at the University of Bonn in Germany; Bridget Balint, associate professor at Indiana University; Justin Lake, associate professor at Texas A&M; Justin Stover, lecturer in Medieval Latin at the University of Edinburgh; David Ungvary, assistant professor at Bard College; and Julian Yolles, Postdoctoral Research Fellow at the University of Southern Denmark. Comparative Literature, although it does not have an explicitly labeled "medieval track," has attracted and accepted a number of medievalists who have included Medieval Latin as either their major literature or one of their minors.
Resources for Research
Ziolkowski is very enthusiastic not just about the people in the Harvard community but also about the Harvard College Library, with its marvelous resources in printed materials, electronic databases, and manuscript holdings.